David Barnett Gallery Landscape Drawings and Watercolors

Framed 15.75 x 13.13 in Signed to margin

Framed 13.25 x 14.13 in Signed to margin

Framed 14.75 x 17 in

"Looks Like a Nice Getaway Spot" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower left. This piece features a surrealisti...

"Homage to Chopin-Nocturnes The Pleasure of Polish Potatoes - Sunset with Potato Clouds in the Western Sky" is an original watercolor painting with collage elements by David Barnett,...

"The Free Press-Composition" is a watercolor street scene created by Joseph Ferrara. The street is dark, evoking the feeling of night and cold. There are white rings expanding from t...

"Mountain Stream" is an original watercolor painting by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. Scenery from hi...

"Whew!" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece in the lower left. It depicts a man on a motorcycle doing a wheelie on a be...

"Red Boxes, Chipping Camden, U.K." is an original signed watercolor by Bruce McCombs. It depicts three red telephone boxes. This painting displays McCombs' exquisite attention to lig...

"Stardust Dine-o-Mat" is a watercolor signed by Bruce McCombs. The diner exterior has many neon lights that look bright to reflect it being painted at night. A welcoming view for foo...

"San Francisco" is an original signed watercolor by Bruce McCombs. It depicts the facade of a house along one of San Francisco's famous steep hills. A gleaming red car is parked in f...

"View of Chequers Court" is an original pencil, pen, and ink drawing by Fiennes Trotman. This drawing was part of the Rothschild collection, and it fea...

"Spring Green Variation III" is an original mixed media piece by David Barnett. The artist signed and dated the piece lower right. This piece depicts a landscape in bright colors. ...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two milkweed pods, bursting forth with cotton. Examples like this show the ability of Spicuzza to draw in a naturalistic style, where most of her work is usually in a highly stylized, graphic mode. The richness and depth of the black charcoal makes for a moody image. 8 x 5 inches, artwork 18 x 14.5 inches, frame Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

This is a small and intimate example of the watercolor paintings of Dan Muller. The image shows an expressive landscape with a saturated blue sky, red rocks, and green and yellow fol...

"Umbria" is a landscape pastel by American artist Wolf Kahn. Green hills and trees dominate the composition as a light blue sky evens it out almost exactly in the middle. Titled and ...

"Smile Park" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right and dated it on the back. It features fall foliage on the ...

"Snapshot Taken of a Saucer Touchdown" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right and dated it on the back. It dep...

"Therapeutic Horse Knowledge" is an original oil pastel drawing on board by Reginald K. Gee. The artist signed the piece upper left. This piece features a surreal and abstract enviro...

"The Word Came Down On Us" is an original watercolor painting on paper by Reginald K. Gee. It depicts a fall landscape. The artist signed the piece in the lower left. 11" x 15" art...

"Oblivion Road" is an original oil pastel drawing on grocery bag by Reginald K. Gee. The artist signed the piece lower left and dated it. It features a figure on a motorcycle on a ra...

"Not Intended For Office Viewing Series, Section F" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece lower right. This piece fe...

"The Light from Beneath" is an original oil pastel on a grocery bag by Reginald K. Gee. The artist signed the piece lower left. This piece features multiple simplified figures in a d...

"Space Sense" is an original oil pastel drawing on illustration board. The artist signed the piece lower right. It features three distinct scenes--a green rainy scene with two figure...

"Psalm 63:4...While I Live" is a religious original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed and titled the piece lower right. This piece illustrates...

Wolf Kahn was commissioned by the Smithsonian to design a postcard for them. He made four designs and they selected a singular one. This drawing here is one of the few rejected designs. This piece was given to the founder, David Barnett, of the David Barnett Gallery...

"Art Deco Sailboat in Abstract Landscape #740" is an original colorful crayon drawing on paper by Sylvia Spicuzza, signed in pencil in the lower right corner. The sailboat of the title is in the center, set against a deep blue sky upon a dark green sea. It is framed by a abstract shapes of bright color that flow into one another in curving lines. The horizon line is maintained throughout the composition, and the effect is something like looking through a kaleidoscope. Art size: 8 1/2" x 7 1/4" Frame size: 16 1/4" x 14 1/2" Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

"Art Deco Sailboat in Abstract Landscape #740" is an original colorful crayon drawing on paper by Sylvia Spicuzza, signed in pencil in the lower right corner. The sailboat of the title is in the center, set against a deep blue sky upon a dark green sea. It is framed by a abstract shapes of bright color that flow into one another in curving lines. The horizon line is maintained throughout the composition, and the effect is something like looking through a kaleidoscope. Art size: 8 1/2" x 7 1/4" Frame size: 16 1/4" x 14 1/2" Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings...

Art: 3 3/4 x 4 1/4 inches Signed lower margin. Watercolor. From Wisconsin, now living Kansas, Lueck is a Hallmark Illustrator & watercolor painter. He has illustrated both cards and...

Art: 5-1/2"x 5" Frame: 14"x 13-3/8" Watercolor on Holbein watercolor paper. Signed and dated lower right. From Wisconsin, now living Kansas, Lueck is a Hallmark Illustrator & waterc...

Art: 10-3/4"x 8-1/4" Frame: 17-3/4"x15-3/8" Watercolor, stamped signature Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Milwaukee's iconic spots are captured in watercolor Signed to lower center Art: 12" x 16" Frame: 14" x 18.12" Growing up in a small farming community in Indiana, I learned to draw early in life. I earned spending money by sketching portraits at county fairs and illustrations in weekly papers. Art teachers in high school and college taught me ways to master drawing fluidly from life. In college, my small stained glass...

Graphite and charcoal on paper signed by the artist. 7.38" x 8.63" 16.75" x 15.5" frame Framed to conservation standards. Float mounted on 100% cotton matboard and glazed in UF5 Plexiglass that filters 99% of UV Rays to ensure the preservation of the piece. All housed in a bold miter jointed bevel frame in distressed silver finish with reflective accents. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

"Spring Spirit Garden" is an original watercolor painting on Japanese rice paper by David Barnett. The artist signed the piece in the lower right. This piece utilizes the wet-on-wet ...

'Warehouses' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. S...

'Walkover Bridge - Small Canal' is an original watercolor by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. Scenery fr...

'Grand Canal With Gondolas' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that shape Lueck's portfolio serve as windows into the arti...

'On The Beach Sanibel Island' original watercolor signed and dated by David Barnett David Barnett an artist, collector, appraiser and gallerist has bee...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

'Siena Building' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that shape Lueck's portfolio serve as windows into the artist's world...

'Side Canal with Bridge' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that shape Lueck's portfolio serve as windows into the artist...

"Campo Dei Gesuiti After Sargent" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's por...

"River Patterns in Colorado" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the a...

David Barnett's 'Desert Mountain Paths' is an exercise in using limited materials. Depicting the winding paths of Desert Mountain in Scottsdale, AZ, the composition simulates found a...

"Boats Amongst the Mangroves" is an original watercolor and gouache painting on paper by Doris Lee. The artist signed the piece lower right. It depicts boats and other objects on a f...

'Study for Connecticut at Putney' is an original pastel drawing by American artist Wolf Kahn. The landscape is an exploration of color and light: it is rendered in cool blues and purples with fields of subtle yellow, the pastels treated with the same gesture as Kahn's paintbrush on a canvas. Indeed, this pastel was a study executed en plein air for a painting – the painting now sometimes called 'Bend in the River' – that he later created in the studio. This process of creating studies, selecting the best of the studies, and then recreating them as paintings was typical of Kahn's studio process and makes this pastel a significant example of the artist's creative output. 9 x 11 inches, artwork 15.5 x 18.13 inches, frame Signed 'W. Kahn' lower right Framed to conservation standards using archival materials including 100 percent rag matting. Housed in a gold finish wood moulding. Acquired directly from the artist. Wolf Kahn, the youngest of four siblings, was born into a well-to-do artistic family. His father was the conductor of the Stuttgart Philharmonic Symphony, and his mother came from a family of art collectors.(1) During 1938, Kahn took his first art lessons, but most of his initial drawings were of military or historical events. The next year Kahn was sent to England for safety following the ascendancy of Hitler to power, and in 1940, he immigrated to the United States. In 1942, he entered New York's High School of Music and Art, and while there, he was employed by a commercial art firm doing illustrations. After a stint in the Navy, Kahn entered Hans Hofmann's school, and among his fellow students were Neil Blaine, Jane Freilicher, Allan Kaprow and Larry Rivers. His initial results were done with a dark palette and abstracted forms, and although Hofmann's style of teaching was difficult, Kahn has consistently praised him for teaching him the value of control and understanding.(2) Kahn's first exhibition was a 1951 group show in a loft with several other artists in lower Manhattan. From this impromptu show, a group effort evolved called the Hansa Gallery Cooperative.(3) In 1953, Wolf Kahn had a one-man show at this gallery, which was reviewed by Fairfield Porter, and at this same time bolder, more vivid colors began to appear in his work. By the mid-1950's, on a summer trip to Provincetown, Kahn's paintings indicated a new direction of softening warm colors in the manner of Bonnard. He was included in Meyer Shapiro's seminal exhibition, The New York School: The Second Generation at the Jewish Museum, and by the end of the 1950s, he had developed his abstracted landscape style for which he is best known. In 1966, he made his first "barn" painting on Martha's Vineyard that reduced the complexities of detail of the architecture to a more basic shape, a stylistic convention that is evident in the Museum's painting. Kahn has since commented frequently on his use of color as a unique and specific component of each work as the situation demands, where the gradual buildup of the colors resembles the beauty and translucent nature of pastels.(4) Since then Kahn has had one-person exhibitions at the Kansas City Art Institute, Chrysler Museum, San Diego Museum of Art, Fort Lauderdale Museum of Art and the Columbus Museum, among others. His work is in the permanent collections of numerous museums throughout the United States. Footnotes: 1. Much of the biographical information is drawn from Justin Spring, Wolf Kahn (New York: Harry N. Abrams, 1996). 2. Spring, 21. Wolf Kahn draws this from a 1973 address to the College Art Association. 3. This group included Jane Wilson...

In this intimate drawing, Sylvia Spicuzza presents the viewer with a young woman crouched down in a garden. The image is framed by foliage and fields of color. 3.75 x 5.25 inches, ...

In this drawing, Sylvia Spicuzza is clearly taking influence from the Fauvist works of Henri Matisse, especially his famous 1904 composition "Luxe, calme et volupté." Like in that pa...

In this drawing, Sylvia Spicuzza presents the viewer with a lakeside cabin under the shade of a massive tree. This drawing is reminiscent of the work done by her father Francesco, wh...

In this drawing, Sylvia Spicuzza takes influence from the Fauvist works of Henri Matisse, especially his famous 1904 composition "Luxe, calme et volupté." This influence is more pron...

The present work, drawn with black Conté crayon on a calendar sheet, Sylvia Spicuzza presents the viewer with a rhythmic vision of an urban lakefront. The beach scene is dominated by...

In this pastel drawing, Sylvia Spicuzza presents the viewer with a rhythmic view resembling waves and rolling hills. The colors of the repeating patterns and softness of the undulati...

In this drawing, Sylvia Spicuzza presents the viewer with a view of children jumping on a trampoline near the entrance to the grounds of the Wisconsin State Fair...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two apples, still clinging to their leaves. Examples like this show the ability of Spicuzza to draw i...

In this small painting, Sylvia Spicuzza presents the viewer with a simple trillium flower, the white petals framed by blue-green leaves. 10 x 7.25 inches, artwork 19.75 x 17.25 inch...

"Dancing Saguaro & Coyote" is an original watercolor painted by David Barnett, signed in the lower right corner. The abstracted desert landscape is rendered in strata of pure bright ...

"Morning Glory" is an original watercolor painting on paper by Carol Christ. A sunny corner of a garden overflows with the beginnings of a lush garden. 24 x 18 inches, artwork 35 x...

"Underwater Series: Coral Reef" is an original mixed media piece by David Barnett that incorporates watercolor and acrylic on rag museum foam board, signed in the lower right. This ...

"Famous Artist Series: Leonardo & Rodin Dreaming of Jona Lisa" is an original mixed media piece by David Barnett, signed in the lower left. Collaged images of Mona Lisa, Leonardo, a...