Constance and Sons Animal Drawings Watercolors

"At the Trough" is an artwork created on paper using charcoal. The dimensions of the artwork are 51.5x34.5 cm. The composition features a woman and a trough, suggesting a rural scene related to feeding and gathering water. The use of charcoal as the medium creates a rich, textural effect in the artwork. The focal point of the composition is the woman, who is the central figure in the scene. The artist has depicted her with a sense of realism, capturing her features, gestures, and expression. Zigurds Gustins (1919-1950) Graphic artist, teacher. Born in family of peasants. Biruta Gustynya wife - painter and teacher. He graduated from the agricultural high school Mezhotne (1937). He studied at the Latvian Academy of Art (1937-42), member of the student corporation "Dzintarzeme". From 1942 he worked in the management of monuments, drew antiques...

Provenance: Jean-Marc Du Pan (1785–1838), Geneva (L. 1440), passed to his brother Alexandre-Louis Du Pan (1787–1846); his sale, Geneva, March 26–28, 1840, included in lots 913–917; ...

Paper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...

Jean-Robert ANGO (Active 1759 – 1773) Man on Horseback Abducting a Woman Red chalk and white chalk 26.1 x 25.9 cm Provenance Libert-Castor sale, November 19, 1993 (lot no. 23, ill...

Rosanna Gaddoni Stillness 50 x 41 cm ( framed in wood frame with museum glass) Measurement with included frame: 57 x 65 cm Italian artist Rosanna Gadd...

Rosanna Gaddoni 'Fairy' 66 x 48 cm Charcoal and graphite on Rives Arches Paper 175 gm2 crème white Framed the size is 80 x 60 cm ( Frame is included...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works. Full title: That Day in Crete when you found the Blue Blanket in the Rocks and Dried it ...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

This stunning Baroque study depicts a regatta boat, a type of vessel developed in eighteenth-century Venice for the regattas organized by the Serenissima during visits by royalty and princes. We propose to link this drawing to the work of Alessandro Mauro, an artist who specialized in this type of composition, as illustrated by a drawing from him at the Metropolitan Museum. 1. Description of the boat The greatest decorative fantasy reigns in this preparatory study, which blends mythological and exotic elements with references to ancient Egypt. Our drawing is probably an initial thought, destined to be refined and clarified later in pen and ink (as evidenced by the ink stain in the lower right). A quadriga of seahorses guided by Neptune stands at the stern of the boat, shown well above the waterline (perhaps to outline its empty volume). One of the seahorses is ridden by a newt, while Amphitrite lies at the feet of the sea god. The center of the boat is occupied by a vast baldachin resting on four atlantes and surmounted by a figure riding an animal (a dragon?). Three figures sit beneath the canopy, one of them on a griffin-shaped seat. This allusion to Egyptian antiquity echoes the winged sun (sometimes a symbol of the god Horus, as in the temple of Edfu in Egypt) that adorns the sides of the promontory on which this baldachin rests. Another flag-bearer figure crouches at the stern of the boat on a raised seat, on the reverse of which is a crowned mermaid whose arm, extended backwards, rests on a mascaron decorated with a radiant face (Helios?) and whose torso surmounts an elephant's head. The heads of the rowers and their oars are sketched all along the boat, whose sides are embellished with elongated naiads. 2. The Venetian regatta boats An exhibition held in 2013 at the Ca' Rezzonico (the Venetian eighteenth-century museum) paid tribute to these regatta boats through studies and prints depicting them. The regattas organized by the Serenissima in honor of visiting princes and sovereigns were among the most spectacular ceremonies in Venice. Some important artists of the 18th century contributed to the creation of these extravagant boats which were given exotic names such as bissona, malgarota or peota. The specialists in this field were Andrea Urbani and the brothers Alessandro and Romualdo Mauro. They were born into a family of theater decorators in Piedmont, but little is known about their detailed biography. Alessandro was the architect of the Dresden opera house and of the St. Samuel Theater in Venice (in collaboration with his brother Romualdo), but also worked as stagehand and set designer in Vienna, Rome and Turin. A drawing produced around 1737 from the Metropolitan Museum (7th photo in the gallery) bears witness to his activity as a regatta boat designer. This drawing is a much more elaborate version than the one presented here, having been entirely reworked in brown ink. However, a figure at the bow of the boat, executed solely in black chalk, still bears witness to a technique similar to that of our drawing. It is difficult to know whether the boat depicted in our drawing was a project for an actual boat or whether it remained in the planning stage, but the front of our boat (Neptune and the quadriga of seahorses ridden by a newt) bears several similarities to that of a parade boat depicted in the print published by Michele Marieschi entitled Regatta on the Grand Canal, between the Foscari and Balbi Palaces (last photo in the gallery). This print is dated 1741, which could confirm that our work dates from around 1740. The area between Neptune and the quadriga that precedes him on this strange paddle-boat appears to be partially submerged, confirming that the waterline of our boat was probably intended to be much lower than the one shown in our drawing. The Correr Museum’s collection holds one of the most important collection of engravings and drawings devoted to these specifically Venetian Baroque productions. These boats were intended to last the duration of a festival. Today, they are only documented by preparatory drawings or prints that testify to the sumptuousness of their decoration. This taste for regatta boats lasted throughout the Venetian eighteenth century, and the conception of regatta boats also attracted great masters such as Giambattista Tiepolo, Francesco Guardi or Giambattista Piranesi...

La Promenade by Georges Manzana Pissarro (1871-1961) Charcoal and pastel on paper 49.5 x 63.5 cm (19 ⅜ x 25 inches) Signed lower left, Manzana Executed circa 1920 This work is accom...

Rosanna Gaddoni Vita Condatida 66 x 48 cm ( framed in wood frame with museum glass) Measurement with included frame: 80 x 60 cm Italian artist Rosanna...

RINY artists Audrey Anastasi and C.Dimitri collaborated to create contemporary collage works.