David Barnett Gallery Figurative Paintings

This is an excellent example of one of Sylvia Spicuzza's rare 'finger paintings': not only is it remarkably large, but it also shows her mastery of the...

Painting of Karly's best friend Mikaylah in her wishbone necklace. Framed: 55" x 43"

Signed, titled, and dated on verso. A leading Peruvian artist, Ernesto Gutierrez, was born in Lima, Peru, in 1941. His father was a Spaniard and his mother a descendant of the Incas...

John Steuart Curry "Cockfight in Cuba," 1946 oil on canvas Image: 38.25 x 46.25 in Frame: 43.75 x 51.5 in Signed on reverse with initials JSC on lower right stretcher bar John Steu...

"Portrait of a Soldier from Tehran" is an original oil painting by Cyrus Afsary. The artist signed the painting in the lower right. This piece depicts an Iranian man with a white head scarf, a Keffiyeh. Artwork Size: 27 1/2" x 19 3/4" Frame Size: 34 1/4" x 26 1/4" Artist Bio: Cyrus Afsary studied art under the strict discipline of the Russian Realist style of painting, graduating with two degrees. He has won numerous awards, including the Best of Show at the C M Russell show of Original Western Art and the Exceptional Merit Award from the National Arts Club at the 1986 Pastel society of America show. He has also received gold and silver medals from the National Academy of Western Art and was the first recipient of the coveted Lougheed Memorial Award. Cyrus won the Painting Award for “ mystical Transformation” at the Buffalo Bill Art Show in 2006 and also shared in the choice award. In 2007 he was awarded the Best of Show at the Eiteljorg Museum and in 2009 at the Charles Russell Museum he received the staff choice award, for “Entrance to Shrine” and in 2010 the Williams Award for Collectors’ reserve at the Gilcrease Museum. Oklahoma. Cyrus is an artist /member of the Cowboy Hall of Fame. He participates annually in the Prix de West invitational, and the Masters of the American West Exhibition at the Autry Museum in CA. The Eitejorg Museum in Indianapolis, IN and also the Buffalo Bill show in Cody Wyoming. Cyrus was featured in the 2002 Gilcrease Museum Rendezvous in Tulsa, Oklahoma. He is also a member of the Northwest Rendezvous Group. Cyrus and his work appear in numerous publications, including American Artist, Art of The West, South West Art...

"She Is" is an original oil painting on canvas, created by Alayna Rose. In this painting, Alayna Rose uses her abstract language to create the figure of a nude woman. The composition...

"Vestido de la Region (Regional Costume) - Cuzco" is an original oil painting on canvas by Abelardo Marquez. The artist signed the piece in the lower right. This painting depicts a w...

"Caterina d'Alexandria (Saint Catherine of Alexandria)" is a copy oil painting on wood panel, after Italian artist Giampietrino (Giovanni Pietro Riz...

"Vieja del Sitio (Old Woman) - Cuzco" is an original oil painting on canvas by Abelardo Marquez. The artist signed the piece in the lower right. This painting depicts an elderly woma...

"Vendiendo Frutas," ("Selling Fruit") is an original oil painting on canvas signed by the Peruvian artist Ernesto Gutierrez. Visible is a vibrant rainbow o...

"Footwork at Random - Variation I" is a mixed media acrylic painting on canvas by Reginald K. Gee. The artist signed the artwork lower right. It depicts two figures dancing. Reggie K...

"La Familia" (The Family) is an original oil painting on jute by Ernesto Gutierrez. The artist signed the piece in the lower right. It depicts a family of people walking through a de...

"Descanso, Peru (Woman)" by Ernesto Gutierrez, 1986, oil on jute canvas, signed lower right. 25" x 30" art 35" x 40" frame Artist Bio: Ernesto Gutierrez was born in Lima, Peru in ...

"Feria de Sombreros (The Hat Market)" is an original oil painting on jute signed in the lower right by the artist Ernesto Gutierrez. It depicts multiple figures in purple shawls and ...

"El Baile" by Ernesto Gutierrez, 2005, oil on jute. Signed by the artist in the lower right. Painting Size: 18" x 14" Frame Size: 26 7/8" x 22 7/8" Ernesto Gutierrez was born in Li...

"Sun Totem" is an original acrylic painting on canvas signed and dated lower center by the artist Prospere Pierre Louis. It depicts a few contorted human figures in a totem pole arrangement in black and white, a yellow sun with a face in the center, and various brightly colored patterns on the sides. Artwork Size: 62 5/8" x 38 5/8" Frame Size: 73"x 49" Artist Bio: Prospere Pierre-Louis was born in Bainet, in the south of Haiti, on October 12, 1947. As a young boy, he did not go to school but did teach himself to play the drums and the violin. He assisted his father, a houngan (Vodou priest), in preparing Vodou ceremonies. At age 16 he moved to Port-au-Prince where he apprenticed as a barber for a time before working as a waiter at the home of Maude Robard who would in 1973, with the Haitian artist Tiga, organize a community of peasant artists, singers, dancers, craftspeople, actors and painters into a movement that was named Saint Soleil. Prosper followed his friend Maude to the community at Soisson-la-Montagne on the mountain above Laboule and eventually became the most prominent painter in the group. The Saint Soleil movement gained international recognition in 1975 when the French cultural icon Andre Malraux visited the community. It is said that Malraux was seated in a chair on a grassy knoll while the artists of Saint Soleil ascended the slope, encircling him, each holding a piece of their art. Malraux was blown away by the scene and immortalized the movement by featuring Saint Soleil prominently in his last book, " L'Intemporel." Saint Soleil disbanded after only a few years but five of the artists, Prosper Pierre-Louis, Levoy Exil...

"Song For Lovers" is an original oil painting on canvas by Xiao Ming. This artwork features two abstracted figures embracing, a seated figure with a dress, multiple animal heads, and other abstract symbols over a dark blue and black background. 23 3/4" x 19 1/2" art 31 1/2" x 26 1/2" frame Born in the Yunnan province of China, Close to Tibet, Xiao Ming found her artwork on her beliefs and traditions of living with nature as a guardian and protector. These beliefs and traditions may have influenced Ming to favor colored inks, a gouache of sorts derived from mineral pigments bound by using animal glue, Mings work is steeped in Chinese art history, influenced by the ancient scroll...

"A Quiet Moment" is an original oil painting on canvas by Pamela Papas. It depicts a woman in a white robe lounging on a couch in front of a window. 22" ...

"Stone Skipper" is an original oil painting on board by Gregory D. Steele, signed in the lower left. This painted depicts a lakeshore beach in Door County, Wisconsin. The cold blue w...

"Transcendence" is an original oil painting on canvas signed and dated in the lower right by the artist Karin Krohne Kaufman. This painting depicts a woman in red and yellow with a b...

"Progress Regress" is an original oil painting on canvas by Renee McGinnis. The artist signed the piece in the lower right. This piece depicts a boy scrunching up his face, revealing that his teeth say "Progress Regress", the title of the painting. This boy is laying on a pillow in front of a stormy sky. 36" x 48" art 42" x 54" frame Renee McGinnis grew up on a farm in central Illinois and attended Illinois Wesleyan University, earning a BFA in 1984. She continued with graduate work in sociology and anthropology at the University of Chicago. Her work has been exhibited widely in Chicago and has also been shown in Germany, Australia, New York City, Washington D.C. and Baltimore, Md. Her curatorial debut occurred when she launched “The Chicago Solution Show 2003" with the late Ed Paschke as juror, then again in 2005 with Art Institute of Chicago Curator of contemporary Collections- James Rondeau. Awards include: * Honorable Mention, Artists of The Millennium, Rockford Art Museum, juror: James Yood 2000 * Best of Show, juror Ed Paschke, Animal Images 2002 *Best of Show, 13th Annual Women’s Works, Woodstock, IL 2000 *1st Place, International Platform Assoc. Wash. D.C. 1999 *Honorable Mention, jurors: Tom Blackman, Gelsy Verna, Jay Dandy. Hyde Park Art Center...

"Inside My Soul" is an original oil painting on canvas by Karin Krohne Kaufman. The artist signed and dated the piece lower right. This piece features a woman in Asian-inspired dress...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

"And I Think Of Yoouu...Night and Daaayyyy..." is an original acrylic painting on canvas signed by Reginald K. Gee. It depicts a man in a spotlight singing. The artist signed the pie...

"Convention Speaker" is an acrylic painting on parchment paper by Reginald K. Gee. The artist signed the piece lower right. In Convention Speaker, a neo-Expressionistic work from 199...

The present work is an excellent example of the paintings of Milwaukee artist Reginald K. Gee. Each of the four canvases that make up the work bear one of Gee's humorous, poetic titl...

"Where Is She" is an oil pastel on grocery bag signed by Reginald K. Gee. A downcast man sits at a small circular table. The whole scene is blue, and the man fiddles with his sunglas...

"Man In Green Shirt" is an acrylic and pastel on paper signed by Reginald K Gee. A male figure is set against a colorful, expressionistic background. Art: 12 x 9 in Reginald K. Ge...

"Walk" is an original oil pastel and acrylic painting on paper by Reginald K. Gee. The artist signed the piece on the back. This piece features a line of three people walking in fron...

"Frozen In Ice" is an oil pastel on grocery bag signed by Reginald K. Gee. The figure is quickly sketched in blue, with yellow around the throat and green along the leg. The backgrou...

"Cream Soda" is an original acrylic painting on canvas board by Reginald K. Gee. The artist signed the artwork on the back. This artwork depicts an abstract...

Two sisters wrapped in webbings and covered in spiders. This artist has dove deep into the fear of arachnophobia. When looking at this piece people at first spot the dew on the webbi...

Christiane Bouret is a painter that works with oil paint to create figurative artworks and portraits, and the present painting is an excellent example of her work. In the image, we s...

Art: 30" x 24" Frame: 36.50" x 30.50" Oil on canvas signed and dated lower right.

Signed with stamp, J.V. 7-5/8" x 4-3/4" art 19" x 15-1/4" frame Jacques Villon (French, 1875 - 1963) French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

"Two Country Village Women Outside Their House" is an original oil painting on canvas signed and dated in the lower right corner. It depicts two Haitian women working around their house. There is a variety of lush plants surrounding the house. 24 3/4" x 36" art 26 1/2" x 38 1/4" frame Framed to conservation standards in a floating frame with an brushed antique gold...

'Feria en Huancayo (Market in Huancayo)' is an original oil painting signed by the Peruvian-American painter Ernesto Gutierrez. The painting is an excellent example of the work that ...

'Músicos Andes' is an original oil painting signed by the Peruvian-American painter Ernesto Gutierrez and is an excellent example of the work he has been producing in recent years. The composition shows four musicians, playing a harp, flute, guitar and violin respectively. The composition is unified by the repeating pattern of the figures, like the repeating motifs of a song, all of whom wear the same hat in their arrangement across the canvas. Paintings like this show the artist's observation of daily life on the streets of Peru, but at the same time elevate these figures with mystery and magic. oil on jute 38.5 x 70.38 inches, canvas 50 x 82 inches, frame signed "E. Gutierrez 2020" lower center signed and inscribed "ERNESTO GUTIERREZ / to David Barnett / 70 x 38 OIL ON CANVAS / "MUSICOS ANDES"" in ink on reverse, upper left excellent overall condition presented in a new custom frame with 3-inch linen liner and modern profile matte black and gold trim moulding...

"One" is an original oil painting on canvas by Alayna Rose, signed in the lower left. In this composition, Rose has abstracted the side-profile of a head by filling it with an array ...

This painting is one of the series of cubist cityscapes that the Peruvian artist Ernesto Gutierrez was experimenting with in the early part of his career. The entire composition is c...

In the acrylic painting 'Go-for Notations,' American artist Reginald K. Gee presents a humorous narrative in his unmistakable Neo-Expressionist style: a character, a man wearing a he...

The present painting, titled 'Black Mat,' is a small and intimate work by the American artist Fred Reichman. An intimate work measuring only ten by ten i...

This early work by American artist Sylvia Spicuzza is an excellent example of Regionalism: in the foreground, a farmer in blue stands before a herd of cattle. Beyond the fence of the...

'Persistence' is an original mixed media painting on rough-cut aluminum by American artist and appraiser Kelly Butenhoff. In the image, Butenhoff shows a yellow figure against a blue background; however, the painting is even more about the material of paint and metal than it is about figuration. Recalling the figurative paintings of Abstract Expressionist Willem de Kooning, the work is constructed of built-up textured layers, their rough surface mirrored by the irregular border of the aluminum sheet support. These same colors are seen in the Ukrainian flag. Yellow and blue represent Ukraine’s wheat fields below the blue skies and mountains. All proceeds of this sale will be donated to help Ukrainian refugees. 34 x 23 inches Artist's labels on the reverse Unframed, ready to hang Framing options available Overall good condition; some lifting of paint around edges; paint loss upper left After studying abroad, Kelly graduated from Carroll College, Waukesha, Wisconsin, with a BFA in Fine Art and Commercial Art. Her career in the art world began with the prestigious David Barnett Gallery in Wisconsin. Simultaneously exploring her own artistic accomplishments and gallery pursuits, eventually brought Kelly to Palm Beach Gardens, Florida, and Studio E Gallery in 2001 where she held the position of Gallery Director for eleven years while launching her endeavor of concierge fine art and appraisal services. Never one to rest on her laurels, Kelly appeased an interest in appraising by attending the School of Continuing and Professional Studies at NYU, completing the intensive Art Appraising and Connoisseurship Program in 2004. These studies and internships have included in-depth research and documentation of fine and decorative arts. Courses, workshops, and seminars on fine art, decorative art, American silver 1800-1940, estate jewelry, 18th, and 19th-century furniture, and IRS legal guidelines. Her training took place in such esteemed locations as Sotheby’s, Doyle’s Auction House, Swann Auction Galleries, Hirschl & Adler, Beauvais Carpet...

Émile Bemindt was a French artist active between 1859 and 1872 and is best known for work in the style of the Rococo Revival: During the late nineteenth ...

The present painting is a bold an vibrant work by the artist and fashion designer Stella Atal. The image contains five abstract, cleanly-drawn figures against bright fields of green and yellow. The figures, representing hunters, are the very same that can be seen on her couture designs, referencing the history of African art, design and fashion. 54.75 x 36.5 inches, artwork 60.63 x 42.5 inches, frame Signed 'Atal S' lower right Framed to conservation standards using archival materials including UV5 Plexiglas to inhibit fading; housed in a wood modern profile gold moulding. Stella Atal (Ugandan, active Paris, b. 1983) is a painter and fashion designer, and is the founder, owner and chief executive of Atal Stella Fashion House, with locations in Paris, France. She was born in the Northern Region of Uganda, along the northern shores of Lake Kyoga. Stella started her schooling in Kampala, Uganda's capital and largest city. She relocated to Kenya and continued her education there. Later, she completed her education in the United Kingdom. She has a bachelors and a master's degree in Fine Art. She comfortably paints both miniature and large wall hangings using acrylics and water- based textile paints, she uses materials such as bark cloth, recycled paper made out of water hyacinth, Hessian, canvas and many other tradition materials. Her unique art pieces are inspired by ancient and contemporary African designs. They depict typical village scenes of life around Lake Victoria. 'Painting is the only way I can get back to my roots by using our cultural materials such as bark cloth that was used by our ancestors and helps me preserve my culture through some of the motifs I use that were used long ago as signs of belief and worship in the African culture.' Her distinctive artwork is well known in Uganda and throughout East Africa. Her bold, fluid lines explore complex subjects such as women empowerment and national development with economy and grace. Her central artistic preoccupation is the continuation of distinctively African culture. In 2007, she started her own label, Atal Stella. There she focuses on using what is locally available, including eco-friendly, natural and re-cycled material. Her designs have showcased at the Africa Fashion Week New York, in 2010 and at the Green Fashion...

The present artwork is an unusual example of the paintings of Fritzi Brod. It is painted on both sides: on one side, an image of three Native Americans on ...

Christiane Bouret is a painter that works with oil paint to create figurative artworks and portraits, and the present painting is an excellent example of her work. In the image, we see a woman in equestrian clothing...

The present illuminated folio page contains a fine miniature depicting three figures hunting while on horseback, an image meant to accompany a historic epic. During the medieval period, hunting was an important pastime of male nobility throughout the Islamic world. The Quran itself explicitly endorses hunting and the use of animals to aid in capturing prey: "Lawful to you are foodstuffs that are good to eat and any game that, at your wish, is captured by beasts of prey which train as you do dogs, according to the method that Allah has taught you, after you have spoken the name of Allah over it." (Q 6:4) Muslim princes and nobles enjoyed the chase of the prey via horseback, using bow and arrow, crossbows, and blowpipes to capture their prey Horseback riding itself trained young men in the necessary skills for armed combat and warfare, developing their speed and strength. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

The present illuminated folio page contains a fine miniature depicting four figures playing polo. Polo, also called 'chagun,' was the sport of kings and princes of central Asia and Iran, and the sport probably originated there in the 6th century BCE. Polo matches appear in a large number of early Persian texts, including in the writings of the 10th century epic writer Abu l-Qasim al-Firdawsi: He describes numerous polo matches in his famous 'Shahnameh' (The Persian Book of Kings). This particular illumination also is closely related to an example held at the Smithsonian Museum of Asian Art: a folio from 'Guy u Chawgan' (The ball and the polo-mallet) which shows a polo game with the dervish and the shah. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

The present work is an excellent example of the narrative paintings of Randall Berndt. In the painting, we see a woman in a carved canoe among sculptures ...

"Year End Close Out Sale" is an oil pastel on a grocery bag signed by Reginald K. Gee. In this work, a salesman flashes a grin at the viewer, attempting to make a sale. Art: 13.5 x ...

"Awaiting A Phone Call" is an oil pastel on grocery bag signed by Reginald K Gee. A man sketched with blue lines stairs at a similarly sketched table with...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

"Indian Pow-Wow" is an original painting in tempera, signed in the lower right. It features gestural blue outlines, decorated in shades of yellow, blue, and green. Art size: 24" x 1...

"The Shower" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back, and hand-carved the frame so it becomes an integral part of the artwork. This piece depicts a nude woman from behind, taking a shower. 33" x 21" art 35 7/8" x 24" frame Artist Statement: "I was born in Milwaukee over half-a-century ago in the year of the horse...

"The Traveler (Starbucks Coffee)" by Wisconsin artist Robert Richter is an oil paint on wood with the signature on the verso. The frame was constructed and hand-carved by the artist,...

"Home from Work" by Wisconsin artist Robert Richter is an oil painting on wood, signed on the verso. The frame was created and hand-carved by the artist, making it an integral part o...

"Houses at Night" is an original mixed media painting by Dan Muller. The artist signed the piece lower right. The artist used cut & pasted paper, waterc...

"Retablo Exvotos (Replica Family with Cow's Vision)" is an original oil painting on tin by Monica Flores Martinez. The artist signed the piece. This artwork features a family kneelin...