Colonia-Art Nude Paintings
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Hello Sean! - Acrylicpainting on Canvas - Haas, Willibrord
Located in Winterswijk, NL
This dynamic figurative painting reflects Willibrord Haas’ masterful use of bold colors and fluid movement, drawing viewers into its energetic composition. Created in 1994 by the ren...
Category
1990s Expressionist Figurative Paintings
Materials
Canvas, Acrylic
Wim van Broekhoven "Standing Back Nude" Nude
By Wim van Broekhoven
Located in Winterswijk, NL
Standing Nude by Wim van Broekhoven.
Drawing from models and observing urban, industrial and natural landscapes are recurring motifs.
Drawing from a model is about representing expr...
Category
21st Century and Contemporary Abstract Nude Paintings
Materials
Ink
Wim van Broekhoven "Standing Nude" Nude
By Wim van Broekhoven
Located in Winterswijk, NL
Standing Nude by Wim van Broekhoven.
Drawing from models and observing urban, industrial and natural landscapes are recurring motifs.
Drawing from a model is about representing expr...
Category
21st Century and Contemporary Abstract Nude Paintings
Materials
Ink
Wim van Broekhoven "Study 1" Nude
By Wim van Broekhoven
Located in Winterswijk, NL
Study 1 by Artist Wim van Broekhoven.
A beautiful artwork that looks good in every room and especially in the living room or hallway.
Can be framed.
Hand Signed.
Image Size: 50 x...
Category
21st Century and Contemporary Abstract Nude Paintings
Materials
Pastel
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Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY).
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His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared.
He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon.
He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his.
George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint".
Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction.
Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others".
George firmly believed that all the best artists are good hucksters, too.
Solo exhibitions as a painter were as follows:
Columbia-Greene Community College - 1985
Barrett House - 1985
Smith Gallery - 1980, '81, '82
Swansborough Gallery, Wellfleet - 1983
Hopper House, Nyack, NY - 1981
Hudson River Museum, Yonkers
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