East Meets West Antiques Coffee and Cocktail Tables

The "Teoca" coffee table is part of ADN Studio´s Volcan collection. This collection seeks to go back to basics. It is a subtle and refined interpretation of the archetypical modern f...

A very well made and highly decorative Faux Bamboo Cocktail Table made by Hickory Chair. Raised on 8 legs, in four ends, with an X form stretcher. The oval table with faux bamboo for...

Italian round coffee table, 1950s. Dimensions: H= 52 cm; D= 60 cm.

This is a lovely early twentieth century Venetian coffee table with a hand painted chinoiserie scene. The painted finish is distressed in a manner typical of antique Venetian pieces,...

This antique wooden coffee table from India, dating back to the early 20th century, shows rustic charm and traditional craftsmanship. Construc...

Mexican Modern Coffee Table. This stunning Mexican mid century modern cocktail table, coffee table or low table has a boomerang shaped top ...

Pièce in original condition from the 1930´s located in NY

This is a beautifully crafted antique-style coffee table most likely influenced by 18th-century European—particularly English—designs. The table showcases distinct Rococo and Chippendale stylistic elements, seen in its elaborately carved cabriole legs, adorned with acanthus leaf motifs, ending in lion paw feet—an iconic feature of English Chippendale furniture...

Nice round coffee table with ceramic top and wood structure.

This coffee table was converted from an old oak farmhouse kitchen table. It retained a very nice patina and rich color over the years, has a practical size and one drawer.

Live Edge Burl RedWood Wood Coffee Table This 1950s coffee table has a unique, unusual shaped root base and live edge surface. The burl is a natural red wood...Retains its original f...

Shaker table model 5267 for Danish Furniture makers in Fredericia, Denmark. Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved. Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs. Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used...