Galen Galerie Landscape Prints
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Claude Lorrain Landscape with Hermes and the Muses, Aquatint by Richard Earlom
By (after) Claude Lorrain (Claude Gellée)
Located in Greven, DE
Claude Lorrain landscape with the God Hermes, Amor and the Muses. Richard Earlom aquatint c1817
by Lorrain, Claude le/Earlom, Richard
Countryside with ...
Category
19th Century Baroque Landscape Prints
Materials
Paper
Claude Lorrain Landscape with temptation of Saint Anthony, Aquatint by Earlom
By (after) Claude Lorrain (Claude Gellée)
Located in Greven, DE
Claude Lorrain landscape with the temptation of Saint Anthony .Richard Earlom aquatint c1817
by Lorrain, Claude le/Earlom, Richard
Country...
Category
19th Century Baroque Landscape Prints
Materials
Paper
Claude Lorraine Landscape, Richard Earlom Aquatint, 1810
By (after) Claude Lorrain (Claude Gellée)
Located in Greven, DE
Claude Lorrain landscape. Richard Earlom aquatint c1810
by Lorrain, Claude le/Earlom, Richard
Countryside with hunters and a deer , by Richard Earlom after Claude Lorrain.
Richard ...
Category
19th Century Baroque Landscape Prints
Materials
Paper
Arrest of Christ, Engraving, a. Karel van Mander, p. by Gheyn, Passion of Chris
Located in Greven, DE
The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander
The scene is out of a set of 13 engravings "Passion of Christ"
Engraving
Published by: Jacques de Gheyn...
Category
17th Century Northern Renaissance Figurative Prints
Materials
Engraving
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Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
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"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
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Botanical Cyanotype, Blue Flower Bouquet, Large Wild Roses Cyanotype, Watercolor
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This is an exclusive handprinted limited edition cyanotype of a gorgeous blue bouquet.
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+ Title: Blue Flower Bouquet
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Equestrian Scene
Located in Belgrade, MT
This lithograph is a piece from my private collection of 20th Century School of Paris era artists. It is hand signed by the artist and numbered, Guilde de la Gravure, and is in very ...
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Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
By Giovanni Battista Piranesi
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass.
Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings.
From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver."
After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna.
From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
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By Georg Andreas Böckler
Located in Melbourne, Victoria
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Gull Cove, Art print, Landscape, Tree, Nature, Floral
Located in Deddington, GB
Inspired by a coastal walk looking over the cliff.
ADDITIONAL INFORMATION:
Linocut print on Paper
Edition of 10
20 H x 20 W cm (7.87 x 7.87 in)
Sold unframed
Image size:
Height: 2...
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H 11.82 in W 11.82 in D 0.4 in
Royal Academy Exhibition Poster By David Hockney
By David Hockney
Located in London, GB
Royal Academy Exhibition Poster
By David Hockney
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Royal Academy Exhibition Poster By David Hockney
By David Hockney
Located in London, GB
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Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
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Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
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H 15.75 in W 21.375 in
Royal Academy Exhibition Poster By David Hockney
By David Hockney
Located in London, GB
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