ESCABELLE Ceramics

This handmade ceramic pitcher and cups set has classically simple forms. The glaze treatment is wonderfully irregular, embracing the spontaneity of the process. The darker glaze on t...

Accolay Elegant freeform ceramic vase by Accolay Signed under the base Original perfect conditions Decorative blue and grey ceramic glazes colors Measures: Height 29cm...

Fantastic set of 6 espresso cups and saucers circa 1980's. 24k gold leaf hand-painted set great condition, no chips or cracks elegant and unique very light use.

A standout centrepiece, the Verona vase is handmade in Italy. Our design comes in four colourways: pink & blue, tan & ivory, yellow & verde and terracotta & cream. Height: 20cm Hei...

A standout centrepiece, the Verona vase is handmade in Italy. Our design comes in three colourways: pink & blue, tan & ivory, and antique green. Height: ...

Accolay Original free form by french accolay potery Signed under the base Grey and green ceramic glazes colors Unique piece circa 1970 Original perfect condition Me...

Stunning anthropomorphic ceramic vase by Mado JOLAIN, France, 1950s. Stoneware vase very close to Picasso's production, in terms of colors and design. Height : 9.1"(23.2cm), Diameter : 5"(12.6cm). Signed "m.j" under the base (see photos). Mado Jolain was born in Paris in 1921. Under the Occupation, she joined the Paris School of Decorative Arts and the drawing and sculpture workshops of La Grande Chaumière. There she met René Legrand who turned more towards painting. Sensitized by the craze for ceramics which began before the war, Mado Jolain carried out her first attempts as a potter in the kiln of a utilitarian ceramics workshop, rue d'Alesia. In 1946, Mado Jolain and René Legrand married and moved to Montrouge where René set up his painting studio. The ceramic workshop is not far away, in the 14th arrondissement. René Legrand shoots their first plays. Popular art, very popular in the decorative arts of the post-war period, was a great source of inspiration for them. They visit the Dijon Museum and the Museum of Popular Art and Traditions where they appreciate the shapes of utilitarian pottery. In 1948, creations from the Mado Jolain workshop were exhibited for the first time at the Salon des Ateliers d'Art Décoratifs and at L'objet 1948, a landmark exhibition after the war, organized at the Galerie Denise Breteau, rue Bonaparte , Paris. In 1950, the Mado Jolain ceramic workshop moved to Montrouge. René Legrand devoted himself more and more to painting, Klaus Schultze...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and ...

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

Greek black-glaze ribbed mug Athens, circa 475-425 B.C. terracotta. The mug is of a straight-sided, cylindrical form with seven horizontal ribs and an applied ring handle just below the lip. The base is flat with a slightly raised foot running around the circumference. The very centre of the underside is reserved and with traces of ochre pigment. Intact, some slight chipping to the glaze touched in, areas of incrustation to the base and interior. This strikingly modern piece is a fine example of Attic black...

Accolay, Gauloise series. Large vase in blue enameled ceramic, black interior. Artist's signature under the base. France, 1960