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"Blue Lagoon", ceramic sculpture, porcelain vase, saggar, blue, copper, gold
By Alison Brannen
Located in Toronto, Ontario
"Blue Lagoon" is a saggar-fired porcelain vase by Alison Brannen. It measures 14" high by 9" wide. Inspired by her journeys sailing the Atlantic Ocean, Alison can’t get enough wind a...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Slip
"Magma", ceramic sculpture, porcelain vase, saggar, copper earth, burnt offering
By Alison Brannen
Located in Toronto, Ontario
"Magma" is a saggar-fired porcelain vessel by Alison Brannen. It measures 16" high by 13" wide. It's an exceptional piece, leaning into the "jolie laide" territory – compelling despi...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Copper
"Running To Running From", acrylic, paper, politics, humanity, surrealist dream
Located in Toronto, Ontario
"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...
Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
Materials
Paper, Mixed Media, Acrylic
"One Waiting Too", acrylic, paper, angels, humanity, loss, myth, surrender
Located in Toronto, Ontario
"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...
Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
Materials
Paper, Mixed Media, Acrylic
"Inner Self", geometric abstraction, wood, acrylic paint
Located in Toronto, Ontario
"Inner Self" is an abstract artwork by Stan Olthuis composed of acrylic paint on baltic birch panel. Inner Self measures 30" high by 24" wide by 1" deep. ...
Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
Materials
Acrylic, Wood
"Relic", abstract sculpture, torched wood, granite base, bicycle rubber tube
Located in Toronto, Ontario
"Relic" is a sculpture of geometric abstraction by Stan Olthuis composed of fire-torched pine wood, plywood, and reclaimed bicycle inner tube, mounted wit...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Granite, Metal
"Vendémiaire", acrylic on paper, myth, humanity, loss, autumn, surrender
Located in Toronto, Ontario
"Vendémiaire" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is...
Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
Materials
Paper, Mixed Media, Acrylic
"Man Wearing Crown in Water", acrylic, paper, myth, loss, humanity, surrealist
Located in Toronto, Ontario
"Man Wearing Crown in Water" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is part of a new ongoing series called "Humans Without Warning". Typical of the artist's practice, it is mythic and humanitarian all at once, striking several political and spiritual notes as well.
From Dale Williams – "The figures of Humans Without Warning arrive with little forethought. They soon reveal their troubled and antic states of being. They began at the start of the COVID pandemic and explore shared vulnerabilities in a time of political and social disunity. If I am mindful of any of their attributes as I work on them, it is surely how the figures mirror the losses many of us have experienced over the past two years, and the accompanying trudge which often finds us stumbling into numbness."
From George Del Barrio (2018), Vanderbilt Republic, Brooklyn NY: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning."
Dale Williams has exhibited in the New York City area for over 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...
Category
21st Century and Contemporary Neo-Expressionist Figurative Paintings
Materials
Acrylic, Paper, Mixed Media
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
By Harold Wortsman
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
By Harold Wortsman
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
By Harold Wortsman
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"DUST", ink, pencil, watercolor, poetry, erasure, zora neale hurston, time
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Watercolor, Pencil
"TOWN", ink, pencil, watercolor, poetry, erasure, zora neale hurston, alabama
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Pencil, Watercolor
"KNAP SACK", ink, pencil, gouache, poetry, erasure, zora neale hurston, florida
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Gouache, Pencil
"FIVE", ink, pencil, gouache, collage, poetry, erasure, zora neale hurston
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Gouache, Pencil
"#224 – ABANDONED, SEPARATED", ink, pencil, gouache, found book, poetry, virus
By Amy Williams
Located in Toronto, Ontario
"#224 – ABANDONED, SEPARATED" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto page 224 of a found copy of Ernest ...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"HOUSE CALLS", ink, pencil, gouache, poetry, erasure, zora neale hurston
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Gouache, Pencil
"Spotted Blue Moon Jar", ceramic sculpture, porcelain vase, saggar fire, cobalt
By Alison Brannen
Located in Toronto, Ontario
"Spotted Blue Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 18" high by 15" wide. Inspired by her journeys sailing the Atl...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Gold
"NESTING LOTUS #4", Sculpture, Wire Mesh, Wood, Concrete, White, Black, Tan Base
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete, Wire
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"OWL ROCK", print, hand-tooled aluminum intaglio, abstract contemporary, etching
By Harold Wortsman
Located in Toronto, Ontario
OWL ROCK is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is currently unframed. Like Wortsman's own sculptures, the abstract components here mix the organic with roughly-hewn geometric forms. Note the dialogue between the colors umber, green and white, with the 3 perforations tying it all in – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
OWL ROCK was exhibited at Tabla Rasa Gallery, Brooklyn, New York in 2013. And at Made In Brooklyn, Hanson Gallery, Honesdale, Pennsylvania, 2015.
From Harold Wortsman – "I was introduced to printmaking in the 1990s by legendary printmaker, the late Sheila Marbain. Printer to the masters of Pop Art, like Oldenberg, Lichtenstein and Warhol, she tired of conventional silkscreen and developed her own silkscreen monotype technique. Several years of work with Marbain led to etching and hand-tooled aluminum intaglio with the great printer Sheila Goloborotko. I currently work with master printer Kathy Caraccio. While working together on a difficult project, Caraccio exclaimed: “This is not a print; it’s a painting.” Printmaking is now an integral part of the work I do."
From Jonathan Goodman, Art Critic – "There are certain kinds of art that endure beyond the novel effect, demonstrating an awareness of time-honored methods and even historically potent imagistic biases, and Wortsman's work belongs to this ongoing vision." – Fronterra D, October 2016.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Printer's Ink, Archival Paper, Intaglio, Etching
"Ocean Canyon", ceramic sculpture, porcelain shards, saggar, blue, rust Kintsugi
By Alison Brannen
Located in Toronto, Ontario
"Ocean Canyon" is a saggar-fired porcelain sculpture by Alison Brannen. It measures 13" high by 9" wide by 9" deep, however the sculpture can be arrange...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Porcelain
"RIVER", ink, pencil, gouache, poetry, erasure, zora neale hurston, monuments
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Pencil, Gouache
"PROPOSITION", hand-tooled aluminum intaglio print, abstract, monotype, framed
By Harold Wortsman
Located in Toronto, Ontario
PROPOSITION is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in white matte wood with spacers under glass to maintain the de...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Glass, Wood, Printer's Ink, Archival Paper, Etching, Intaglio
"#159 – SLEEP", ink, pencil, gouache, vintage book page, hemingway, poetry
By Amy Williams
Located in Toronto, Ontario
"#159 – SLEEP" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 159 of a found copy of Ernest Hemingway's WWII romance novel. The artis...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"#51 – WE THINK", ink, pencil, gouache, vintage book page, hemingway, poetry
By Amy Williams
Located in Toronto, Ontario
"#51 – WE THINK" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 51 of a found copy of Ernest Hemingway's ...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"Midnight Over Mountains", ceramic sculpture, porcelain shards, blue, copper
By Alison Brannen
Located in Toronto, Ontario
"Midnight Over Mountains" is a saggar-fired porcelain wall sculpture by Alison Brannen. It measures 15" high by 15" wide by 7" deep, however the sculptu...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Porcelain
"PENINSULAR", ink, pencil, gouache, poetry, erasure, zora neale hurston, citrus
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Gouache, Pencil
"PREACHING", ink, pencil, gouache, poetry, erasure, zora neale hurston
By Amy Williams
Located in Toronto, Ontario
Poet Robert Gibbons and visual artist Amy Williams team up to collaborate on a new series of erasure poems and artworks inspired by the words of writer Zora Neale Hurston...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Ink, Gouache, Pencil
"#186 – WOUNDED WERE COMING", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#186 – WOUNDED WERE COMING" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from page 186 to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text. The resulting poem reads "The wounded were coming / men that were scared / I felt the rain in my face / It was getting dark." – Hemingway's novel is a doomed romance between a wounded American soldier and an Italian nurse – note the feminine form on the page, with a "dress" or apron that looks skeletal, bloody and rained upon, all at once.
From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"CYCLOPS", print, hand-tooled aluminum intaglio, abstract, monotype, framed
By Harold Wortsman
Located in Toronto, Ontario
CYCLOPS is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is a framed monotype in black matte wood with spacers under glass to maintain the deckle edge of paper. The print floats on museum board using archival Hayaku Japanese Hinging Paper. Like Wortsman's sculptures, the abstract components here seem to possess both organic and geometric forms. Note the four corners of black, bracing the center serpentine shape of copper and black speckled white – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CYCLOPS was exhibited at Harold Wortsman...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Glass, Wood, Printer's Ink, Archival Paper, Intaglio, Etching
"MATHEMATICAL THEOREM", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"NEW YORK NIGHTS", sculpture, clay, relief, abstract, contemporary
By Harold Wortsman
Located in Toronto, Ontario
NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
By Harold Wortsman
Located in Toronto, Ontario
CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Limestone, Slate, Stone
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Limestone
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"#152 – GOOD GIRL", ink, pencil, gouache, found vintage book, hemingway, poetry
By Amy Williams
Located in Toronto, Ontario
"#152 – GOOD GIRL" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 152 of a found copy of Ernest Heming...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"#56 – BOTH WOUNDED A LITTLE", ink, pencil, gouache, collage, found text, poetry
By Amy Williams
Located in Toronto, Ontario
"#56 – BOTH WOUNDED A LITTLE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 56 of a found copy of Ernest Hemingway's WWII romance...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"#227 – I WAS AFRAID", ink, pencil, gouache, found book, poetry, coronavirus
By Amy Williams
Located in Toronto, Ontario
"#227 – I WAS AFRAID" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto pages of a found copy of Ernest Hemingway's WWII romance novel. The art...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"#71 – THEN IT'S HOPELESS?", ink, pencil, gouache, found vintage book, poetry
By Amy Williams
Located in Toronto, Ontario
"#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines.
From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Found Objects, Ink, Gouache, Pencil
"NESTING LOTUS #8", Sculpture, Bamboo, Reed, Handmade Paper, Wood, Concrete
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete
"SAFE", Sculpture, Concrete and Steel Mesh, Black, Red, Grey, Temple Form, 2016
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "SAFE" is a prime example of ...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Concrete, Steel
"LOTUS TEMPLE #9", Encaustic and Mixed Media, Framed, Temple, Black, White, Tan
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The encaustic art...
Category
21st Century and Contemporary Naturalistic Figurative Sculptures
Materials
Mixed Media, Encaustic, Wood, Board
"LOTUS TEMPLE #1", Encaustic and Mixed Media, Framed, Black, White, Red, Temple
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The encaustic artwork "LOTUS TEMPLE #1" is ...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Mixed Media, Wood, Encaustic, Board
"NESTING LOTUS #1", Sculpture, Wire Mesh, Reed, Bamboo, Handmade Paper, Concrete
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete, Wire
"NESTING LOTUS #3", Sculpture, Wire Mesh, Reed, Handmade Paper, Concrete, Temple
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete, Wire
"NESTING:HOLD", Sculpture, Wood, Steel, Cold Resin, Reed, Mounted on Wood Base
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Steel
