CAVALIERE GALLERY Furniture

Modular bookcase model LB7 designed by Franco Albini for Poggi. Marked Poggi Pavia. An extremely flexible bookcase, with different modular options, suited to being against a wall or...

Rare Vintage Mid-Century Modern rare pair of organic brass, white and clear Murano glass double socketed wall lamps, lights or sconces by Austrian lighting manufacturer Kalmar, circa...

Hand Painted 2 Piece French style Cabinet or Hutch. This tall hand-painted piece would make a fabulous statement in a living room, dining room or kitchen. Not a detail has been misse...

Gio Ponti for Richard Ginori vase in terracotta and gold, Italy, 1930s. It is a wonderful little gem, this vase designed by Gio Ponti and made by Richard Ginori in the 1930s. Great simple design and beautiful contrast between the terracotta and the gold. Part of a series of terracotta and gold bowls...

Stunning Mid Century Modern organ vase sculpted from brass tubes and brass rods, in the style of Gio Ponti for Christofle. Sourced in Italy and dating to the early 1960s. The vase i...

A large Scandinavian wall unit circa 1960's. It features teak wood finish with a drop down center desk. The unit is totally modular and can arra...

Marvelous and unique Pair of Italian Clear Lilac murano glass Wall Sconces from 1970s. These fixtures were designed and munufactured during the 1970s in Italy by Mazzega. Each sconc...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

A rare and beautiful striking planter designed by Gio Ponti during the 1930's for Italian manufacturer Richard Ginori, which still is in production today doing collaborations with fa...

Modular bookshelf designed by Franco Albini in 1956 for Poggi Pavia. An exceptionally flexible bookshelf with various modular options, suitable to be placed against a wall or used as...

This tall display cabinet has been taken down to bare metal and then sealed to give a handsome industrial factory look. The unit comes from a doctors office and is at least 100 years...

An Osvaldo Borsani Varedo finely carved walnut wall-mounted console table with mirrored surface and accompanying circular walnut wall mirror with elegant scalloped edge. The rectang...