Elegant Findings Antiques Urns
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“Royal Vienna” Covered Urn Signed A. Heer with Exquisite Paintings on Both Sides
By Royal Vienna Porcelain
Located in Boston, MA
I want to offer you this amazing “Royal Vienna” style urn with a green background with exquisite paintings on both sides. The paintings are entitled "Die drei Gratien" or the three g...
Category
Antique 1890s Austrian Rococo Urns
Materials
Porcelain
"Royal Vienna" Cobalt Urn with Museum Quality Paintings Artist Signed Wagner
By Royal Vienna Porcelain
Located in Boston, MA
"Royal Vienna" cobalt blue urn with museum quality paintings of Greek mythology of Paris and Helena artist-signed Wagner. The urn base has cobalt ground with raised gold decorations ...
Category
Antique Late 19th Century Austrian Neoclassical Urns
Materials
Porcelain
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The Royal Vienna mark (Bindenschild, or shield) appears on the base of each vase in blue.
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Height 98cm, diameter 32cm
Crafted by the prestigious Royal Vienna Porcelain Manufactory, this exquisite pair of vases embodies the centuries-old tradition of European porcelain artistry.
Designed in an elegant baluster form, each vase features a deep navy ground, providing a striking backdrop for the finely hand-painted historical tableaux. The slender necks are adorned with delicate gilded patterns, further enhanced by ribbon-tied accents and raised gilded jewels, a particularly coveted element in high-quality porcelain. Matching porcelain lids, crowned with a pinecone finial, complete the sophisticated design, while the spreading socle bases mirror the decorative motifs of the necks.
The vases depict four significant historical events, masterfully reinterpreted from renowned artworks. One scene illustrates King Charles V liberating Christian slaves in Tunis, inspired by a 19th-century engraving by Nicaise de Keyser (Belgian, 1813-1887). Another portrays the Battle of Bouvines (1214), based on an 1827 painting by Horace Vernet (French, 1789-1863). A third panel brings to life Oliver Cromwell dissolving the Long Parliament, adapted from a 1782 print by Benjamin West (American, 1738-1820). The final scene, inspired by Jan Matejko’s (Polish, 1838-1893) 1866 painting ‘Rejtan’ (also known as ‘The Fall of Poland’), represents the first partition of Poland in 1773. The Austrian porcelain artists have reimagined these compositions with richer, more luminous colours, infusing the scenes with energy while softening their dramatic intensity.
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