David Barnett Gallery Color Photography

"Giant Sequoia Star Trail" is a limited edition long-exposure photograph signed by the artist Robert Kawika Sheer. This piece is signed by the artist in the lower right, and is editi...

"The History of Flight (Upon the LAX Sign)" is an original fine-art photograph created by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned in the lo...

"Aliens at Goblin Valley," is an original fine-art performance photograph by Robert Kawika Sheer. The artist signed the piece in the lower right and editioned it in the lower left. E...

"Indian Feather" is an original fine-art photograph by Robert Kawika Sheer. This piece is signed in the lower right and editioned in the lower left. Edition 28/250. This piece featur...

"Lake Powell Star Circles-North Star" is a long-exposure photograph by Robert Kawika Sheer. The artist signed this piece in the lower right and editioned in the lower left. Edition 2...

"Lightning Along Route 66 Arizona - Navajo Exit" is a long-exposure photograph by Robert Kawika Sheer. This limited edition photograph depicts the light trails from cars along Americ...

"Teton Full Moon" is an original photograph created by Thomas Ferderbar. A vast and sweeping landscape photo encapsulating the moon overlooking the mountains. A magnificent view show...

In this photograph, Milwaukee-based artist and photographer Joan Dvorsky shows a panoramic view of the beaches along Lake Michigan. Above the cool sands, a flock of seagulls takes fl...

"Holiday Greeting Card - Teri's Garden, Columbine" is a photograph signed by Murray and Teri Weiss. This holiday card wishes David a joyful holiday and a Happy New Year. A lovely white flower is perched in the middle of the photograph, other buds surround it. A dark green sets all of the flowers up with a beautiful contrast. Art: 8.38 x 5.5 in Frame: 13 x 10 in PROFESSIONAL AND RELATED EXPERIENCE: 1997 Closed Studio, concentrating on personal photography 1987–97 Freelance Studio Photographer 1987 Gallery Lectures, Haggerty Museum of Art, Milwaukee 1985-86 Gallery Lectures and Docent Lectures, Milwaukee Art Museum TEACHING AND ADMINSTRATION: 1986-87 Head, Photography Department, Bennington College, VT 1975-86 Founder/Director, Milwaukee Center for Photography 1977 Photography...

"Holiday Greeting Card" is a photograph signed by Murray and Teri Weiss. A bleeding heart flower is tucked in between large green leaves. Art: 8.5 x 5.5 in Frame: 14 x 10 in Framed to conservation standards, mounted on 100% cotton mat...

"Kalanchoe (2012 Holiday Card)" photograph signed by Teri & Murray Weiss. This card contains a still-life with flowers in a glass vase. The flowers are four petaled with orange centers that ombre into yellow. Art: 8.38 x 5.5 in Frame: 13 x 10 in PROFESSIONAL AND RELATED EXPERIENCE: 1997 Closed Studio, concentrating on personal photography 1987–97 Freelance Studio Photographer 1987 Gallery Lectures, Haggerty Museum of Art, Milwaukee 1985-86 Gallery Lectures and Docent Lectures, Milwaukee Art Museum TEACHING AND ADMINSTRATION: 1986-87 Head, Photography Department, Bennington College, VT 1975-86 Founder/Director, Milwaukee Center for Photography 1977 Photography...

"Calatrava Series 1" is a digital photographic print by Philip Krejcarek. This artwork features a manipulated photograph of the Calatrava building of the Milwaukee Art Museum in Wisconsin. 18" x 24" image 24" x 30" paper 24 1/4" x 30 1/4" frame EDUCATION: M.F.A. - University of Wisconsin - Milwaukee (1973) B.S. in Art - University of Wisconsin - Oshkosh (1968) POSITION: Professor of Art, Carroll College (began1977) Co-Chairman, Art Dept. COLLECTIONS Milwaukee Art Museum Haggerty Museum of Art, Milwaukee Denver Art Museum Wustum Museum of Fine Arts, Racine City of Milwaukee Milwaukee Journal Sentinel The University of Wisconsin - Milwaukee, Fine Art Gallery The University of Wisconsin Center - Waukesha Oshkosh Public Museum Wisconsin Artists Collection, Carroll College ONE-PERSON EXHIBITIONS 1972 University of Wisconsin Center - Waukesha 1974 Tom Hayes Gallery...

"Calatrava Series 2" is a digital photographic print by Philip Krejcarek. This artwork features a manipulated photograph of the Calatrava building of the Milwaukee Art Museum in Wisconsin. 12" x 18" image 20" x 24" paper 20 1/4" x 24 1/4" frame EDUCATION: M.F.A. - University of Wisconsin - Milwaukee (1973) B.S. in Art - University of Wisconsin - Oshkosh (1968) POSITION: Professor of Art, Carroll College (began1977) Co-Chairman, Art Dept. COLLECTIONS Milwaukee Art Museum Haggerty Museum of Art, Milwaukee Denver Art Museum Wustum Museum of Fine Arts, Racine City of Milwaukee Milwaukee Journal Sentinel The University of Wisconsin - Milwaukee, Fine Art Gallery The University of Wisconsin Center - Waukesha Oshkosh Public Museum Wisconsin Artists Collection, Carroll College ONE-PERSON EXHIBITIONS 1972 University of Wisconsin Center - Waukesha 1974 Tom Hayes Gallery...

"Calatrava Series 4" is a digital photographic print by Philip Krejcarek. This artwork features a manipulated photograph of the Calatrava building of the Milwaukee Art Museum in Wisconsin. 10 1/2" x 14" image 16" x 20" paper 16 1/4" x 20 1/4" frame EDUCATION: M.F.A. - University of Wisconsin - Milwaukee (1973) B.S. in Art - University of Wisconsin - Oshkosh (1968) POSITION: Professor of Art, Carroll College (began1977) Co-Chairman, Art Dept. COLLECTIONS Milwaukee Art Museum Haggerty Museum of Art, Milwaukee Denver Art Museum Wustum Museum of Fine Arts, Racine City of Milwaukee Milwaukee Journal Sentinel The University of Wisconsin - Milwaukee, Fine Art Gallery The University of Wisconsin Center - Waukesha Oshkosh Public Museum Wisconsin Artists Collection, Carroll College ONE-PERSON EXHIBITIONS 1972 University of Wisconsin Center - Waukesha 1974 Tom Hayes Gallery...

"Abandoned Trading Post (Mural) Near Grants, NM" is a color photograph print on canvas by Thomas Ferderbar. This artwork is from his "Route 66 Series" and is signed lower left. This piece depicts a mural on a dilapidated wall whose colors have begun to chip and fade. 40" x 27 1/2" canvas 40 3/4" x 28 1/4" frame I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar

"Curio Shop Entrance, New Mexico" is a color photograph printed on canvas and signed lower right by the artist, Thomas Ferderbar. It depicts a gray wall with fading painted decorations. Artwork Size: 55" x 37 3/4" Frame Size: 56" x 38 1/2" Artist Statement: "I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box...

"Shamrock Conoco, TX" is an original color photograph by Thomas Ferderbar. The artist signed the piece lower right. It depicts the entrance to a building in Texas off of Route 66. This photograph is part of the artist's "Route 66" series. Artwork Size: 18 3/4" x 15" Frame Size: 25" x 21" Artist Bio: I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar

"Plane Into Cloud, AZ" is an original color photograph by Thomas Ferderbar. The artist signed the piece lower right. It depicts an airplane flying towards a large, fluffy cloud. 20 1/4" x 15" image 26" x 21" paper 29" x 24" frame I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar