David Cook Galleries Landscape Photography

“Currents” captures the mesmerizing movement of the Mediterranean sea along the Italian Riviera during the winter of 2022. This large-format black and white photograph reflects the s...

Sardinia is a photograph taken by Amanda Ludovisi in 2018. It represents a tranquil wave by the shore in Sardinia, which delicate colors. This is a gi...

Mrs Hans Estin watches her children digging for clams at low tide on Black Beach, Massachusetts Bay, circa 1960 Slim Aarons Digging for Clams on Black Beach 1960 Fiber Print Estate...

This Photograph titled "Mission San Xavier Del Bac, Tucson Arizona" is a gelatin silver print by noted American photographer Huntington Witherill, born ...

Mark of Esteem, ‘Silhouette’, 2001 by John Reardon This Print is part of the Hermès Collection of Contemporary Photographs since November 2023 A few mor...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of trilliums. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

This classic Slim Aarons photograph depicts a couple basking under the sun at the renowned Palm Beach, Florida, circa 1955. The woman in the forefront sports a vintage orange swimsuit and a chic straw sunhat adorned with a vibrant red ribbon. Dominating the scene is a tropical holiday tree and candy cane themed umbrella, situated between two palm trees, further accentuated by a tray filled with neatly wrapped holiday gifts. The creative interplay between the inverted triangle of the chair and the conventional triangle of the umbrella culminates in a balanced yet dynamic composition. With the midcentury tropical beach setting and warm orange color palette, this festive Slim Aarons photograph transcends seasons, making it a timeless piece to appreciate year-round. Slim Aarons Palm Beach Idyll...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Vintage hand signed and stamp signed with the photographers stamp and numbered photo of Moccasin Flower. Samuel Herman Gottscho (February 8, 1875 - January 28, 1971) was an American architectural, landscape, and nature photographer. Samuel Gottscho was born in Brooklyn in New York City. He acquired his first camera in 1896 and took his first photograph at Coney Island. From 1896 to 1920 he photographed part-time, specializing in houses and gardens, as he particularly enjoyed nature, rural life, and landscapes. After attending several architectural photograph exhibitions, Gottscho decided to perfect and improve his own work and sought out several architects and landscape architects. After twenty-three years as a traveling lace and fabric salesman, at an age when most people would have given up their youthful dreams, Gottscho became a professional commercial photographer at the age of 50. His son-in-law William Schleisner joined Gottscho in his business in 1935. During this time his photographs appeared in and on the covers of American Architect and Architecture, Architectural Record. His portraits and architectural photography regularly appeared in articles in the New York Times. His photographs of private homes in the New York and Connecticut suburbs often appeared in home decoration magazines. From the early 1940s to the late 1960s, he was a regular contributor to the Times of illustrated articles on wildflowers. the meticulous, adoring pictures of New York City architecture and interiors that he took at his creative peak in the late 1920's and early 30's are finding a new audience, placing him more firmly in the ranks of the great architectural photographers of his day, like Ezra Stoller, Julius Shulman and Ken and Bill Hedrich. the Museum of the City of New York, which has one of the largest archives of Gottscho's work, showed about 150 of his best city scenes in an exhibition called "The Mythic City: Photographs of New York...