Galere Dressers

George Nelson thin edge double dresser, chest, Santos Palisander, Herman Miller. In 1944, Life magazine published an extensive article...

 Art deco chest of drawers after renovation , simple and nice art deco chest of drawers :)

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Paul McCobb 6-drawer dresser for winchendon furniture. ________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back t...

Perfect bedroom dresser all refinement and style both for the size of the entire design and for the utmost care taken for its entire finish. A simple square design welcomes a walnut...

Mid-Century Modern black lacquer three-drawer dresser by Paul McCobb for Winchendon Furniture Company. All Original Black Lacquer paint finish with Blonde maple drawer insides. Black...

Vintage mid century Paul McCobb three-drawer dresser credenza Planner Group #1508. Beautiful dresser by Paul McCobb circa 1950s Planner Group 3 drawer, solid maple black T pulls. Bla...

A George Nelson four-drawer Thin Edge rosewood dresser, circa 1955. This stunning piece has dynamic, rich rosewood graining, four drawers, original porcelain pulls, and iconic Thin E...

Beautiful dresser with a very original and very particular shapes. Stunning design for a one-of-a-kind dresser. The chest of drawers is composed of three large drawers, which can be...

Just in, two matching dressers designed by George Nelson for Herman Miller, c1950s. Sourced from the original owner in the Pacific Palisades of California, these beauties have receiv...

A sleek ultra mod look after Karl Springer. This 6 drawer dresser features semi-gloss white laminate sculptural design with tons of storage.

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...