EHRL Fine Art and Antiques Boxes

19th century tramp art jewelry box from England. The box has a domed top with layers upon layers of molded edges, leading up to a graceful formed...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...

Early 19th century Persian wooden box A large Persian wooden box and marquetry called "Khatam Kari" with mosaic decoration of stars and geometric patterns, Middle East origin, early-19th century. This box is in overall good condition considering its age and use, it still has its original silk insert fabric firmly attached which is rare. Khatam kari is a fine and meticulous marquetry work, the oldest examples of which date back to the Safavid era: khatam was then so appreciated by the court that certain princes learned the technique as well as music, painting, or calligraphy. The “Khatam-kari” is therefore the “work of inlays”. This technique consists of making patterns, most often star shapes, by inlaying fine wooden sticks (ebony, Teak, jujube, orange tree, rose), brass (for the golden parts), and camel bone (white parts). The decorated objects are legion: boxes, chess or backgammon games, frames, pipes, desks, or even musical instruments. The khatam can also be associated with the famous Persian miniatures, thus realizing works of art. Coming from techniques imported from China and magnified by Persian know-how, this craft has existed for over 700 years. Size in inches: H 5” x W 15” x D 9.5” Age: 1830 - 1850 Origin: Persia Material: Mixed material Completely solid in structure and form, aged naturally across all the surfaces. This box does not have a key and therefore cannot be locked, it has had old repairs in blue ink as shown. With one replacement leg...

A three-case lacquered Inro by Yamada Family circa 18th-19th century Edo period. The inro with slight rounded form is of Kano style and vividly depicts a dragon slithering among the ink clouds on a gold background. Sumi-e togidashi (ink togidashi) technique, in combination with Hiramaki-e, were employed to create the dreamy ambience of this piece. The dragon has a painterly appearance inspired by Chinese ink painting that was often seen on the Japanese folding screens. The back of the Inro was sparsely decorated with the shifting patterns of the darkening clouds with an emphasis on the space intentionally left empty. Jokasai was signed to the base. On the front of the inro there is another miniature signature Hakugyoku Hogen, which is one of names used by Kano Michinobu (1730-1790). The dragon is evidently one of his designs (see reference below). Established by a member of Yamada family in the 17th century, the clan was one of the most prominent lacquer artisanal family for the next 200 years until the end of Edo period in the 19th century. Most members signed their work simply with Jokasai making the identification of the individual artists somewhat impossible. The current Inro on offer, compared to many other pieces by Jokasai, has an uncommon Kano style done in Sumi-e togidashi. Another unusual feature of this piece is that the interiors of the inro was decorated with an interesting gold mosaic inlays (kirigane) on a dark lacquer background, giving it a jewel like quality. For another Inro by Jokasai of a similar style using Sumi-e togidashi but depicts a tiger, see Wrangham collection, no.353, which was offered for sale as lot 256 in Bonham's London Auction: The Edward Wrangham Collection of Japanese Art Part I. 9 Nov 2010. For an ink scroll...

Mexican chest. New Spain, 18th century. In polychrome wood. Slight paint losses on the lid. Measurements: 7 x 16 x 6.5 cm. Wooden chest from the vicerega...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

The highly decorated tray in the form of a table frames a series of three stacking boxes, a further three lidded boxes and a tray concealed within, raised on ogee bracket feet. This...

Small Bohemian yellow crystal jewelry box decorated with hunting scenes of deer, birds and greyhounds in nature, all engraved in transparent crys...

Swedish 19th century birchwood veneer jewelry box. The box has a heart of brass for keyhole and knob hardware of antler.

A very rare English Regency period chinoiserie style black lacquer box, exquisitely gilt-decorated with whimsical oriental motifs. England, early 19th century. Why we like it A cha...

A very attractive Japanese wood table top jewelry or collector's chest with marquetry and lacquer decoration, Meiji period, circa 1900, Japan. Previously in the collection of Asbjorn Lunde (1927 - 2017). The chest is crafted in the form of a Chinese seal...