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"Blue Lagoon", ceramic sculpture, porcelain vase, saggar, blue, copper, gold
By Alison Brannen
Located in Toronto, Ontario
"Blue Lagoon" is a saggar-fired porcelain vase by Alison Brannen. It measures 14" high by 9" wide. Inspired by her journeys sailing the Atlantic Ocean, Alison can’t get enough wind a...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Slip
"Magma", ceramic sculpture, porcelain vase, saggar, copper earth, burnt offering
By Alison Brannen
Located in Toronto, Ontario
"Magma" is a saggar-fired porcelain vessel by Alison Brannen. It measures 16" high by 13" wide. It's an exceptional piece, leaning into the "jolie laide" territory – compelling despi...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Copper
"Salon 13" is a collection of 13 small mixed media pieces with electric lighting
Located in Toronto, Ontario
“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...
Category
21st Century and Contemporary Assemblage Still-life Sculptures
Materials
Metal, Wire
"Specimen 2", ornate frame, fur, LED light, paper, plastic bubble, trimming
Located in Toronto, Ontario
“Specimen 2“ is a mixed media piece by artist Heather Nicol, and measures 16x13x1“. Part of a body of work known as Salon, this particular assemblage is ...
Category
21st Century and Contemporary Assemblage Still-life Sculptures
Materials
Wood, Paper, Board, Fabric, Organic Material, Plastic, LED Light
"Specimen", frame with electric picture light, faux fur, paper, pins, on board
Located in Toronto, Ontario
“Specimen“ is a mixed media piece by artist Heather Nicol, and measures 16x13x3“. Part of a body of work known as Salon, this particular assemblage is co...
Category
21st Century and Contemporary Assemblage Still-life Sculptures
Materials
Board, Synthetic, Paper, Lights, Pins, Wood
"Cordial", wallpaper, spray paint, aunt's pearls, crystal, red resin, on board
Located in Toronto, Ontario
“Cordial“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, spray paint, wood, the artist's aunt's pearls, crystal and red resin (solid), mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Cordial celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...
Category
21st Century and Contemporary Assemblage Still-life Sculptures
Materials
Glass, Wood, Found Objects, Board, Resin, Spray Paint
"Fox Hunt", wallpaper, acrylic paint, optical lens, screws, mounted on board
Located in Toronto, Ontario
“Fox Hunt“ is a wall relief panel by artist Heather Nicol, and measures 16x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, wood, acrylic paint, screws and an optical lens...
Category
21st Century and Contemporary Assemblage Still-life Sculptures
Materials
Glass, Wood, Found Objects, Board, Acrylic
"Parlour", wallpaper, glass, silver platter, butterfly, nails, mounted on board
Located in Toronto, Ontario
“Parlour“ is a wall relief panel by artist Heather Nicol, and measures 17x19x4“. Part of a body of work known as Brief Lives, this particular piece is comprised of wallpaper, fabric, wood, nails, glass, silver platter, plastic wrap, butterfly specimen, mounted on board. It fixes to the wall with a custom-fit wooden cleat. Reflecting on domestic materials and their relationships to display and social identity, Parlour celebrates and questions feminist reclamation, nostalgic tenderness and the histories embedded in the objects, while carrying on their aesthetic traditions through transformation into works of art.
Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme...
Category
21st Century and Contemporary Assemblage Still-life Sculptures
Materials
Silver
"Relic", abstract sculpture, torched wood, granite base, bicycle rubber tube
Located in Toronto, Ontario
"Relic" is a sculpture of geometric abstraction by Stan Olthuis composed of fire-torched pine wood, plywood, and reclaimed bicycle inner tube, mounted wit...
Category
21st Century and Contemporary Abstract Abstract Sculptures
Materials
Granite, Metal
"The Bigger Picture", abstract sculpture, found frame, wood, paint, geometry
Located in Toronto, Ontario
"The Bigger Picture" is an abstract artwork by Stan Olthuis composed of acrylic paint on pine wood and reclaimed picture frame. The Bigger Picture measures...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Acrylic, Wood, Found Objects
"Maybe", abstract sculpture, wood, paint, geometry, circle, kiss, gravity, flow
Located in Toronto, Ontario
"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint.
From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains."
Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies.
His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan.
Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Wood, Acrylic, Polystyrene
"Home", abstract sculpture, wood, paint, geometry, circle, center, flow
Located in Toronto, Ontario
"Home" is an abstract artwork by Stan Olthuis composed of acrylic paint on baltic birch panel. Home measures 40" high by 30" wide by 1" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The lines are elegant. The artist's obsession with geometry and intersecting shapes is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint.
From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains."
Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies.
His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan.
Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Wood, Birch, Acrylic
"It's Complicated", abstract sculpture, wood, paint, rubber knots, found objects
Located in Toronto, Ontario
"It's Complicated" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped and mounted on painted pine f...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Wood, Acrylic, Rubber
"In Sync II", abstract sculpture, wood, paint, geometry, circle, convergence
Located in Toronto, Ontario
"In Sync II" is an abstract artwork by Stan Olthuis composed of acrylic paint on a reclaimed laminate table top. In Sync II measures 42" high by 42" wide ...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Acrylic, Laminate
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
By Harold Wortsman
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
By Harold Wortsman
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
By Harold Wortsman
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
By Harold Wortsman
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"PLUG-N-PLAY I", stoneware glazed sculpture, green, yellow, blue, white, wheel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"PLUG-N-PLAY I (Yellow, Black and White)", 2019, in wheel-formed stoneware, glaze, stain and cork by artist Andrew Cornell Robinson, is one of ...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Glaze, Stoneware
"Clue #2", abstract sculpture, wood, paint, rubber tubes, found objects
Located in Toronto, Ontario
"Clue #2" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas ...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Rubber, Wood, Acrylic
"Spotted Blue Moon Jar", ceramic sculpture, porcelain vase, saggar fire, cobalt
By Alison Brannen
Located in Toronto, Ontario
"Spotted Blue Moon Jar" is a saggar-fired porcelain vessel by Alison Brannen. It measures 18" high by 15" wide. Inspired by her journeys sailing the Atl...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Gold
"RAKU RED AND WHITE", wheel formed white glaze, copper red, gold leaf, sculpture
By Andrew Cornell Robinson
Located in Toronto, Ontario
"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity.
Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used."
Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives.
He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial.
Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City.
He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Gold, Gold Leaf
"DESK SET I", majolica glazed earthenware sculpture, faience, ceramic, tin glaze
By Andrew Cornell Robinson
Located in Toronto, Ontario
"DESK SET I", 2012, in majolica glazed earthenware by artist Andrew Cornell Robinson, is one of a series of sculptural objects that are also kn...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Glaze
"NESTING LOTUS #4", Sculpture, Wire Mesh, Wood, Concrete, White, Black, Tan Base
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete, Wire
"Clue #4", abstract sculpture, wood, paint, rubber tubes, found objects
Located in Toronto, Ontario
"Clue #4" is an abstract artwork by Stan Olthuis composed of acrylic paint on reclaimed bicycle inner tube, wrapped on torched and plain reclaimed canvas stretchers. Clue #4 measures...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Rubber, Wood, Acrylic
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"TUSCAN YIN/YANG CASTLE", stoneware clay sculpture, glaze ancient Italy hilltown
By Rene Murray
Located in Toronto, Ontario
TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Stoneware, Glaze
"Ocean Canyon", ceramic sculpture, porcelain shards, saggar, blue, rust Kintsugi
By Alison Brannen
Located in Toronto, Ontario
"Ocean Canyon" is a saggar-fired porcelain sculpture by Alison Brannen. It measures 13" high by 9" wide by 9" deep, however the sculpture can be arrange...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Porcelain
"KING BABAR HORSE", stoneware clay sculpture, Iron Yellow glaze, storybook
By Rene Murray
Located in Toronto, Ontario
KING BABAR HORSE is a stoneware clay sculpture with Iron Yellow Glaze by Brooklyn, New York artist Rene Murray. It measures 22"H x 13"W x 7"D. It's an ench...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Stoneware, Glaze
"Village", abstract sculpture, wood, geometry, circle, square, variable
Located in Toronto, Ontario
"Village" is an abstract sculpture by Stan Olthuis composed of seven boards of poplar wood with acrylic paint. The boards can be arranged as shown or othe...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Wood, Acrylic
"Midnight Over Mountains", ceramic sculpture, porcelain shards, blue, copper
By Alison Brannen
Located in Toronto, Ontario
"Midnight Over Mountains" is a saggar-fired porcelain wall sculpture by Alison Brannen. It measures 15" high by 15" wide by 7" deep, however the sculptu...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Porcelain
"JAMÓN JAMÓN VI", pitfire ceramic sculpture, table, food, bait, identity, vessel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN VI (Language of Flowers)", 2019, in slipcast glazed, pit smoke fired ceramic by artist Andrew Cornell Robinson, is one of a series...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Slip, Glaze
"JAMÓN JAMÓN VIII", glaze ceramic sculpture, table, food, bait, identity, vessel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Slip, Glaze
"JAMÓN JAMÓN I (Reliquary Generalife)", ceramic sculpture, porcelain vessel, urn
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Enamel
"ROMAN OPERA HOUSE", stoneware clay sculpture, copper green glaze Italy hilltown
By Rene Murray
Located in Toronto, Ontario
ROMAN OPERA HOUSE is a stoneware clay sculpture with Copper Green glaze by Brooklyn, New York artist Rene Murray. It measures 19"H x 23"W x 11"D. The sculp...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Stoneware, Glaze
"ENDLESS STAIRCASES OF SIENA", stoneware clay sculpture, Italy ancient hill town
By Rene Murray
Located in Toronto, Ontario
ENDLESS STAIRCASES OF SIENA is a stoneware clay sculpture with slips and engobes by Brooklyn, New York artist Rene Murray. It measures 16"H x 17"W x 11"D. ...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Stoneware
"CHAMBERLAIN", porcelain clay sculpture, turquoise glaze, royal court, medieval
By Rene Murray
Located in Toronto, Ontario
CHAMBERLAIN is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 23"H x 19"W x 9"D. It's an e...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Porcelain, Glaze
"CASTLE LORD", porcelain clay sculpture, turquoise glaze, royal court, medieval
By Rene Murray
Located in Toronto, Ontario
CASTLE LORD is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 26"H x 23"W x 10"D. It's an ...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Porcelain, Glaze
"CASTLE CHANCELLOR", porcelain clay sculpture, turquoise glaze, royal court
By Rene Murray
Located in Toronto, Ontario
CASTLE CHANCELLOR is a porcelain clay sculpture with Turquoise Glaze and slip, by Brooklyn, New York artist Rene Murray. It measures 24"H x 22"W x 11"D. It...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Porcelain, Glaze
"BLUE HANDLE HORSE", stoneware clay sculpture, blue clay inlay, storybook equine
By Rene Murray
Located in Toronto, Ontario
BLUE HANDLE HORSE is a stoneware clay sculpture with blue clay inlay by Brooklyn, New York artist Rene Murray. It measures 24"H x 18"W x 7"D. It's an encha...
Category
21st Century and Contemporary Romantic Figurative Sculptures
Materials
Clay, Stoneware
"MATHEMATICAL THEOREM", sculpture, clay, relief, abstract, contemporary, ceramic
By Harold Wortsman
Located in Toronto, Ontario
MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"NEW YORK NIGHTS", sculpture, clay, relief, abstract, contemporary
By Harold Wortsman
Located in Toronto, Ontario
NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
By Harold Wortsman
Located in Toronto, Ontario
CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Limestone, Slate, Stone
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Limestone
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
By Harold Wortsman
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"NESTING LOTUS #8", Sculpture, Bamboo, Reed, Handmade Paper, Wood, Concrete
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete
"SAFE", Sculpture, Concrete and Steel Mesh, Black, Red, Grey, Temple Form, 2016
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "SAFE" is a prime example of ...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Concrete, Steel
"LOTUS TEMPLE #9", Encaustic and Mixed Media, Framed, Temple, Black, White, Tan
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The encaustic art...
Category
21st Century and Contemporary Naturalistic Figurative Sculptures
Materials
Mixed Media, Encaustic, Wood, Board
"LOTUS TEMPLE #1", Encaustic and Mixed Media, Framed, Black, White, Red, Temple
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The encaustic artwork "LOTUS TEMPLE #1" is ...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Mixed Media, Wood, Encaustic, Board
"SOMEWHERE ELSE #3", Watercolor on Sal Leaf Plate, Black Frame, White, Tan, Gold
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The artwork "SOMETHING ELSE #3" uses materi...
Category
21st Century and Contemporary Naturalistic Figurative Sculptures
Materials
Watercolor, Organic Material, Wood, Found Objects, Mixed Media
"NESTING LOTUS #1", Sculpture, Wire Mesh, Reed, Bamboo, Handmade Paper, Concrete
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete, Wire
"NESTING LOTUS #3", Sculpture, Wire Mesh, Reed, Handmade Paper, Concrete, Temple
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NESTING LOTUS #3" is a prime...
Category
21st Century and Contemporary Naturalistic Abstract Sculptures
Materials
Concrete, Wire
"NESTING:HOLD", Sculpture, Wood, Steel, Cold Resin, Reed, Mounted on Wood Base
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...
Category
21st Century and Contemporary Abstract Geometric Abstract Sculptures
Materials
Steel
"SOMEWHERE ELSE #2", Watercolor on Sal Leaf Plate, Black Frame, Green, Red, Tan
By Eva Ennist
Located in Toronto, Ontario
Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The artwork "SOMETHING ELSE #2" uses materi...
Category
21st Century and Contemporary Naturalistic Figurative Sculptures
Materials
Watercolor, Organic Material, Wood, Found Objects, Mixed Media
"DESTROYER", Ceramic Sculpture, Sinking Boat, Sinking Ship, Disaster, Humor, SOS
By Andrew Smenos
Located in Toronto, Ontario
From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "DESTROYER" – the rusted hulk of a ship is sinking however, itself destro...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Ceramic, Paint, Wood
"MOVIN' ON UP, Ceramic Sculpture, Apartment Building on Fire, Disaster, Humor
By Andrew Smenos
Located in Toronto, Ontario
From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "MOVIN' ON UP" – an apartment building in flames and on fire... At 17x11x...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Ceramic, Paint
"CALL NOW WHILE SUPPLIES LAST", Ceramic Sculpture, Sinking Ship, Disaster, Humor
By Andrew Smenos
Located in Toronto, Ontario
From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "CALL NOW WHILE SUPPLIES LAST" – a cargo ship sinking slowly... At 6x3x3"...
Category
21st Century and Contemporary Contemporary Figurative Sculptures
Materials
Ceramic, Paint
