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Butchoff Antiques Club Chairs

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Pair of French Carved Mahogany Armchairs, 19th Century
Located in London, GB
An imposing pair of Louis Philippe Fauteuils Constructed in Honduras Mahogany, standing on swept lappeted gentle 'S' shaped legs to the fro...
Category

Antique 19th Century French Regency Armchairs

Materials

Mahogany

Pair of 19th Century English "C" Scroll Black Leather Library Armchairs
By Gillows of Lancaster & London
Located in London, GB
A magnificent pair of George IV library armchairs firmly attributed to Gillows of London and Lancaster Constructed in mahogany: the front legs of addorsed 'C' scrolls, confidently a...
Category

Antique 19th Century English Georgian Club Chairs

Materials

Leather, Mahogany

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19th Century Pair of English Victorian Leather Armchairs
Located in London, GB
This is a handsome pair of antique Victorian mahogany and leather club armchairs, circa 1880 in date. This lovely pair was made from masterly crafted hand-carved solid mahogany with an interesting hand-carved crest of a bird on top of each. They have been reupholstered in a sumptuous chocolate brown leather with button backs and stand on their original brass and porcelain castors. There is no mistaking their beautiful and stylish design, which is certain to make it a treasured addition to one of the rooms in your home. THE BOTANICAL NAME FOR THE MAHOGANY THAT THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION AND DOES NOT CONTAIN ANY RESTRICTED MATERIALS. Condition: In excellent condition having been beautifully restored and reupholstered in our workshops, please see photos for confirmation. Dimensions in cm: Height 106 x width 68 x depth 80. Dimensions in inches: Height 3 feet, 6 inches x width 2 feet, 3 inches x depth 2 feet, 7 inches. Mahogany is probably one of the largest ‘families’ of hardwood, having many different varieties within its own species. Mahogany has been used for centuries in ship building, house building, furniture making etc and is the core structure of just about every 19th century vanity box, dressing case or jewelry box. It became more of a Victorian trend to dress mahogany with these decorative veneers, such as burr walnut and coromandel, so that the actual mahogany was almost hidden from view. Mahogany itself is a rich reddish brown wood that can range from being plain in appearance to something that is so vibrant, figured and almost three dimensional in effect. Although mahogany was most often used in its solid form, it also provided some beautifully figured varieties of veneer like ‘flame’ mahogany and ‘fiddleback’ mahogany (named after its preferred use in the manufacture of fine musical instruments). Cuban mahogany was so sought after, that by the late 1850s, this particular variety became all but extinct. Scottish leather These chairs are upholstered in top quality Scottish cow...
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19th Century Pair of English Victorian Leather Armchairs
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$5,362 / set
H 41.74 in W 26.78 in D 31.5 in
Pair of Armchairs in Carved Oak and Rush, France, 1950s
By Charles Dudouyt
Located in Kaštel Sućurac, Splitsko-dalmatinska županija
With their upright silhouettes and pronounced finials, these armchairs assert a kind of rustic nobility—firm in their bearing, yet softened by the woven tactility of rush. The back a...
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Pair of Armchairs in Carved Oak and Rush, France, 1950s
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Located in Debenham, Suffolk
19th century French carved walnut large armchairs, circa 1880. Elegant pair of 19th century armchairs which are generous in the seat dimensions. Beautifully carved scrolling arms wi...
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19th century Scroll back English country house armchair
Located in Malton, GB
If you would like this armchair upholstered please click yes in the upholstery drop down menu. This would require 6 metres of material. You can supply your own or please get in touch...
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19th century Scroll back English country house armchair
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19th century English oak and leather library chair. Lovely old patina.
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Pair of Italian 19th-20th Century Baroque Style Walnut Carved Throne Armchairs
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A fine pair of Italian 19th-20th century Baroque Revival style walnut figural carved high-back throne armchairs, each upholstered in a floral cream silk and gold fabric...
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Pair of 19th Century Open Armchairs
By Gillows of Lancaster & London
Located in Richmond, London
A superb quality pair of open armchairs, after late 18th century designs by Gillows of Lancaster and London, the manufacture attributable to Gillow & Co. English, circa 1880. Why we like them Wonderfully elegant model, looking very delicate but in fact unusually strong – the sign of a skilled craftsman. Interestingly, chairs of this exact model can be seen in a painting by Walter Dendy Sadler (British, 1854-1923), The After Lunch Conversation, 1889, sold at Doyle, New York, 21 May 2024, lot 83. Design These chairs correspond to Gillows’ 'Garforth pattern' - a rare and highly desirable design - which first appeared in 1795 and was probably an adaptation of Georges Jacob's design of circa 1792 for Marie-Antoinette's dairy at Rambouillet. Gillows made the chairs not only in mahogany but also japanned, and they appear to have been particularly popular among the genteel, professional, and merchant classes in the north of England. In 1796, the Earl of Strafford purchased six white and green japanned chairs for Wentworth Woodhouse...
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Pair of 19th Century Open Armchairs
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Located in London, GB
This is an absolutely magnificent pair of antique English solid walnut library armchairs, circa 1880 in date. Each with a beautiful hand carved cresting rail, the backs, seats and arms upholstered in sumptuous leather, the arms on spindle supports and on turned front legs terminating in the original brass castors. The brown leather is truly striking and in excellent condition, these armchairs are of a quality that would be very difficult to find today and the solid walnut has wonderful hand carved decoration. Provenance: Barcote Manor, Buckland, Oxfordshire. Barcote Manor was built in 1876 as a hunting lodge for Lady Theodora Guest, a daughter of the Duke of Westminster. In 1881 it was sold to William West...
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