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Creator: Driade
Table Basalt Model by Fredrikson Stallard for Driade, Italy
By Fredrikson Stallard, Driade
Located in Milan, Italy
Basalt is the table designed by Fredrikson Stallard in 2014. The structure is in black painted steel, while the top is in lightened concrete. The designer places fragmentation at the base of his work of creation. Another important requirement is that important elements such as legs for a dining table are not only simple means to block the floor for functionality reasons, but become a complementary and integral part of the identity of the whole piece. Out production.
Biography
Patrik Fredrikson and Ian Stallard began their collaboration in 1995 and have since become internationally recognized as leading exponents of british avant-garde design. They are well known for their ability to translate their creativity into simple yet emotionally engaging furniture and product design. Their work has been acquired by the french national art collection and the Victoria and Albert museum, and shown at the design museum in London, Moma and the museum of art and design in New York. their clients include some of the leading names in contemporary design. Fredrikson Stallard has exhibited widely including in London, Milan, Paris, Madrid, New York, San Francisco, Shanghai, Basel and Miami. Fredrikson Stallard has been the recipient of some of the most prestigious design awards, including the red dot design award and the arts foundation...
Category
2010s Italian Modern Tables
Materials
Cement, Steel
Pouf Blocco Model by Nanda Vigo for Driade, Italy
By Driade, Nanda Vigo
Located in Milan, Italy
'In a room for the well-being many elements called “furniture” are necessary that actually once set remain “fixed”. I always reject the tendency to overload the space; therefore i ha...
Category
2010s Italian Modern Ottomans and Poufs
Materials
Faux Fur, Wood
Side Table Basalt Model by Fredrikson Stallard for Driade, Italy
By Driade, Fredrikson Stallard
Located in Milan, Italy
Much of Fredrikson Stallard’s work is about fragmentation and deconstruction. There are many similarities between studying the beauty of the resulting forms, when deconstructing an object and the veneration of objects, or pieces of objects.
Structure in drawn steel with polished gold finish. Top in lightened concrete with wax finish late-gray color. Indoor use only.
Biography
Patrik Fredrikson and Ian Stallard began their collaboration in 1995 and have since become internationally recognized as leading exponents of british avant-garde design. They are well known for their ability to translate their creativity into simple yet emotionally engaging furniture and product design. Their work has been acquired by the french national art collection and the Victoria and Albert museum, and shown at the design museum in London, Moma and the museum of art and design in New York. their clients include some of the leading names in contemporary design. Fredrikson Stallard has exhibited widely including in London, Milan, Paris, Madrid, New York, San Francisco, Shanghai, Basel and Miami. Fredrikson Stallard has been the recipient of some of the most prestigious design awards, including the red dot design award and the arts foundation...
Category
2010s Italian Modern Coffee and Cocktail Tables
Materials
Cement, Steel
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Located in Brooklyn, NY
"Waterfall" is a white, gold or blue lacquered polyurethane Baydur iconic coffee table, designed by Fredrikson Stallard and manufactured by Driade.
White lacquered version only is available in quick ship.
Indoor use only.
DIMENSIONS:
D. 23.6", W. 85", H. 13.3"
Even a coffee table can become a piece of art if it can transcend typological limitations. Fredrikson Stallard deal with the issue by the strength of the material to be bent and shaped. The result is a completely new form, marked by an important and expressionistic depression in the centre of the top.
PATRIK FREDRIKSON and IAN STALLARD began their collaboration in 1995 and have since become internationally recognized as leading exponents of British avant-garde design. They are well known for their ability to translate their creativity into simple yet emotionally engaging fine artwork and furniture.
Their cutting edge, conceptually rigorous work has been regularly discussed and praised in the design press and is sought after by discerning collectors and furniture producers.
Their work has been acquired by the San Francisco Museum of Modern Art, twice by the Victoria and Albert Museum in London, the French National Art Collection, and shown at the Design Museum in London, MoMA and the Museum of Art and Design in New York. Their clients include some of the leading names in contemporary design including Swarovski, Chanel, Veuve Clicquot, Comme des Garcons, Dunhill, Remy Martin, The London Design Festival, Bernhardt Design, David Gill Galleries, Contrasts Gallery, Tools Gallery, Mitterand & Cramer, The Savoy Hotel, Soho & Tribeca Grand, Tarkett and Iittala.
Fredrikson Stallard has exhibited widely including in London, Milan, Paris, Madrid, New York, San Francisco, Shanghai, Basel and Miami.
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DIMENSIONS:
D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1"
The "Blocco" seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat!
Nanda Vigo said about "Blocco":
"Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need."
NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan.
The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe.
Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event.
In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...
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