EDWARD T. POLLACK FINE ARTS Landscape Prints

Frasconi,Antonio. NIGHT WORK. Color woodcut, 1952. Edition size not stated. Signed, titled, dated, and inscribed P/P (printer's proof) in pencil. 29 x 42 inches (sheet). The print is...

Yoshida, Toshi. A PINE TREE OF THE FRIENDLY GARDEN. Color woodblock print, 1980. Signed in Pencil in Japanese. Commissioned by the Franklin Mint, and printed and published by the Yo...

Platt, John Edgar (English, 1886-1967). PORT OF ST. TROPEZ. Woodcut in color, 1924. Edition of 100, signed and titled in pencil and numbered 43/100. 15 1/4 x 11 1/2 inches (sheet). P...

Hollyer, Samuel. OLD NEW YORK - VIEWS BY S. HOLLYER. New York, 1905, 1909 & 1912. 3 Volumes, oblong 4to., bound in full red morocco leather, gilt, with...

Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...

Field, Sabra Johnson.(American, born 1935). FULL MOON. Color Woodcut, c. 1968. Edition of 50. Titled, numbered 37/50, and signed in pencil. 16 x 8 3/4 inches (image), 20 5/8 x 12 inc...

Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...

Arms, John Taylor (American 1887-1953). SHADOWS OF VENICE - IL PONTE DI RIALTO, VENEZIA. Etching, 1930. Edition of 140 + 14 Artist's Proofs. 10 x 12 inches (Plate), 11 3/8 x 157/8 in...

Bacher, Otto (American, 1856-1909. FONDAMENTA DEL TOLENTI.Andrews 28, State 2 of 2. Etching, 1880. Inscribed and signed "From yours truly Otto H. Bacher / Present state of Plate." Nu...

Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...

Wengenroth, Stow. BLACK WEATHER. Stucky 25. Lithograph, 1932. Edition of 25. Signed in pencil, lower right. 6 1/2 x 14 inches (image), 11 1/2 x 16 inches...

Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.

Frasconi, Antonio. ALHAMBRA XII. Color woodcut, 1963. Edition of 15. Signed, titled and inscribed "ed 15" in pencil. 10 1/2 X 14 1/8 nches (image). In excellent condition. Frasconi ...

Adams, Clinton (American 1918-2002). TWO SCREENPRINTS OF ITALIAN TOWNS. Signed in the matrix. Edition sizes not known. Each 16 x 12 inches (image), 20 x 13 inches (sheet). One with a...

Bibel, Leon (American, born Poland, 1912-1995). EUCALYPTUS TREE. Screenprint, 1938. Edition of 25. Signed, titled, dated and numbered 14/25, all in pencil, and also signed in the mat...

Johnson, Bess L. GLOUCESTER. Etching and aquatint, not dated. Edition size not known. Titled in pencil, lower left, and signed in pencil, lower right. Image of a boat at a dock in Gl...

Heckel, Erich (German, 1883-1970). WINTERSONNE. Dube 318. Drypoint, 1913. Edition size not known. Signed and dated "Heckel 1913" in pencil. Printed on heavy wove paper. 4 3/4 x 6 1/...

Whistler, James A. M. NOCTURNE: PALACES. Glascow 200, Kennedy 202. Etching and drypoint with platetone, 1879-80. From the Second Venice Set. Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab. In excellent condition. As with all of the Whistler Nocturnes, each impressions of this print is different, dependng on how Whistler wiped and manipulated the platetone. 11 5/8 x 7 7/8 inches (plate and sheet, plus the tab). Framed to 20 x 16 inches. Provenance: Collection of Thomas Jefferson Coolidge, Jr. with his collection stamp (Lugt 1429) verso; Kennedy Galleries, with its inventory number a65609 in pencil verso, and with another inscription, "FWCX" in pencil, verso. Thomas Jefferson Coolidge, 1831-1920, was a great-grandson of Thomas Jefferson, a powerful Boston businessman, and an Ambassador to France. In 1875 he became the manager of the largest textile mill in America, the Amoskeag Mill in Manchester New Hampshire, and had major financial interests in the textile, banking, railroad, publishing and electrical industries. In 1880 he became the President of the Atchison, Topeka & Santa Fe Railway. He was one of the founders of the United Fruit Company...

Verner, Elizabeth O'Neill (American 1883-1979) DO AS YOU CHOOSE ALLEY, CHARLESTOWN. Etching, not dated. Edition of 80. Signed and titled in pencil and numbered 23/80. In excellent co...

Arms, John Taylor (American, 1887-1953). MEMENTO VIVARE, NOTRE DAME, EVREUX. Fletcher 407. Etching, 1947. Number 47 of the French Church Series. This is Proof No. ii of four Trial Pr...

Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...

Roth, Ernest (American, 1879-1964). JEANETTE PARK - SOUTH ST & COENTES SLIP. Etching, 1936. Edition size not stated. Signed in Pencil and Signed, Dated, and Titled in the plate. 10 5...

Roth, Ernest (American, 1879-1964). FROM PIER 4 - EAST RIVER. Etching, not dated. Edition size not stated. Signed in Pencil, and titled in pencil at the lower edge, and Signed, dated...

Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...

Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...

Nason, Thomas. ON THE ISLAND. BPL 213. Wood engraving, 1937. Inscribed "Ed. 80" and signed and dated in pencil. 5 3/8 x 10 inches (image), 10 1/4 x 13 1/2 inches (sheet). In excellen...

Mielatz, Charles. BATTERY PARK. Etching, 1889. Edition size not known. Signed and dated in the plate. 7 X 9 7/8 inches. In excellent condition. Mielatz, taught etching at the Nati...

Mielatz, Charles. BATTERY PARK. Etching, 1889. Edition size not known. Signed and dated in the plate. 7 X 9 7/8 inches. In excellent condition. Mielatz...

Mielatz, Charles. HEARN'S. Etching, 1912. Edition size not known. Signed and dated in the plate. 12 X 7 1/2 inches. In excellent condition. Mielatz, taught etching at the National A...

Mielatz, Charles. RAINY DAY, BROADWAY. Etching, 1892. Edition size not known. Signed in oencil and inscribed "imp," and signed and dated in the plate. 9 7/8 x 7 inches. In excelle...

Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...

Lewis, Martin (American, born Australia, 1881-1962). QUARTER OF NINE, SATURDAY'S CHILDREN. McCarron 79. Drypoint, 1929. McCarron says the intended edition was 100 , but 107 were prin...

Carter, Clarence Holbrook (American, 1904-2000). OLIVE TREES, CAPRI. Aquatint in colors, 1932. Titled,signed and dated in pencil. 5 1/2 x 6 7/8 inches (plat...

Moran, Mary Nimmo (American 1842-1899). SOLITUDE. Etching, 1880. Initialed and dated in the plate, lower right. 5 1/2 x 7 5/8 inches, plus margins. Framed to 10 1/4 x 13 1/4 inches. ...

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...

Arms, John Taylor. ARCH OF THE CONCA, PERUGIA. Etching, 1926. 10 1/4" x 14 5/8 plus margins. Framed to 18 x 22 inches. Signed in pencil and annotated "Trial Proof No. 6"; only state...

Meyerowitz, William. N.Y. STEEL AND IRON. Drypoint, 1928. Edition of 40. Ttiled, numbered "2/40" and signed in pencil. 12 x 9 7/8 inches (plate), 13 1/2 x 11 inches (sheet). Inexcell...

Whitehead, Buell (American, 1919-1993) SHASTA DAISIES. Newsom pg 32. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. In excellent conditi...

Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...

Landeck, Armin (American 1905-1984). YORK AVENUE TENEMENTS. Kraeft 74. Etching, 1938. Ed. 100, signed and dated in pencil. 10 1/2 x 9 inches, framed to 17 ...

Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...

Roth, Ernest (American, 1879-1964). THE WOODEN BRIDGE,VENICE. Etching, 1906. Signed and dated in pencil 7 x 8 3/8 inches (plate), 9 x 10 3/4 inches (sheet). In excellent condition.

Marsh, Reginald (American, 1898-1954) RUE ST. JACQUES. S.5 Lithograph, 1928. Edition of 36 per Sasowsky, citing Marsh's notebook, but inscribed, lower left, "35 Proofs," and signed in pencil, lower right. 12 1/2 x 8 1/2 inches, 317 x 215 mm. (image). One of the series of lithographs...

Dehn. Adolf (American, 1895-1968). MINNESOTA, Color lithograph, 1961. Edition of 20. Signed, titled and numbered 20/20 in pencil. Printed on BFK Rives paper. 14 x 19 1/8 inches (imag...

Pennell, Joseph. BROADWAY TOWERS. Lithograph, 1904 Wuerth 151. Number 3 of a set of 12 images published by The Iconophiles Society in an edition of 100. 11 1/8 x 6 1/8 inches (image)...

Whitehead, Buell (American, 1919-1993) DEATH VALLEY SUNSET. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. I...

Buhot, Felix (French, 1847-1898). UNE JETEE EN ANGLETERRE. B & G 132, State two of eight. Etching with drypoint, aquatint and roulette, 1879. Signed in pencil, and with the red owl...

Ryohei, Tanaka (Japanese, 1933- 2019). WOODED LANDSCAPE WITH TREES AT DUSK. Etching and aquatint, 1986. Signed and numbered 76/150 in pencil, 5 ½ x 9 ...

Ryohei, Tanaka (Japanese, 1933- 2019). RED RADISHES, Etching and aquatint, 2000. Edition of 100. Signed and numbered 22/100 in pencil, image 3 ¼ x 4 ¾ inches, with full margins. fram...

Ryohei, Tanaka (Japanese, 1933-2019). GROVE #2. Etching in color, 1966. Edition of 50. Numbered 23/50, signed, and dated in pencil.11 5/8 x 14 1/2 inches (plate), plus full margins. ...

Ryohei, Tanaka (Japanese, 1933-2019). WALL #4. Etching, 1984. Edition of 100. Numbered 62/100, signed, and dated in pencil.18 1/8 x 13 1/4 inches (plate), plus full margins. Framed t...

Saito, Kiyoshi. KATSURA KYOTO I. Color Woodblock, 1962. Edition of 200. Titled, dated and numbered 84/200 in pencil. Signed in the block (prints from thi...

Sharp, William (American, 1900-1961). MAXWELL STREET. Etching and aquatint, not dated, but circa 1940. Edition of 25, titled and signed in pencil and numbered 9/25. 8 5/8 x 10 3/4 in...

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...

Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...

Horter, Earl. UNTITLED (STREET MARKET, NEW ORLEANS). Etching. Signed in pencil. 7 3/8 x 11 1/4 inches. In excellent condition.

Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...

Sekino, Junchiro (Jaoanese, 1914-1988), FARMHOUSE WITH YELLOW FIELDS. Color Woodblock, not dated. Signed, Lower right. 13 3/8 x 19 inches, framed to 20 x 25 inches. In excellent cond...