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Portraits of Two Ladies, Pair of Portraits, Young Woman, Demarteau after Vincent
By Gilles Demarteau
Located in Greven, DE
Bust portrait of two young girls. Colour engraving in crayon manner after François-André Vincent. each 50.8 x 37.4 cm. Circa 1788, Leymarie 662, IFF 6, 74.
This sheet is a typical ex...
Category
18th Century Romantic Figurative Prints
Materials
Handmade Paper
Road to Emmaus in a Landscape, Pilgrims, Gillis de Hondecoeter, Old Master
Located in Greven, DE
The painting "The Road to Emmaus in a Landscape" by Gillis de Hondecoeter is a masterful example of early 17th-century Dutch landscape painting. The sce...
Category
17th Century Baroque Figurative Paintings
Materials
Oil, Canvas
Set of Eight Apostles, Portrait of Men, Head Studies, Flemish School, Van Dyck
Located in Greven, DE
Set of Eight Apostles
each oil on panel
each framed (different as some are golden, some are not, please view the photos)
So far there is no certain attribution. The style of the ser...
Category
17th Century Baroque Figurative Paintings
Materials
Oil, Panel
Head of Saint John the Baptist on a platter, Rubens, Flemish, Old Master
By Peter Paul Rubens
Located in Greven, DE
This painting, attributed to the circle of Peter Paul Rubens, presents a classic depiction of the Johannesschüssel—the severed head of John the Baptist on a platter. While Rubens him...
Category
17th Century Baroque Portrait Paintings
Materials
Oil, Panel
Paul De Vos, An eagle owl attacking a chicken in a farmyard, D' Hondecoeter
By Paul de Vos
Located in Greven, DE
This dramatic painting, attributed to Paul de Vos, captures a nocturnal assault on a chicken coop. At the center of the composition, an owl has already seized a hen in its powerful t...
Category
17th Century Baroque Animal Paintings
Materials
Canvas, Oil
Saint John the Baptist Preaching, 18th Century, Old Master, Pittoni, Italian
By Giovanni Battista Pittoni
Located in Greven, DE
Pittoni came from a family of painters and architects. He received lessons from his uncle Francesco Pittoni in Venice and later from Antonio Balestra....
Category
18th Century Baroque Figurative Paintings
Materials
Canvas, Oil
Portrait of Emperor Ferdinand I. Prague School, 17th Century, Copper, Old Master
Located in Greven, DE
Unknown artist
Prague School
Portrait of Emperor Ferdinand I. (1503-1564)
17th century
Oil on copper, 21,3 x 16,8 cm
Provenance:
Private collection, Pennsylvania, until 2016
This work by an unknown artist is a semi-portrait in predominantly brown-green tones.
brown-green tones of the emperor Ferdinand I, who was crowned emperor in 1558.
Ferdinand I of the Habsburg dynasty, who was crowned emperor in 1558.
in a suit of armour lavishly decorated with gold ornaments.
The portrait of Ferdinand...
Category
17th Century Baroque Portrait Paintings
Materials
Copper
Portrait of a noble Gentlemen, Max Franz of Austria, Archduke, Meytens, Habsburg
Located in Greven, DE
Portrait of Max Franz as coadjutor of the Teutonic Order
Oil on canvas, 54 x 45 cm
Maximilian Franz of Austria
Austrian Archduke Maximilian II. Franz, was Grand Master of the Teutoni...
Category
18th Century Rococo Portrait Paintings
Materials
Canvas, Oil
Dogs Attacking Foxes; Fox Hunt; Hunting Scene, Large Baroque Old Master, Jan Fyt
Located in Greven, DE
Jan Fyt
Fox Hunt, Dogs attacking Foxes
Large, decorative Baroque Painting by the Flemish Painter Jan Fyt.
Provenance:
London, Sotheby's 15 June 1983, lot 19
London, Sotheby's, 24 ...
Category
17th Century Baroque Still-life Paintings
Materials
Oil, Canvas
Euklid Philosopher, Portrait of a Man, Old Master Painting, Baroque Art
Located in Greven, DE
Impressive Painting of the philosophy Euclid, painted in the Manner of Luca Giordano.
Provenance: Amsterdam, Sotheby's, 21.11.1995, Lot 46
Category
17th Century Baroque Figurative Paintings
Materials
Canvas, Oil
Expressionism, Extergem, Sea, Palms, Cote D'Azur, 1921, Summer Coast Scene
Located in Greven, DE
Painting of a Beach Promenade, with Palm Trees, perhaps the City of Nice nearby. The painting is signed and dated 1921. The artist Guido Van Extergem is o...
Category
20th Century Expressionist Landscape Paintings
Materials
Plywood, Oil
Sacra Conversazione, Maria, Christ, Old Master, Religious, Baroque Painting, art
Located in Greven, DE
Attributed to Peter Candid / Pieter de Witte
(Bruges c. 1540 - 1628 Munich)
Sacra Conversazione
Oil on wood, 29 x 37 cm
The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...
Category
17th Century Renaissance Figurative Paintings
Materials
Oil, Panel
Mother with Child, Rose, Old Master, Figurative Painting, Love, Christmas Scene
Located in Greven, DE
L. Franssen
Mother and child with a rose
Oil on wood, 44,5 x 33,5 cm
signed
The artist of this outstanding painting is completely unknown so far. There is no entry under "L. Franssen" in any encyclopaedia or reference work. There was a Dutch artist, Jan Fransen (1604/5 - ca. 1646), who was mainly based in Amsterdam. According to Thieme/Becker, he created numerous paintings with biblical depictions, study heads and still lifes. However, it could also have been Jan Franssen or Frantzen, who was not born until 1644 but was also active in Amsterdam. However, no confirmed works by either artist are known.
Just as interesting as the attribution is the depiction: a young woman holds her child on her lap while she prepares a meal on a hob. At the same time she holds a rose in her hand. Most likely, Mary is depicted here with the young Jesus...
Category
18th Century Romantic Figurative Paintings
Materials
Oil
Old Master Painting, Flemish Baroque Grisaille, Cornelis Schut, Mary with Child
Located in Greven, DE
Cornelis Schut, atrributed to
(1597 - Antwerp - 1655)
Mary with Child, St. Elisabeth and John the Baptist en grisaille
Oil on wood, 33,5 x 26,5 cm
Co...
Category
17th Century Baroque Figurative Paintings
Materials
Oil
Baroque Italian Old Master, Madonna, Child, Angels, Oval, Marratta, Christmas
By Workshop Of Carlo Maratta
Located in Greven, DE
Religious Painting, depicting Madonna and the Child, surrounded by Angels by the Circle of Carlo Maratta (Maratti). This painting is wonderful example of...
Category
18th Century Baroque Figurative Paintings
Materials
Canvas, Oil
Noble Hunting Society wild Boar Deer and Dogs, Hunter's Life, 1822, Watercolour
Located in Greven, DE
This Watercolor drawing shows a noble hunting society. The duke (?) on horse and several noble ladies accompanying the soctiety. The duke (?) gestures towards a group of hunters on h...
Category
19th Century Romantic Animal Paintings
Materials
Watercolor
Circle Wouwerman, Horseman by a Tent, Riders Playing Cards, Dutch Old Master
By Philips Wouwerman
Located in Greven, DE
Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master
Dutch Art, Travellers or Riders resting by a tent and gambling
Category
17th Century Baroque Figurative Paintings
Materials
Canvas, Oil
After Heemskerck, Two Old Men siiting in an Inn, Drinking Scene, Old Master
By Egbert Van Heemskerck the Elder
Located in Greven, DE
After Heemskerck, Painting in the style of Heemskerck and Dutch Master, probably painted in the 19th Century.
Category
19th Century Baroque Figurative Paintings
Materials
Canvas, Oil
Circle Teniers, Flemish Art, Peasants smoking and drinking in a Tavern Interior
By David Teniers the Younger
Located in Greven, DE
Circle or Follower of David Teniers, Peasant in a Tavern Inn, drinking and smoking. Oil on canvas, Framed: 39 x 47 cm. Typical Flemish Baroque Interior...
Category
17th Century Baroque Figurative Paintings
Materials
Canvas, Oil
Circle of Jacob Ruisdael, Landscape with Riders and a Well, Flemish Art
Located in Greven, DE
Circle of Ruisdael, Riders in a Landscape passing by a well
Category
17th Century Baroque Figurative Paintings
Materials
Oil, Panel
Circle of David Teniers, Landscape with Peasants by an Inn and a River, Dutch
By David Teniers the Younger
Located in Greven, DE
Circle of Teniers, Peasants in a Landscape passing by a river and an Inn.
Category
17th Century Baroque Figurative Paintings
Materials
Oil, Panel
German School, Animal Hunting Scene, Hunter with Dogs, Hares, Cabinet Painting
Located in Greven, DE
German School or Swiss School, 19th Century, Hunting Scene, Hunter with Dogs, Hares, Painting
indistinctly signed.
Fine and detailed painted scene of a hunt with dogs, a hunter and h...
Category
19th Century Romantic Figurative Paintings
Materials
Canvas
Boeckhorst, Rubens, Saint Ursula, Decorative Old Master, Woman, Baroque, Flemish
By Jan Boeckhorst
Located in Greven, DE
Johann Boeckhorst (Münster 1604 - Antwerp 1668)
Saint Ursula
Oil on canvas, 112 x 86 cm
Provenance:
New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle)
The presen...
Category
17th Century Baroque Figurative Paintings
Materials
Canvas, Oil
Amor Cutting Bow, Parmigianino, Old Master, Mannerism, Prague, Large Painting
Located in Greven, DE
Already in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...
Category
17th Century Mannerist Figurative Paintings
Materials
Canvas, Oil
Hercules and Omphale, Old Master Painting, Mannerism, Baroque, Mythology, Prague
Located in Greven, DE
Hercules and Omphale
Oil on panel, 52 x 41 cm
According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale.
So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger.
This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined.
So far there is no painting...
Category
17th Century Baroque Figurative Paintings
Materials
Oil, Panel
Portrait of a Gentleman, Halung, Court Painter Schildbach, Gotha, Convex Copper
Located in Greven, DE
Christian Schildbach was a very talented artist with his own style.
Art painter in Plauen, then court painter in Dresden; around 1706 art painter in Vienna, also active in Bamberg (...
Category
18th Century Baroque Portrait Paintings
Materials
Copper
Songbird in Snowy Landscape, Winter Bird, Danish?, J Brady, signed and dated
By Joan Brady
Located in Greven, DE
Danish Painter School
J Beney? J. Brady? signed and dated lower left 1868
Songbird in a snowy underground
Category
19th Century Naturalistic Animal Paintings
Materials
Canvas, Oil
Gottfried Libalt, Still Life with Birds, Fruits and Vegetables Landscape, signed
Located in Greven, DE
Stilllife with dead Birds, Fruits and Vegetables
Oil on Canvas, 101 x 84 cm
signed (upper left) „G Libald “ (G and L ligated)
Provenance: Private Collection, Brussels; Private Coll...
Category
17th Century Baroque Animal Paintings
Materials
Canvas, Oil
Flemish 17th, Orpheus and Animals, Large Decorative Wall Old Master Painting
Located in Greven, DE
Flemish school, 17th century
Orpheus and the animals
Oil on canvas, 146,5 x 217 cm
Provenance: South German private collection.
On an impressive, room-filling format, this painting depicts "Orpheus and the Animals."
The harp-playing Orpheus sits centrally in front of a tree whose trunk bifurcates above his head. This central tree frames with its crown the scenery towards the horizon and at the same time offers through branches the possibility for many birds to find space. The left half of the picture is characterized by a seascape, at the edge of which the ruins of a castle can be seen deep in the background. This seascape, framed by mountains on the horizon, is the only area where sky can be seen. On this side, waterfowl such as storks, swans and ducks can be seen. In the right half, the viewer looks into a deep European forest. On this right side, more land animals can be found, such as deer, rabbits and lions, among others. Orpheus wears opulent red and gold trimmed clothing, under his blue breastplate we see a white shirt. His feet are adorned by elaborate sandals. His head is surrounded by a radiant laurel wreath ("poeta laureatus"). The young man is clearly identifiable as the singer and poet of Greek mythology, Orpheus, by his harp, the laurel wreath and the animals surrounding him.
Orpheus was one of the Argonauts who, under Jason, was searching for the Golden Fleece. He sang so beautifully that he even conquered the angry sea and enemies by the magic of his lyre. During the journey, Orpheus is said to have drowned out even the sirens with his singing. It is said that he was the greatest of all poets and charmed people, animals, stones and trees with his singing.
In total, 51 birds and 37 different species are depicted in the painting. The animals are mostly depicted in great detail and, except for a few, can be identified. Mainly European species of animals are shown. Exceptions are the ostrich-like nandu peeking out from behind the deer, as well as the large parrot on the upper left, and the two lions. Similar is the case for the large animal directly behind Orpheus on the right. The shape of the head suggests an arctic fox from the polar regions, even though the body is much too large. The arctic fox was first described in 1555 by Olaus Magnus. However, it could also be a depiction of a brown or black bear.
An unusual detail is the animal, which is relatively isolated in the right background and looks to the left. It is not clearly identifiable, but it shows certain similarities with the Australian kangaroo. This was first described by Vespucci in 1500 and further by Francisco Pelsaert in 1629. If it is indeed a kangaroo, this would be one of the earliest surviving pictorial representations.
In this painting, Orpheus is accompanied by a small monkey playing a viola da gamba. This is an iconographic peculiarity. In general, this painting has some peculiarities compared to other paintings with "Orpheus and the animals". The central positioning of Orpheus is quite common, but he usually holds a lyre and is dressed in an antique style, but not as opulently. The choice of animals is also remarkable: European animals in particular are seen, hardly any exotic features, such as camels or elephants.
The two lions in the right foreground are a quotation from Peter Paul Rubens and his depiction of "Daniel in the Lion's Den", which was realized in an engraving.
The present painting can be classified as belonging to the Flemish School of the 17th century on the basis of its painterly and compositional conception. From the circle of Jan Brueghel the Younger are numerous representations of this Orpheus - theme, which take it as an opportunity to show as many exotic animals. There are also echoes of Spanish painters such as Juan de Arellano...
Category
17th Century Baroque Landscape Paintings
Materials
Canvas, Oil
Van der Bent, Southern Landscape with woman animals, Dutch Old Master, Berchem
Located in Greven, DE
17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent
So far, little is known about the life and work of Jan van der Bent. He was...
Category
17th Century Baroque Landscape Paintings
Materials
Canvas, Oil
French School, Portrait of a Young Lady, Actress, Louis XIV sculpted frame, 1700
Located in Greven, DE
French School,
Portrait of a Young Lady, perhaps an actress
Oval
Louis XIV sculpted and gilded frame
French Art, Roccoco Art
The oval portrait of a young woman measures 61 by 50,5 cm canvas sight size and its 18th century oak carved and gilded frame...
Category
18th Century Rococo Portrait Paintings
Materials
Canvas, Oil
Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR
Located in Greven, DE
Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR
Category
17th Century Baroque Figurative Paintings
Materials
Panel
Self Portrait of Schildbach, Court Painter Schildbach, Gotha, Convex Copper
Located in Greven, DE
Christian Schildbach was a very talented artist with his own style.
Art painter in Plauen, then court painter in Dresden; around 1706 art painter in Vienna, also active in Bamberg (...
Category
18th Century Baroque Portrait Paintings
Materials
Copper
Frans Wouters, Adoration of The Herders, Christmas Scene, Christ, Flemish School
Located in Greven, DE
Frans Wouters was a Flemish Baroque painter who mainly created smaller cabinet pieces.
He was initially apprenticed to Pieter van Avont in Antwerp, but then moved to Rubens‘ worksho...
Category
17th Century Baroque Figurative Paintings
Materials
Oak, Oil
Circle of Maratta, Maria and Child, Madonna, Christ, Antique Frame, Old Master
By Workshop Of Carlo Maratta
Located in Greven, DE
Circle of Maratta,
Maria and Child,
in a Roman 18th century hand carved and gilded wooden frame, uncut
Images of the Virgin and Child were for centuries the most common subject for Christian religious...
Category
17th Century Baroque Figurative Paintings
Materials
Canvas
Bison in Snow, Animal Picture, American School, John Aldrich Ruthven, signed
By John Ruthven
Located in Greven, DE
John Aldrich Ruthven
American Painter
Bison in a Snow Blizzard
Watercolor and Gouache on Paper
signed lower left
Category
20th Century American Realist Animal Paintings
Materials
Watercolor, Gouache
Southern Landscape with Cows, circle of Both, Dutch 17th Century Old Master
By Jan Dirksz Both
Located in Greven, DE
Circle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light.
Decorative Painting
Category
17th Century Baroque Animal Paintings
Materials
Canvas
Christ as Salvator Mundi, Circle Van Dyck, Flemish Old Master, Christ Child
By Anthony van Dyck
Located in Greven, DE
The Christ Child as Redeemer of the World
Oil on Canvas, 69.3 x 49.7 cm
Provenance
Private Collection, Belgium
The present painting is known in different versions. One of them is ...
Category
17th Century Baroque Figurative Paintings
Materials
Canvas, Oil
French School, Portrait of a Lady, Actress, Young Woman, French , Rococo, Oval
Located in Greven, DE
French Art
Rococo
Portrait of a Woman, Young Lady, perhaps an actress
Category
18th Century Rococo Figurative Paintings
Materials
Canvas
Portrait of a young Girl with a Doll, Basile de Loose, Belgium, 19th, Romantic
By Basile de Loose
Located in Greven, DE
Basile de Loose
Portrait of a Child
signed and dated „1861“
Basile De Loose (17 December 1809 – 24 October 1885) was a Belgian painter.
He was born in Zele, East Flanders, United K...
Category
19th Century Romantic Figurative Paintings
Materials
Canvas, Oil
A Tavern Interior, 18th Century Old Master, Figurative Oil Painting by Schaak
Located in Greven, DE
A Tavern Interior - 18th Century Old Master, Figurative Oil Painting by Schaak
Little is known about the artist J.S.C. Schaak. He was active in England as a portraitist between 1760-1770. His name indicates his German or Dutch origin. Especially portraits of generals...
Category
18th Century Old Masters Figurative Paintings
Materials
Copper
Portrait of a Boy, John Closterman, Large English Portrait Art, Old Master
By John Closterman
Located in Greven, DE
John Clostermann
(Osnabrück 1660 - 1711 London)
Portrait of a boy, maybe Charles Hinde
Oil on canvas, 61 x 74,6 cm
John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...
Category
17th Century Baroque Figurative Paintings
Materials
Canvas, Oil
French Art, Rococo, Portrait Queen Marie Antoinette France, Oval, Circle Vivien
Located in Greven, DE
French School, Portrait of Queen Marie Antoinette of France, Pastel /oil Pastel on Paper, Rococo, 18th Century. The Pastel is made in the style...
Category
18th Century Rococo Portrait Drawings and Watercolors
Materials
Paper, Pastel, Oil
Rococo Portait, French Rococo, Marie Baudouin, Daughter of Francois Boucher
By François Boucher
Located in Greven, DE
Portrait of the daughter of Francois Boucher, Marie-Emilie Baudouin, holding a basket of flowers. Pastel on Parchment. The work is related to an oval portrait painting...
Category
18th Century Rococo Portrait Drawings and Watercolors
Materials
Pastel
Battle of Peterwardein, By Jan van Huchtenburg, Battle Scene, Old Master
By Jan van Huchtenburg
Located in Greven, DE
Jan Van Huchtenburg
Battle of Peterwardein, 1716
Oil on canvas, 45 x 64 cm
monogrammed "HB"
n 1670 he settled at Haarlem, where he married Elisabeth Mommes. It seems he practised and kept a dealers...
Category
18th Century Baroque Figurative Paintings
Materials
Canvas
Study of a Man, Old Master Drawing, Figure, Roman Study, Lombard
Located in Greven, DE
Old Master Drawing by the Circle of Lambert Lombard. Drawing/ Study of a Man in Renaissance Style, later signed "F. Floris".
Study of a Man
Lombard li...
Category
16th Century Renaissance Figurative Drawings and Watercolors
Materials
Handmade Paper
Portrait Johann Theodor Bavaria, Son of Prince Elector, by Joseph Vivien, Rococo
By Joseph Vivien
Located in Greven, DE
Portrait of Johann Theodor of Bavaria (1703-1763)
by Joseph Vivien
Johann Theodor of Bavaria (* September 3, 1703 in Munich; † January 27, 1763 in Lièg...
Category
18th Century Rococo Portrait Paintings
Materials
Canvas, Oil
Rococo Painting, The Brunette Odalisque, Nude Woman, Studio of Francois Boucher
By François Boucher
Located in Greven, DE
A voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas.
One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions.
"The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque".
The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher.
The Painting is framed in a golden frame which was built in the Rococo style in c. 1990.
Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...
Category
18th Century Rococo Nude Paintings
Materials
Canvas, Oil
French Art, Rococo Portrait, Oval, Pastel, Portrait of a Lady, Circle of Vivien
Located in Greven, DE
French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...
Category
18th Century Rococo Portrait Drawings and Watercolors
Materials
Paper, Oil Pastel, Gouache
Portrait Old Master, Joseph Vivien, Mme Silvestre, French Rococo, Pastel
By Joseph Vivien
Located in Greven, DE
The portrait shows Mme Silvestre.
Born in Paris, Silvestre was the daughter of Charles-Antoine Hérault and his wife Marie-Geneviève, who were her first teachers. In 1706 she married the painter Louis de Silvestre, moving with him in 1716 to Dresden. The couple's daughter Marie-Maximilienne became a pastellist. Silvestre died in Dresden, the year before her husband retired and returned to Paris. Her surviving pastels show the influence of Rosalba Carriera...
Category
18th Century Rococo Portrait Paintings
Materials
Gouache, Oil Pastel
Old Master Painting, Flemish Baroque, Religious Scene, Esau and Jacob, Lentil
By Erasmus Quellinus the Younger
Located in Greven, DE
Isaac and Rebecca had two sons: the twins Esau and Jacob. Esau was the first-born, giving him the birthright. Among Jews the birthright gave the eldest son authority over the family,...
Category
17th Century Baroque Figurative Paintings
Materials
Oil, Panel
Portrait of a Newfoundland dog, William Smith, British Painting, 1838, Pets Art
Located in Greven, DE
The works of William Smith were regularly exhibited at the Royal Academy in London between 1813 and 1859. Yet little is known about this artist. He lived in Shropshire and was active...
Category
19th Century Romantic Animal Paintings
Materials
Canvas, Oil
Anthony van Dyck, Engraving Ernest de Mansfeld, c. 1654, Portrait, Iconographie
By (After) Anthony Van Dyck
Located in Greven, DE
A wonderfully detailed and charismatic portrait, this exquisite work illustrates the technical mastery and artistic vision of Van Dyck. Ernest de Mansfeld's stately yet approachable expression reflects Van Dyck's refined ability to comfort and relax his subjects, resulting in a realistic and acute portrait. Ernest de Mansfeld was a German military commander during the early years of the Thirty Years War. Donning his armor and an ornate, lace collar, de Mansfeld appears as a strong commander. Without a hint of a smile, he calmly gazes out, the definition of cool and collected. Van Dyck accurately captures the sense that de Mansfeld is a man who takes his job seriously, a man worthy of commanding an army in battle.
This portrait is a Mauquoy-Hendrickx State II (of II), engraved by Robertus van Voerst in collaboration with Anthony van Dyck (Antwerp, 1559 - London, 1641) as part of his Iconographie series of engraved portraits of famous people...
Category
17th Century Baroque Portrait Prints
Materials
Engraving, Laid Paper
German Danish School, Decorative Marine Painting, Coastal Scene, Fishermen, Boat
Located in Greven, DE
German or Danish School, 19th Century
Coastal Scene with boat and fishermen
very decorative cabinet piece in a golden frame
The painting is very fine and goes with a very nice and so...
Category
19th Century Romantic Landscape Paintings
Materials
Canvas
Soldiers by a Tent, Soldiers Camp, Circle Van Huchtenburg, Old Master Painting
By Jan van Huchtenburg
Located in Greven, DE
Circle of Jan van Huchtenburg
Landscape Scene with a Soldiers Camp
Oil on Canvas, 41 x 55 cm
Soldier Camp Life Scene
together with a wonderful golden Frame
Category
18th Century Baroque Landscape Paintings
Materials
Canvas, Oil
Portrait after Franz Josef Winter, Clemens August of Bavaria, Archbishop Cologne
Located in Greven, DE
Clemens August Ferdinand Maria Hyazinth, Duke of Bavaria (* August 16, 1700 in Brussels; † February 6, 1761 in Koblenz) was as Clemens August I from 1723 to 1761 Archbishop of Cologne and thus at the same time Elector of the Holy Roman Empire, sovereign of the associated archdiocese as well as the tributary lands of Recklinghausen and Westphalia. In addition, he was Legatus natus of the Holy Apostolic See in Rome and Archchancellor of Imperial Italy. Furthermore, he combined the offices of Grand Master of the Teutonic Order...
Category
18th Century Rococo Portrait Paintings
Materials
Canvas
Thomas Willeboirts Bosschaert, Dancing Putti, Pan, Satyr, Rubens School, Model
By Thomas Willeboirts Bosschaert
Located in Greven, DE
Thomas Willeboirts Bosschaert
Pan plays to the dance of the putti
Thomas Willeboirts Bosschaert (1614 Bergen op Zoom - 1654 Antwerp)
Pan plays to the dance of the putti
Oil sketch
Oil on canvas, 35 x 51 cm
Provenance:
Belgian private collection, ca. 1980 to 2020.
The oil sketch shows a flute-playing man with dark curls sitting at the left edge
of the picture in a recess draped with cloth. In the lower left corner, a fallen
bowl with leaking water can be seen. The right half of the picture shows a circle
of five dancing putti, whereby the left putti can be recognized as a satyr due to
the goat legs. The background is dominated by a dark mountain landscape. In
the sky a rising or setting sun can be guessed. It is possible that the flute player
represents Bacchus, the god of wine and ecstasy. This fits with the flute as a
symbol of celebration, as well as the bowl of water, which could refer to
Bacchus' mother, Lethe. Lethe is a river in the underworld, which at the same
time symbolizes "oblivion". Thus, the spilling water bowl is not only a reference
to this river, but it also symbolizes "oblivion". Moreover, Bacchus is usually
depicted with satyrs in his retinue, which would explain the putto with goat legs.
However, the interpretation of the flute player as the god Pan would be
possible. He is usually shown with his flute and associated with dance.
Moreover, he is native to the mountainous landscape of Arcadia.
The present work is an oil sketch, i.e. a preparatory study. This is suggested by
the partly unfinished parts, as well as the structure of the picture. Some parts
are already almost completely laid out, such as the flute player, while others, for
example the horizon and also the figures of the putti, are only sketched in
outline.
The painting can be attributed to the Baroque painter Thomas Willeboirts
Bosschaert. This attribution was also confirmed by Prof. Hans Vlieghe.
Bosschaert lived and worked in Antwerp with Peter Paul Rubens and Anthonis
van Dyck, among others. He studied with Gerard Seghers...
Category
17th Century Baroque Figurative Paintings
Materials
Canvas
Trompe l'oeil, Trick of the Eye, Maria, Child St. Anthony, Van Dyck, Old Master
Located in Greven, DE
After a copper engraving (46 x 34 cm) by Gilles Rousselet after Van Dyck, ca. 1640 Paris.
Oil on cardboard, 44 x 35 cm
Trompe-l'oeils are pictures whose depicted objects are painte...
Category
18th Century Rococo Figurative Paintings
Materials
Oil
Giovanni Battista Pittoni, Holy Family with Cupids, Venetian Baroque, Italian
By Giovanni Battista Pittoni
Located in Greven, DE
In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.)
He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770).
Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop.
He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts.
Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes.
Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster.
On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten.
As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...
Category
Early 18th Century Rococo Figurative Paintings
Materials
Canvas, Oil
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together.
Provenance
Private collection, Germany, Trier, c. 1980- 2013
Saint John the Baptist
Brown ink and wash over red chalk on oatmeal paper
31 x 20.5 cm
Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“.
bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso
On the reverse is a partial drawing of a Pieta, pricked for transfer.
Provenance
New York, Doyle, 14. October 2015, No. 6
The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm).
Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590.
The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”.
Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ).
Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”.
Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque.
Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Category
16th Century Mannerist Figurative Paintings
Materials
Canvas, Oil, Handmade Paper
