Connaught Antiques Table Lamps

Pair of 19th Century Bronze and Marble Lamps, probably French, circa 1880's. Rewired and ready to use.

An extremely elegant French 19th century Louis XVI st. white Carrara marble and ormolu lamp. The lamp is raised by ormolu foliate designed topie feet. The octagonal white Carrara mar...

Crafted in France, circa 1870 and made of marble and bronze, these antique urns converted into table lamps stand on a three-leg bronze base ending with hoof feet, over a marble botto...

A pair of French cast bronze doré tall pillar candlestick lamps with colorful champlevé enamel decoration. Triangle base with fantastic winged dragons and claw feet. Excellent qualit...

Step into the allure of the past with this pair of 19th-century French bronze candlesticks, thoughtfully transformed into radiant lamps. Electrified with ...

A very fine pair of French, 19th century neoclassical style gilt bronze-mounted marble urns. The ovoid form marble urns flanked by foliate scroll handles with satyr mask terminals, o...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

A wonderful pair of whimsical French 19th century Louis XVI st. ormolu and marble lamps. Each lamp is raised on a foliate topie feet below the circular base with protruding rectangul...

A striking and extremely elegant true pair of French 19th century Louis XVI st. ormolu and Vert Campan marble lamps attributed to Henry Dasson. Each lamp is raised by a circular base...

FINE PAIR OF NEOCLASSICAL ORMOLU-MOUNTED ROUGE MARBLE TABLE LAMPS France, probably Paris, circa third quarter of the 19th century Item # 404LBP26Q A magnificent pair of Neoclassical vases converted into lamps, they are designed loosely after the influential vases of Antiquity known as the Medici and Borhese Vases. Those Kraters were executed in marble and have been widely considered the finest and most well-conceived vases of Antiquity. They have been frequently copied and have been the inspiration for many decorative arts, including the present pair. The original vases feature bas-relief scenes in the Medici vase of a seated Iphigenia beneath a statue of Diana surrounded by Achilles, Ulysses and Agamemnon and in the Borghese vase a scene of drunk Silenius, Dionysus wearing his animal skin garment and Ariadne all together accompanied by a procession of revellers. The present example departs from antiquity, focusing only on the Bacchic revellers and have repeated this motif across the field of the vase. They carry in their outstretched arms wreathes and long drapes of their garments, several carrying in hand the Thrysus. The chorus of figures is loosely reminiscent to the Borghese Dancers, also known as the Dancing Hours, executed in bas relief in marble...

Spectacular Pair of 19th century French Gilt Bronze Putti candelabra lamps. Original marble socle bases. True pair A left side and A right sided...

Louis XVI style marble and ormolu lamp, French 19th century raised on four ormolu toupie shaped feet below a square marble base, decorated with a pierced ormolu design at each side...