CONVERSO Desks

This is a wonderful early example of the Action Office Roll Top desk by George Nelson for Herman Miller. Desk features: Walnut roll top (4) action drawers Ebonized black side panels Deep inner file space Cast aluminum frame Foot rest White laminate writing surface Power outlet...

George Nelson for Herman Miller "Primavera" line three-drawer dresser / credenza / cabinet. Midcentury gem in bleached mahogany. Three large drawers with sculptural metal pulls, one...

This remarkable piece is a one-off desk/wardrobe/bar/bookcase/storage cabinet custom-designed by George Nelson in 1949 to match his Basic Cabinet Series (BCS) for Herman Miller. The desk was made specifically for a client in the Promontory Apartment Building in Chicago designed by Nelson's associate, and world-renowned architect, Ludwig Mies van der Rohe. The entire apartment was outfitted in pieces from George Nelson's Basic Cabinet Series for Herman Miller that sat, untouched for nearly 70 years in their original setting! In addition to two aluminium sconces, this piece also features hidden, fluorescent lighting mounted in the upper canopy as a clever solution to Mies van der Rohe's lack of ceiling fixtures. This is a gorgeous, grandiose, and extremely rare piece of design history that will instantly outfit an entire office in striking style! Features: Desk: - Book-matched walnut veneer - Built-in Bar - Built in coat closet/wardrobe - Dual aluminum sconces - Hidden, indirect fluorescent lighting - Silver-plated Herman Miller hardware - Dual "floating" book shelves - Tapered, cantilevered peninsula desk...

A stunning Italian Mid-Century writing desk by renowned designer Vittorio Dassi, crafted in the elegant aesthetic of Gio Ponti style. Made from a rich darker wood with contrasting be...

We have two in the same wenge wood finish on offer. One small and one large. Here you bid on the larger one. This one has a beautiful grain. On the left door on the outer edge is a ...

Mid-Century Modern desk, wood, Italy, 1960s.

Introducing the iconic Herman Miller typewriter desk return, a testament to the visionary design of George Nelson. This exceptional piece seamlessly combin...

Walnut and white oak credenza with leather pulls, designed by Florence Knoll for Knoll International, circa 1970. Exceptional walnut color, figure, and grain. Four walnut sliding d...

This is a Florence Knoll Walnut 3-drawer dresser, designed by Florence Knoll in 1960 for Knoll International. The listed price includes one dresser and we have two available for purc...

Make a bold and sophisticated statement with this stunning vintage Parsons-style writing desk. Masterfully crafted, this piece is defined by its dramatic, richly figured burl wood ve...

This is a Florence Knoll Walnut 5-drawer dresser, model 326-2, designed by Florence Knoll in 1960 for Knoll International. This example dates to the 1960s. The chest features a highl...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...