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Sea Shells – Blue & Gold
By Zama Vanessa Helder
Located in Los Angeles, CA
Sea Shells – Blue & Gold, c. 1940s, watercolor on paper, signed upper left, 15 x 19 ¼ inches (image); title and artist’s name and address inscribed verso, presented in a newer glazed...
Category
1940s American Modern Still-life Drawings and Watercolors
Materials
Paper, Watercolor
Oil Tanks, Alameda Street, Los Angeles
Located in Los Angeles, CA
Oil Tanks, Alameda Street, Los Angeles, c. 1930-33, watercolor on paper, 14 ¼ x 21 ¼ inches (image), inscribed verso: “watercolor by Ruth Zimmerman 1912 – 1968 / Practice work for sc...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Canyon with Bridge
Located in Los Angeles, CA
Gordena Parker Jackson (1900 - 1993), Canyon with Bridge, 1939, watercolor on paper, signed and dated lower right, 17 ½ x 13 inches (sight), inscription verso reads: “Watercolor Competition Show / Washington D. C. 1940 [or 1941] F. W. A.”
Gordena Parker Jackson was a California painter, graphic artist, craftsperson, and designer. A native of Pleasanton, Jackson studied at the California College of Arts & Crafts and lived much of her life in the Bay Area. In 1925, she married fellow artist Frederic Osman Jackson...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Interior (Untitled)
By Robert Freiman
Located in Los Angeles, CA
nterior (Untitled), 1958, watercolor and ink on paper mounted on cardboard, signed and dated lower right, 11 ½ x 16 ½ inches (sight); 12 x 18 inches (sheet); inscribed lower left “To...
Category
1950s American Modern Interior Drawings and Watercolors
Materials
Paper, Watercolor
Untitled (Industrial Street)
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s
Untitled (Industrial Street), c. 1940s, watercolor on paper mounted on illustration board, estate stamp verso (signed by Peter Corbridge, the artist’s son); 14 x 21 inches; unframed
Edgar Corbridge was a Massachusetts-based precisionist painter who mainly worked in watercolor. In 1916, three years after immigrating from England, Corbridge completed a course of study in sign painting at the Fall River, Massachusetts Technical High School and obtained an apprenticeship with the Armour Sign Shop. Throughout his career, Corbridge was mainly self-taught as a fine artist. In 1918, Corbridge received his first recognition as an artist for his entry in a Fall River Women’s Club poster competition. During much of his professional life, Corbridge worked as a self-employed window trimmer and operator of the Corbridge Display Service, supplemented by income from the occasional sale of his paintings. Corbridge gleaned the subjects for his works in and around his home in Fall River, Massachusetts, as well as Provincetown. In the 1940s, Corbridge began to exhibit frequently, including at the annual exhibitions at the Jordan Marsh Company...
Category
1940s American Modern Drawings and Watercolor Paintings
Materials
Watercolor, Board
Paradise Lost Collection
Located in Los Angeles, CA
This collection of drawings is part of our exhibition Charles Goeller: A Wistful Loneliness.
1. Paradise Lost (But His Doom)
Crayon on paper, 17 ½ x 12 ½ inches (image), 22 x 15 inc...
Category
1940s American Modern Figurative Drawings and Watercolors
Materials
Paper, Crayon
Flood
Located in Los Angeles, CA
This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness.
Crayon on paper, 10 ½ x 9 inches (image), 14 x 11 inches (sheet), Signed...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Crayon, Paper
Abandoned Wharf
Located in Los Angeles, CA
This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness.
Crayon on paper, 20 x 12 (image), 22 x 14 inches (sheet), Signed lower right, Matted, but not framed
Ex...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Crayon, Paper
Man Trimming Tree
Located in Los Angeles, CA
This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness.
Crayon on paper, 11 5/8 x 9 inches (image), 14 x 11 inches (sheet), Signed lower right, Matted, but no...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Crayon, Paper
She Gets Her Way (Couple with Vase)
Located in Los Angeles, CA
This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness.
Crayon on paper, 11 ½ x 9 inches (image), 14 x 11 inches (sheet), Signed...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Crayon, Paper
Flower Bouquet
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Watercolor on paper, 12 x 9 ½ inches unframed sheet, 15 x 12 ½ inches framed, signed lower left
About the Artist:
Nan Watson...
Category
1930s American Modern Still-life Drawings and Watercolors
Materials
Watercolor
Flowers Still Life
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Watercolor...
Category
1930s American Modern Still-life Drawings and Watercolors
Materials
Watercolor
Bowling
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Watercolor on paper, 7 ¾ x 10 ½ inches unframed, 14 ½ x 16 ½ inches framed, signed, dated, and located lower left as follows: “David McCosh...
Category
1920s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Blue Ships
By Tom Lewis
Located in Los Angeles, CA
(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan)
Watercolor on paper, 14 x 21 inches unframed sheet, 24 x 30 inches framed, signed and dated lower right
About the Artist:
Born in 1909, Tom E. Lewis studied architecture at the University of Southern California. Beyond that training, Lewis was largely self-taught as an artist. He began watercolor painting during the late 1920s and focused on scenes of California. Lewis was an active organizer of the arts and exhibitor and aided the formation of the Progressive Painters of Southern California. Prior to World War II, the Treasury Section of Fine Arts awarded two commissions to Lewis, the first completed in 1938 for the Hayward California Post Office and the second completed in 1941 for the El Dorado County California District Attorney’s Office...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
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Lovely watercolor of a sunny day at a public pool by an unknown artist (20th Century). People are swimmin...
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A 1950s Pastel & Charcoal on Paper Drawing of a Hockey Game by Francis Chapin
By Francis Chapin
Located in Chicago, IL
Perfect for you hockey enthusiast! A 1950s pastel & charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9" x 12". Matted size: 14" x 18". Provenance: Estate of the Artist.
Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...
Category
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Materials
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'Portrait of a Young Navajo', Native American, Arizona, California Woman artist
By Victoria Creech Stewart
Located in Santa Cruz, CA
Signed lower left 'Creech PSWC' and created circa 1975
A compelling pastel study showing the subject dressed in brightly-colored ceremonial robes and gazing past the viewer. An eleg...
Category
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A Stunning ca. 1950s Cubist Watercolor of Irises by Rita Duis (Astley-Bell)
Located in Chicago, IL
A stunning Cubist watercolor on paper of purple irises by Chicago and New York artist Rita Duis (Astley-Bell). Archivally matted to30" x 24".
Artist Rita Duis (Astley-Bell) led an ...
Category
1950s American Modern Still-life Drawings and Watercolors
Materials
Watercolor, Paper
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Located in New York, NY
"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape
Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...
Category
1930s American Modern Landscape Drawings and Watercolors
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NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA
By David Fredenthal
Located in New York, NY
NYC Watercolor Drawing American Modern 20th Century Modernism Mid-Century WPA.
David Fredenthal (1914-1958) "View of New York from New Jersey,"7 x 10 inches. Watercolor on Paper, c. 1948. Signed lower right.
David Fredenthal (1914 - 1958) was one ot America's most respected watercolor artists. He was famous for his bold, intensely vigorous and complex paintings and drawings that expressed his deep feeling for excitement with life and living. He was a draftsman with seemingly a special gift for catching anything, physically and emotionally on the spot, and he never went anywhere without three or four loaded pens and a sketchbook in his pocket.
As part of the WPA project he executed a number of murals including the Sports Pavilion on the Heinz Building of the New York World's Fair 1939. Some of his fresco and mural techniques were inspired by his friendship with Diego Rivera who had admired and encouraged him in the early 1930's.
After he won a traveling scholarship to Europe from The Museum of Modern Art at age 19, he was the recipient of two Guggenheim grants in Painting. He had his first solo exhibition at the Downtown Gallery in New York in 1937 at age 23, and many others after that including the Whitney Museum of American Art in 1947.
Because of Fredenthal's prodigious drawing gifts, he was chosen by Erskine Caldwell to illustrate his novel "Tobacco Road...
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1940s American Modern Landscape Drawings and Watercolors
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Flower
By Robert Peterson
Located in Dallas, TX
Robert Peterson, "Flower," pastel on paper, 19 x 26 1/4 inches paper size, 27 1/4 x 35 inches including white mat and frame.
The artwork is floated in the mat and only hinged at the...
Category
20th Century American Modern Still-life Drawings and Watercolors
Materials
Paper, Pastel
Modernist Conte Crayon Drawing Beach Scene David Burliuk Russian Futurist
By David Burliuk
Located in Surfside, FL
David Burliuk (Ukrainian, 1882-1967)
Three figure on the beach (Hamptons, Long Island New York)
Conte crayon drawing on paper.
Hand signed lower left.
Unframed
Provenance: Bloomsbury Auctions
David Davidovich Burliuk (Дави́д Дави́дович Бурлю́к; 1882-1967) was a Russian poet, artist and publicist of Ukrainian origin associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism."
David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent.
From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, who called Burliuk a "wonderful wild steppe horse". During a time of significant industrialization and political change, movements such as the famed Der Blaue Reiter, a group Burliuk associated with in 1912, while he was in Munich, emphasized a shift away from the classical styles of the past, prioritizing the innovations of the future.
In 1907, he made contact with the Russian art world; he met and befriended Mikhail Larionov, and they are both credited as being major forces in bringing together the contemporary art world. In 1908, an exhibition with the group Zveno ("The Link") in Kiev was organized by David Burliuk together with Wladimir Baranoff-Rossine, Alexander Bogomazov, his brother Volodymyr (Wladimir) Burliuk and Aleksandra Exter. The exhibition was a flop, especially because they were all unknown painters. The Burliuks and Larionov left for the aforementioned brothers' home in Chernianka, also known as Hylea; it was during this stay that their work became more Avant-Garde. That autumn, while visiting Ekster, they organized an exhibition which took place in the street; it was a success, and enough money was raised to go to Moscow.
In 1909, Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks...
Category
Mid-20th Century American Modern Figurative Drawings and Watercolors
Materials
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Untitled, Still Life of Shell
Located in Fairlawn, OH
Untitled, Still Life of Shell
Graphite on paper, 1945-1951
Signed lower right in pencil "Bisttram" (see photo)
Condition: Excellent
Sheet size: 9.63 x 7 .5 inches
EMIL BISTTRAM (189...
Category
1940s American Modern Still-life Drawings and Watercolors
Materials
Graphite
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
By Antonio Petruccelli
Located in New York, NY
Original Painting Steel Workers Fabric Design Industrial Deco American Modernism
Antonio Petruccelli (1907 - 1994)
Steel Workers
Textile design
19 1/4 X ...
Category
1930s American Modern Figurative Paintings
Materials
Gouache, Board
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Cover Proposal Baseball c. 1939 Modern Cubist Deco
Antonio Petruccelli (1907 - 1994)
Play Ball
New Yorker cover proposal, c. 1939
12 x 8 inches (sight)
Framed 18 1/2 X 14 3/4 inches
Gouache on board
Estate sticker verso
BIOGRAPHY:
Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests.
In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s.
‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune.
Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...
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1930s American Modern Figurative Paintings
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Watercolor of Doylestown, PA by Ranulph Bye
Located in New York, NY
Ranulph Bye (American, 1916-2003)
Rocks and Trees (Doylestown, PA), 1958
Watercolor on paper
14 x 21 in.
Framed: 23 1/8 x 30 1/4 in.
Signed bottom: Ranulph...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper