Capperidicasa snc Case Pieces and Storage Cabinets

The Samara storage unit was designed by Dutch-born Derk Jan de Vries, who relocated to Italy in the 1960s. There, he collaborated with the small Milanese manufacturer Maisa di Seveso...

Derk Jan de Vries for Maisa di Seveso, Natural Green Modular Cabinet-Bookcase, Milan, Italy, 1970s The Dutch designer Derk Jan de Vries in the 1970s designed this unique modular cab...

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

A sideboard designed by the Danish designer Ib Kofod-Larsen, produced in the 1960s in the Danish factory Faarup Mobelfabrik. The sideboard is made of rosewood. The sideboard has unde...

Teak Chest of Drawers A beautiful chest of drawers made of teak. The color is a beautiful reddish brown. The cool grips and patterning of the wood make this one a true eye catcher. T...

Gorgeous midcentury rectangular wall shelf in curved rattan, bamboo and hand-woven wicker. This charming French Riviera style shelf was designed by Franco Albini and produced in Ita...

Midcentury modular bookcase with original metal ? structure, brass details and several wooden compartments; four drawers on the right and a big c...

Danish Modern Tambour Credenza by Peter Hvidt & Orla Mølgaard-Nielsen for Søborg, 1960s A remarkable example of Danish modern design, this tambour credenza by Peter Hvidt and Orla M...

Large modular bookcase composed by movable black painted shelves and wood uprights with brass feet. More uprights and shelves available.

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Modular bookshelf designed by Franco Albini in 1956 for Poggi Pavia. An exceptionally flexible bookshelf with various modular options, suitable to be placed against a wall or used as...

Chest of drawers/sideboard in rosewood, designed by Arne Vodder for NC Møbler Odense in the 1960s. Made with a focus on elegant lines and quality materials, this chest of drawers is ...