Capperidicasa snc Cabinets

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Extraordinary Mid-Century wall shelf in curved rattan, bamboo and wicker. This marvellous object was made in Italy in the 1960s and is attributed to the mastery of Franco Albini. Th...

Poul Volther, Model F-17 chest of drawers, circa 1950s. A tall chest of drawers made from exquisite solid and veneered rosewood with six drawers. The chest is in immaculate condition and has been carefully resotred at our workshops in London. Designed by Dane Poul Volther and manufactured by Tarm Stole Møbelfabrik...

File cabinet in teak and oak, designed and made in Denmark. Great original condition.

Chest of drawers made in Denmark in the 1960s and attributed to Henry Kjærnulf. Great carved details and brass hardware.

Pair of commodes in oak, designed by Danish architect Børge Mogensen for Karl Andersson cabinetmakers. Made in Sweden in the 1960s. Great original condition.

Rosewood chest of drawers by Gunni Omann. Made in Denmark in the 1960s. Very good condition. Measures: height 81cm, width 120cm, depth 44cm.

Gorgeous midcentury rectangular wall shelf in curved rattan, bamboo and hand-woven wicker. This charming French Riviera style shelf was designed by Franco Albini and produced in Ita...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

This teak chest of drawers with four drawers is a beautiful example of Danish design from the 1960s. With its characteristic teak material, the chest of drawers radiates warmth and n...

Italian wood cabinet, 1960s. Dimensions: H= 83 cm; W= 130 cm; D= 43 cm.

Set of original model 232 'China' cabinets all in oak with maple interior. Beautiful keys and handles in brass. Designed by Børge Mogensen in 1960 and produced by cabinetmaker C.M. M...