Art
to
26
41
25
9
9
Overall Width
to
Overall Height
to
110
10
40
39
18
1
91
4
2
1
57
45
2
57
30
21
13
10
10
9
9
8
8
8
8
8
7
7
7
7
7
6
6
83
66
35
32
20
3
2
1
1
1
92
1
110
Winged Male Figure - Apollo
Located in Los Angeles, CA
Winged Male Figure - Apollo, c. 1930s, polychrome bas-relief of cast aggregate, 12 x 26 inches; the mold from which this cast was taken by the artist is illustrated in St. Gaudens, M...
Category
1930s American Modern More Art
Materials
Concrete
Johnny Walker’s Place
By Georgina Klitgaard
Located in Los Angeles, CA
Johnny Walker’s Place, by 1929, oil on canvas, signed lower right, 34 x 42 inches, exhibited 1) 28th International Exhibition of Paintings, Carnegie Institute, Pittsburgh, PA, Octobe...
Category
1920s American Modern Landscape Paintings
Materials
Canvas, Oil
The Ledge
By Georgina Klitgaard
Located in Los Angeles, CA
Georgina Klitgaard (1893 – 1976) The Ledge, by 1931, oil on canvas, signed lower right, 32 1/8 x 50 1/8 inches, exhibited: 1) 44th Annual Exhibition of American Paintings & Sculptur...
Category
1930s American Modern Landscape Paintings
Materials
Canvas, Oil
Rites of Winter
By Georgina Klitgaard
Located in Los Angeles, CA
Rites of Winter, by 1939, oil on canvas, 32 x 40 inches, exhibited: 134th Annual Exhibition of the Pennsylvania Academy of Fine Arts, Philadelphia, PA, January 29 – March 5, 1939, no...
Category
1930s American Modern Landscape Paintings
Materials
Canvas, Oil
Milwaukee Handicraft Project WPA
Located in Los Angeles, CA
Milwaukee Handicraft Project, Applied Design Blockprinted Textiles Volume VI Supplement, c. 1935 - 1942, twelve block printed designs on linen, images are various sizes, each is moun...
Category
1930s American Modern More Art
Materials
Textile, Linen, Linocut, Woodcut
Tennessee WPA Textile - Musical Abstraction (Untitled)
Located in Los Angeles, CA
Musical Abstraction (Untitled), c. 1935 - 1942, handwoven and embroidered textile on linen, 23 1/2 x 19 1/2 inches, label verso reads "Tenn. WPA Project handwoven / Related Art Dep. ...
Category
1930s American Modern More Art
Materials
Textile
Gracie Mansion
By Isabella Banks Markell
Located in Los Angeles, CA
Gracie Mansion, c. 1944, oil on canvas, signed lower right, 25 x 30 inches, presented in a newer frame
Isabella Markell was a painter, etcher, and sculptor, who is best known for ...
Category
1940s American Modern Landscape Paintings
Materials
Canvas, Oil
Road Repairing, Lower Manhattan at Night
Located in Los Angeles, CA
Road Repairing, Lower Manhattan at Night, 1934, oil on Masonite, signed and dated lower right, 24 x 16 inches; original label verso has title and address
Margit Varga was an artist,...
Category
1930s American Modern Landscape Paintings
Materials
Masonite, Oil
Untitled
Located in Los Angeles, CA
Untitled, c. 1940s, oil on Masonite, signed lower right, 19 ¾ x 25 ¾ inches
Ava Vorhaus Gabriel was a New York-based painter, lithographer, and designer. Born in Larchmont, Gabriel ...
Category
1940s American Modern Landscape Paintings
Materials
Masonite, Oil
Highway Derelict
Located in Los Angeles, CA
Highway Derelict, May, 1939, oil on canvas board, signed upper right, 18 x 20 inches, exhibited 1) Society of Independent Artists, American Society of Fine Arts (Art Students League)...
Category
1930s American Modern Landscape Paintings
Materials
Canvas, Oil, Board
Laundry Day (Untitled)
By Florence Walton Pomeroy
Located in Los Angeles, CA
Laundry Day (Untitled), c. 1940s, oil on canvas, signed lower left, 30 x 24 inches
Florence Walton Pomeroy was a New Jersey-based artist who primarily created portraits, still life...
Category
1940s American Modern Landscape Paintings
Materials
Canvas, Oil
Landscape
Located in Los Angeles, CA
Landscape, c. 1930-40s, oil on panel, signed lower right, 16 x 20 inches
Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oakland, she spent much...
Category
1930s American Modern Landscape Paintings
Materials
Oil, Panel
Summer in Town
Located in Los Angeles, CA
Summer in Town, 1943, oil on board, signed and dated lower right, 13 ¾ x 22 inches, titled and dated verso, exhibited: 1) 139th Annual Exhibition, Pennsylvania Academy of Fine Arts, ...
Category
1940s American Modern Landscape Paintings
Materials
Oil, Board
Oil Tanks, Alameda Street, Los Angeles
Located in Los Angeles, CA
Oil Tanks, Alameda Street, Los Angeles, c. 1930-33, watercolor on paper, 14 ¼ x 21 ¼ inches (image), inscribed verso: “watercolor by Ruth Zimmerman 1912 – 1968 / Practice work for sc...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Untitled Portrait Head (perhaps Arnold Geissbuhler, the artist’s husband)
Located in Los Angeles, CA
Untitled Portrait Head (perhaps Arnold Geissbuhler, the artist’s husband), c. 1920s, bronze, signed verso, 11 x 9 x 7 inches (excluding base)
Elizabeth Chase was a sculptor, printma...
Category
1920s American Modern Figurative Sculptures
Materials
Bronze
Wind Flowers in a Tzu Chow Vase
By Ethelyn Cosby Stewart
Located in Los Angeles, CA
Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...
Category
1930s American Modern Still-life Paintings
Materials
Canvas, Oil, Board
The Show is On
Located in Los Angeles, CA
The Show is On, 1940, oil on canvas, signed and dated lower right, 24 x 20 inches, exhibited: 30th Annual Exhibition of the Associated Artists of Pittsburgh, Carnegie Institute, Pitt...
Category
1940s American Modern Figurative Paintings
Materials
Canvas, Oil
Negro Boy
Located in Los Angeles, CA
Negro Boy, 1932, oil on canvas board, 16 x 13 inches, exhibited: 1) Third Local Artists Exhibition, Witte Memorial Museum, San Antonio TX, September, 1932 (label verso), and 2) Six C...
Category
1930s American Modern Portrait Paintings
Materials
Canvas, Oil, Board
Shell and Leaves (Untitled)
Located in Los Angeles, CA
Shell and Leaves (Untitled), c. 1930s, mixed media on illustration board, signed lower right, 10 1/4 x 13 1/2 inches
Edloe Risling was a California artist who created etchings and b...
Category
1930s American Modern Mixed Media
Materials
Mixed Media, Illustration Board
Abstraction (Untitled)
Located in Los Angeles, CA
Abstraction (Untitled), c. 1930s, mixed media on board, signed lower right, 8 ¼ x 7 inches (image), 15 x 10 inches (board), Literature: Achieving Recognition, American Fine Art Magaz...
Category
1930s American Modern Mixed Media
Materials
Mixed Media, Board
Witches Pot
Located in Los Angeles, CA
Witches Pot, c. 1947, oil on canvas, signed lower right, 30 x 28 inches, exhibited: Emerging Women, Creative Arts Group, Sierra Madre, CA, March 18 - April 26, 2017 (label verso), li...
Category
1940s American Modern Still-life Paintings
Materials
Canvas, Oil
Still Life (Untitled)
Located in Los Angeles, CA
Still Life (Untitled), c. 1940/50s, oil on canvas, 25 x 30 inches, identified by label verso
Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oa...
Category
1940s American Modern Still-life Paintings
Materials
Canvas, Oil
Judy and Rita on Porch at Afton
Located in Los Angeles, CA
Judy and Rita on Porch at Afton, c. 1936, oil on canvas, 24 x 36 inches, title inscribed on tacking margin; “Judy” and “Rita” inscribed verso, NB: purchased together with The New Roa...
Category
1930s American Modern Figurative Paintings
Materials
Canvas, Oil
Sea Shells – Blue & Gold
By Zama Vanessa Helder
Located in Los Angeles, CA
Sea Shells – Blue & Gold, c. 1940s, watercolor on paper, signed upper left, 15 x 19 ¼ inches (image); title and artist’s name and address inscribed verso, presented in a newer glazed...
Category
1940s American Modern Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Portrait (Untitled)
Located in Los Angeles, CA
Portrait (Untitled), c. mid 1930s, hammered copper, 11 1/2 x 8 1/2 inches
Beryl McCarthy Wynnyk was a California-based painter, sculptor, and craftsperson. She studied at the Califo...
Category
1930s American Modern More Art
Materials
Copper
Canyon with Bridge
Located in Los Angeles, CA
Gordena Parker Jackson (1900 - 1993), Canyon with Bridge, 1939, watercolor on paper, signed and dated lower right, 17 ½ x 13 inches (sight), inscription verso reads: “Watercolor Comp...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Sea and Land Abstraction
Located in Los Angeles, CA
Sea and Land Abstraction, 1936, oil on canvas board, 16 x 20 inches, signed and dated lower left, exhibited at the 18th Annual Paintings and Sculpture Exhibit at the Los Angeles Muse...
Category
1930s American Modern Abstract Paintings
Materials
Oil, Board
Sea Winds
By Lucy Doane
Located in Los Angeles, CA
Sea Winds, 3rd quarter 20th century, mixed media on board, signed lower left, 16 x 20 inches, signed, titled, media and price noted in pencil verso, exhibited Visual Art Show, Southe...
Category
Mid-20th Century American Modern Mixed Media
Materials
Mixed Media, Board
Magnolia
By Edna Reindel
Located in Los Angeles, CA
Magnolia, c. 1946, oil on canvas, signed lower left, 22 3/4 x 25 3/4 inches, this original oil painting was part of Reindel's Flowers of Our Land series, commissioned by the John M...
Category
1940s American Modern Still-life Paintings
Materials
Canvas, Board
Still Life (Untitled)
Located in Los Angeles, CA
Still Life (Untitled), c. 1935 – 1940, oil on canvas, signed lower left, magazine cover has a 1934 date, 32 x 26 inches, remnant of exhibition label verso
In their essay for the gro...
Category
1930s American Modern Still-life Paintings
Materials
Canvas, Oil
Peck Slip
Located in Los Angeles, CA
Peck Slip, 1950, oil on cardboard, 15 x 20 inches, exhibition label verso reads: “Oil on cardboard, 20 x 15, 1950 / Title: Peck Slip / Price: $100 / Artist and Owner: Fiske Boyd / 30...
Category
1950s American Modern Landscape Paintings
Materials
Oil, Board
Unfinished Problem
Located in Los Angeles, CA
Unfinished Problem, by 1953, oil on canvas, signed lower right, signed and inscribed verso on stretcher “Charles Goeller/1272 Clinton Place, Elizabeth, NJ...
Category
1950s American Modern Interior Paintings
Materials
Canvas, Oil
Interior (Untitled)
By Robert Freiman
Located in Los Angeles, CA
nterior (Untitled), 1958, watercolor and ink on paper mounted on cardboard, signed and dated lower right, 11 ½ x 16 ½ inches (sight); 12 x 18 inches (sheet); inscribed lower left “To...
Category
1950s American Modern Interior Drawings and Watercolors
Materials
Paper, Watercolor
The Orchestra
Located in Los Angeles, CA
The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...
Category
1950s Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
Broadway
By Jean Dominique van Caulaert
Located in Los Angeles, CA
Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame
Jean Dominique van Caulaert w...
Category
1950s Impressionist Landscape Paintings
Materials
Canvas, Oil
Closed Doors
By Karl Zerbe
Located in Los Angeles, CA
Closed Doors, 1957, polymer tempera on Masonite, signed lower right, 20 x 40 inches, inscribed verso “Zerbe Closed Doors June 1957,” label verso reads: “Artist Karl Zerbe / No. T / T...
Category
1950s Abstract Abstract Paintings
Materials
Masonite, Polymer
Mickey Finn Youth Club
Located in Los Angeles, CA
Mickey Finn Youth Club, 1951, oil on Masonite, signed and dated lower right, signed, titled and dated verso, 20 x 24 inches, presented in an older frame
Edgar Kiechle was a Los Ange...
Category
1950s American Realist Interior Paintings
Materials
Canvas, Oil
hree Freedoms - Worship, Communication and Assembly
Located in Los Angeles, CA
Three Freedoms - Worship, Communication and Assembly, February, 1960, mixed media on paper, signed lower right, 28 x 19 3/4 inches, exhibited Portrait of Freedom, Lehigh Art Alliance...
Category
1960s Abstract Paintings
Materials
Paper, Watercolor, Gouache
Untitled (Highrise)
By Karl Benjamin
Located in Los Angeles, CA
Untitled (Highrise), 1954, oil on canvas, signed and dated lower right, 20 x 20 inches, presented in its original frame
Karl Benjamin was a California-based artist who is best known...
Category
1950s Hard-Edge Landscape Paintings
Materials
Canvas, Oil
Seoul, Korea
By Dong Kingman
Located in Los Angeles, CA
Seoul, Korea, 1954 - 56, watercolor on paper, signed lower right 21 x 28 inches (sight), Midtown Galleries label with artist’s name and title verso, likely exhibited at Kingman’s solo exhibition, Midtown Galleries, 1956, literature: Gruskin, Alan D., Saroyan, William (introduction), The Watercolors of Dong Kingman and How The Artist Works, The Studio Publications, Inc. in association with Thomas Y. Crowell Company, New York and London (1958), p. 54 (illustrated) (“In Seoul on April 27th and 28th Kingman did some mountain sketching [see reproduction, on page 54, of handsome Kingman painting, “Seoul,” owned by Robert Clary...
Category
1950s American Modern Landscape Paintings
Materials
Paper, Watercolor
The Demagogue or Tale in a Tub
Located in Los Angeles, CA
The Demagogue or Tale in a Tub, 1952, oil on canvas, 24 x 20 inches, signed, titled, and dated verso, presented in a newer frame
The Demagogue is an iconic Bendor Mark painting fro...
Category
1950s American Modern Figurative Paintings
Materials
Canvas, Oil
100-10
Located in Los Angeles, CA
This is a collaboration between Marshall Simpson (1900 – 1958) and Roslynn Estelle Middleman (1929 – 2003), 100-10, by 1958, oil on Masonite, signed and titled verso, 22 x 30 inches,...
Category
1950s Op Art Abstract Paintings
Materials
Masonite, Oil
Autumn Landscape
By Robert Vickrey
Located in Los Angeles, CA
Autumn Landscape, by 1958, tempera on Masonite, 24 x 36 inches, signed lower left, exhibited: 1) 133rd Annual Exhibition of the National Academy of Design, New York, NY, February 20 – March 16, 1958 (Henry Ward Ranger Purchase Prize); and 2) Henry Ward Ranger Centennial Exhibition, National Academy of Design, New York, NY, September 25 - October 12, 1958, #133 (see Levin, Meyer, Illustrative Paintings Gathered for Ranger Show at National Academy, St. Petersburg Times, October 13, 1958 (“There’s a warm, low-keyed picture of golden fields, with distant structures, called “Autumn Landscape,” by Robert Vickrey, whose magic realism is felt in so “regular” a subject.”), literature: 1) Watson, Ernest William, Composition in Landscape and Still Life, Watson-Guptill Publications, New York, 1959, pp. 24, 155 and 157 (illustrated); and 2) Vickrey, Robert and Cochrane, Diane, New Techniques in Egg Tempera, Watson-Guptill Publications, New York, 1973, p. 111 (illustrated); ex collection National Academy of Design
Reflecting on his art, Robert Vickery...
Category
1950s American Realist Landscape Paintings
Materials
Masonite, Egg Tempera
Cylinder and Pear
By Walter Tandy Murch
Located in Los Angeles, CA
Cylinder and Pear, c. 1959, oil on board, 18 x 24 inches, literature: W. Meyers, Walter Tandy Murch: Paintings and Drawings 1925-1967, New York, 2021, p. 176, pl. 41, illustrated; pr...
Category
1950s American Modern Still-life Paintings
Materials
Oil, Board
Cityscape (Untitled)
Located in Los Angeles, CA
Cityscape (Untitled), c. 1950s, mixed media on board, signed lower left, 13 1/2 x 18 inches, presented in its original frame
Jean (Yanko) Varda was a Greek-born multi-media artist ...
Category
1950s American Modern Mixed Media
Materials
Paper, Oil, Photographic Paper, Board, Magazine Paper
Three Chimneys
Located in Los Angeles, CA
Three Chimneys, 1956, oil on Masonite, signed and dated lower left, 18 x 36 inches, titled verso, presented in its original frame
Three Chimneys is a prime example of Ethel Margolies’ Precisionist-influenced industrial scenes. Throughout the 1950s and 1960s, Margolies made a name for herself by painting the Northeast’s factories, foundries, and manufacturing plants. Although this subject matter is often associated with male artists, Margolies is part of an important lineage of female modernists who depicted symbols of America’s industrial might. Starting with artists like New Jersey’s Elsie Driggs and Chicago’s Yvonne Deluc Pryor, Margolies is part of a through line of women Precisionist painters that also included the West Coast’s Vanessa Helder. Whereas these artists tended towards a stark and pristine realism, Margolies seems to have been influenced by the 1920s and early 1930s work of Charles Demuth’s and Charles Sheeler’s highly designed paintings from the same period, as both adopted a cubo-futurist oriented brand of Precisionism.
Ethel Polacheck Margolies was a Connecticut painter...
Category
1950s American Modern Landscape Paintings
Materials
Masonite, Oil
Hail Victoria
By George Marinko
Located in Los Angeles, CA
Hail Victoria, by 1955, oil on Masonite, signed lower left, 20 x 16 inches, exhibited 26th Annual Exhibition of Paintings of Contemporary New England Artists, Jordan Marsh Company, B...
Category
1950s American Realist Still-life Paintings
Materials
Board
On a Spanish Motif
Located in Los Angeles, CA
On a Spanish Motif, 1956 – 1973, mixed media collage and painting on thick canvas, signed and dated lower right, 38 ½ x 26 inches, signed verso, labeled verso includes title, artist's name, address and size of work, presented in its original strip frame
Justin Faivre...
Category
1950s Abstract Mixed Media
Materials
Metal
The People
By Arnold Blanch
Located in Los Angeles, CA
The People, 1938, oil on canvas, signed lower right, 36 x 48 inches, label verso reads “348 / 89 / Carnegie Institute, Pittsburgh, PA, USA / _____ The People / _______ Arnold Blanch ...
Category
1930s American Realist Figurative Paintings
Materials
Canvas, Oil
Blue Lake
By George Marinko
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1940s.
Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...
Category
1940s American Modern Paintings
Materials
Masonite, Oil
Two Figures
By Robert Chester Thomas
Located in Los Angeles, CA
This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s.
Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date
Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...
Category
1940s American Modern Sculptures
Materials
Wood, Ebony
The Landing/Dawn Landing
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1940s.
The Landing/Dawn Landing, 1944, oil on canvas, signed lower left, 20 x 30, titled verso; exhibited in the Twelfth Annual Exhibition of Trends in Southern California Art at the Foundation of Western Art, Los Angeles, from early November to December 30, 1944 (see Millier, Arthur, Trends Show Attracts Best Southland Art, The Los Angeles Times, part III, p.6, November 4, 1944, illustrated in Edward Biberman, Time and Circumstance: Forty Years of Painting by Edward Biberman, The Ward Ritchie Press, Los Angeles (1968), p. 57, presented in its original frame
The Landing/Dawn Landing is a rare and critically acclaimed example of Edward Biberman's World War II paintings...
Category
1940s American Modern Paintings
Materials
Canvas, Oil
Untitled (Cubist Portrait)
By Jerre H. Murry
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s
Untitled (Cubist Portrait), 1945, oil on masonite, signed and dated lower middle, 20 x 16 inches, remnant of exhibition label verso, perhaps exhibited at Murry's solo exhibition at the Los Angeles's Screen Cartoonists' Gallery, July , 1945, presented in its original frame
Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life and people. By the early 1930s, Murry had relocated to Los Angeles, where he caught the attention of Synchromist painter Stanton Macdonald Wright, State Supervisor for the Federal Art Project (FAP) in Southern California. MacDonald Wright enrolled Murry into the FAP. Murry’s Gauguin-influenced painting Sun Image was exhibited together with other FAP artists at the Los Angeles County Museum of Art in 1936, and Murry was also included in the FAP exhibit at the Paris Exposition in 1937. Stendahl Galleries in Los Angeles, the Chamber of Commerce Gallery in Santa Barbara, and at the Los Angeles County Museum of Art also showed Murry’s work during the 1930s. Murry created a murals for Los Angeles Water & Power Company, the Boise, Idaho Post Office, and Glendale Junior College. In 1939, Murry's work was exhibited at the Golden Gate International Exposition and the New York World's Fair. He also was included in the All California Exhibition at the Los Angeles County Museum of art that same year. He went on to exhibit in Los Angeles at the Foundation of Western Art's Trends in Southern California Art shows in 1940 and 1941, at Raymond and Raymond Gallery in Hollywood and USC’s Elizabeth Holmes...
Category
1940s American Modern Paintings
Materials
Masonite, Oil
My Only Working Tool
Located in Los Angeles, CA
My Only Working Tool, 1949, oil on panel, signed and dated lower right, 16 x 12 inches, remnant of exhibition label verso, exhibited at the Art News Second Annual National Amateur Competition, National Academy of Design, New York, NY, December, 1950 (see The Best Amateurs, Art News, volume 49, issue 8, December 6 to 20, 1950, p. 65 – 66), presented in a period frame
Fausto Sansone...
Category
1940s American Modern Paintings
Materials
Oil, Board
Untitled (Farm in Winter)
By Julius M. Delbos
Located in Los Angeles, CA
This work is part of our exhibition America Coast to Coast: Artists of the 1940s
Untitled (Farm in Winter), 1940s, oil on canvas, signed lower right, 26 x 30 inches, presented in an original frame
Julius Delbos...
Category
1940s American Modern Paintings
Materials
Canvas, Oil
Untitled (Industrial Street)
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s
Untitled (Industrial Street), c. 1940s, watercolor on paper mounted on illustration board, estate stamp verso (signed by Peter Corbridge, the artist’s son); 14 x 21 inches; unframed
Edgar Corbridge was a Massachusetts-based precisionist painter who mainly worked in watercolor. In 1916, three years after immigrating from England, Corbridge completed a course of study in sign painting at the Fall River, Massachusetts Technical High School and obtained an apprenticeship with the Armour Sign Shop. Throughout his career, Corbridge was mainly self-taught as a fine artist. In 1918, Corbridge received his first recognition as an artist for his entry in a Fall River Women’s Club poster competition. During much of his professional life, Corbridge worked as a self-employed window trimmer and operator of the Corbridge Display Service, supplemented by income from the occasional sale of his paintings. Corbridge gleaned the subjects for his works in and around his home in Fall River, Massachusetts, as well as Provincetown. In the 1940s, Corbridge began to exhibit frequently, including at the annual exhibitions at the Jordan Marsh Company...
Category
1940s American Modern Drawings and Watercolor Paintings
Materials
Watercolor, Board
A Valley Streetscape at Night
Located in Los Angeles, CA
This work is part of our exhibition - American Coast to Coast: Artists of the 1940s
A Valley Streetscape at Night, 1948, oil on masonite, signed and dated lower right, 18 x 24 inches; literature: King, Chloe, The Paintings of Edgard O. Kiechle – Unearthed After 60 Years, Ventura Blvd, January/February, 2023, pp. 46 – 53 (illustrated)
Edgar Kiechle...
Category
1940s American Modern Paintings
Materials
Masonite, Oil
Untitled (Elevated Platform)
Located in Los Angeles, CA
This painting is part of our current exhibition - America Coast to Coast: Artists of the 1940s
Untitled (Elevated Platform), 1950, oil on canvas, signed and dated lower right, 30 x...
Category
1950s American Modern Paintings
Materials
Canvas, Oil
Army Poker
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s
Army Poker, c. 1943, probably tempera on board, signed upper right, 16 x 20 inches, inscribed verso a) “Army Poker / Mervin Honig / 421 W 42 St. N.Y.C.,” b) “Mervin Honig / US Army Air Force – Seymour Johnson Field – Goldsboro, NC / Circa 1943,” and c) “(This painting was done before men was (sic) shipped off to the Mariana Islands (Saipan) The Second World War.” Note: four pencil sketches for this work included
Mervin Honig was a New York-based painter and illustrator who is best known for his realistic depictions of everyday life and sports themes. Honig was raised in Brooklyn and recalled almost never being without a paintbox in hand from the time he started elementary school. Honig had a deep reverence for the Old Master painters, Vermeer and Bellini, as well as the Americans Winslow Homer and Thomas Eakins. He initially studied art from 1939 through 1941 with Francis Criss. At the outbreak of World War II, Honig worked as a mechanic for Republic Aviation, but in August 1942, he enlisted in the US Army Air Corps and was stationed at Seymour Johnson Field in Goldsboro, North Carolina. During the war, Honig began to exhibit nationally, including as part of the Portrait of America exhibitions which originated at the Metropolitan Museum of Art and traveled around the country, as well as at the Carnegie Institute in Pittsburgh. He painted Army Poker in 1943 while stationed at Johnson Field. In this work, Honig draws inspiration from Paul Cezanne's The Card Players (Metropolitan Museum of Art), with a similar placement of the four figures, but Cezanne's table is replaced with an Army cot, the pipe rack with a soldier's mess kit and the drapery in the right background with a heap of discarded uniforms. Unlike the vibrancy of Cezanne's composition, the limited palette of Honig's work suggests the drabness and monotony of stateside Army life.
After being discharged from military service, Honig furthered his studies with Amadee Ozenfant in 1946 and Hans Hoffman from 1947 through 1950. Additional exhibitions included the Whitney Museum of American Art, the Brooklyn Museum, the Los Angeles County Museum of Art, the National Academy of Design, the Wadsworth Atheneum, the Provincetown Art Association, and the National Academies Galleries of the Allied Artists Association. He was represented by the venerable Frank Rehn...
Category
1940s American Realist Paintings
Materials
Oil, Board, Tempera
Fallen Comrades/Interlude
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s
Fallen Comrades/Interlude, 1949, oil on masonite, signed lower left, 35 x 56 inches; Gallery Z la...
Category
1940s American Modern Paintings
Materials
Masonite, Oil
