Dressing Factory Beaded Necklaces
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Chanel Ivory Faux Pearls Embellished Long Sautoir Necklace
By Chanel
Located in Paris, FR
Chanel Ivory faux-pearls embellished long sautoir necklace featuring aux-pearls beads, white-gold-tone signature interlocking CC logo with embellished beads, a lobster claw fastening...
Category
2010s French Beaded Necklaces
Chanel Pink Embellished Chain Sautoir
By Chanel
Located in Paris, FR
Chanel Pink embellished sautoir necklace featuring a gold-tone chain, faux-pearls beads, pink and white crystal embellished beads, signature interlocking CC logo, a lobster claw fast...
Category
2010s French Beaded Necklaces
Chanel Iconic Faux Pearls Logo Necklace
By Chanel
Located in Paris, FR
Chanel gold-tone and faux-pearls necklace featuring spring-ring fastening with Chanel pitted on, a front logo with strass and beads, faux-pearls beads.
Maxi Length:
Front Chanel me...
Category
2010s French Pendant Necklaces
2021 Chanel Black Bead-Embellished Long Necklace
By Chanel
Located in Paris, FR
Chanel black bead-embellished long necklace featuring rounded black beads, the brand’s signature interlocking CC logo, spring-ring fastening with Chanel pitted on and a a back free c...
Category
2010s French Pendant Necklaces
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Couture 1930s ElsaSchiaparelliStyle FuchsiaFauxRubyGoldGlassBeads Tassel Sautoir
Located in Chicago, IL
Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp.
Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939.
To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period.
The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace.
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