Galere Tapestries

"Untitled" by Robert Motherwell was printed as part of "9", a portfolio with works of 9 other abstract expressionist artists including Willem de Kooning, Sam Francis, Ellsworth Kelly...

The tapestry shown here is a magnificent example of 17th-century European artistry, likely influenced by the grand tradition of tapestry weaving that flourished in France and Flander...

"Le Remailleur De Filet" a vivid framed modernist tapestry of a fisherman repairing his nets by the French painter Debiève. Created by Corot 05, Champs Elysées, Paris, circa 1950.

Tapestry “Lumieres Marine” by the French artist Robert Debiève, printed by Jean Laurent, Editeur d’Arts, France. Signed and numbered "364" by the artist on the backing. Materia...

In the late 17th century, Brussels tapestry weavers achieved remarkable heights of artistry and technique, exemplified by a fine tapestry from circa 1680 that vividly depicts a dramatic battle scene. This masterpiece, crafted from a blend of silk and wool, showcases a rich array of colors—primarily blues, greens, and reds—that create a visually arresting narrative. The central motif of the tapestry is a dynamic and detailed battle scene, where the vibrant hues of blues, greens, and reds intertwine to convey the intensity and chaos of the conflict. The blues range from deep, somber tones that suggest a foreboding sky or tumultuous waters, to lighter, almost ethereal shades that might evoke a sense of movement or distance. Greens provide a lush, verdant backdrop, perhaps representing a forested terrain or rolling hills, and contrast strikingly with the reds that highlight the uniforms of the soldiers, the banners they bear, or the flashes of conflict. The tapestry’s execution in silk and wool adds a luxurious texture and depth to the image. The silk contributes a lustrous sheen to the colors, enhancing their vibrancy and making the reds particularly vivid. The wool, with its more subdued texture, provides a rich, tactile quality that adds to the overall grandeur of the piece. Framing this central battle tableau is an intricately detailed border that serves as both a decorative and narrative element. This border features a lively array of figures, fruits, and birds, rendered with the same meticulous attention to detail as the central scene. The figures, often depicted in an elegant and somewhat theatrical style, may include allegorical or mythological characters, adding layers of symbolism and context to the tapestry. The fruits, depicted in lush, vibrant colors, provide a contrast to the intensity of the battle, symbolizing abundance and prosperity. Birds, possibly rendered in mid-flight or perched gracefully, enhance the sense of movement and liveliness that permeates the artwork. The border’s detailed design serves to frame the central action, drawing the viewer's eye inward and providing a harmonious balance to the overall composition. It is not merely a decorative element but an integral part of the tapestry, enriching the narrative and adding to its visual complexity. In its entirety, this Brussels tapestry from the late 17th century stands as a testament to the skill and artistry of its creators. Its use of color, texture, and detailed border elements reflects the opulence and sophistication of the period, making it a significant example of the era's weaving artistry and a captivating portrayal of historical and artistic grandeur. The Battle of Cannae: Hannibal's Masterstroke The Battle of Cannae, fought in 216 BC during the Second Punic War, is one of the most celebrated and studied military engagements in history. The conflict took place between the forces of Carthage, led by the brilliant general Hannibal Barca, and the Roman...

"Sub-Marine" modern tapestry of the 20th century realised by Robert Debieve, in perfect condition of conservation. Negotiable price and free delivery. Dimension: 157 cm x 113 cm.

This vintage hand-crafted Moroccan tapestry rug is a striking example of abstract folk artistry, featuring an ultra-modern geometric composition in a vivid palette of magenta, blue, green, gold, red, pink, purple, and earthy browns. Woven by hand from a mix of recycled textiles, this mid-20th-century Boucherouite rug embodies the expressive spontaneity and color theory reminiscent of modernist painters like Josef Albers and Paul Klee. Its improvisational style and bold asymmetry also echo the visual language of the iconic quilts of Gee’s Bend, Alabama—celebrated for their raw beauty and rhythmic, intuitive geometry. Whether used as a statement-making floor covering or mounted as an artful wall tapestry, this Moroccan rug is a versatile and powerful design element ideal for contemporary, eclectic, or bohemian interiors. Dimensions: 4' 11" x 6' 7" Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Morocco Material: Wool field on a wool foundation Condition: Wear consistent with age and use The Persian Knot Gallery, SKU 1501 Moroccan Boucherouite, Vintage Moroccan Rugs, Vintage Berber Rugs, Vintage North African Rugs, Mid Century Modern Rugs, Boucherouite Rag Rugs, Moroccan Rugs Boucherouite, Moroccan Tribal Rugs, Abstract Mid Century Rugs, Berber Tribal Rugs, Vintage Boucherouite Rugs, Vintage Rag Rugs, Moroccan Rugs, Josef Albers Rugs...

Place this long and narrow antique tapestry in a staircase or in between two windows for a pop of color. Handwoven in Aubusson, France, circa 1860, this gorgeous verdure wall piece h...

"Untitled" Lithograph by Robert Motherwell on Arches Paper. Signed and numbered 198/225 in pencil. Printed by Irwin Hollander, New York, with artist...

Robert Motherwell, Untiled, Ink on Paper, 1976 Robert Motherwell (American, 1915-1991) Ink on handmade paper 11 inches high x 16 inches wide This work is framed in an Italian gil...

Maurice André - Robert Four edition Large wool wall tapestry by Maruice André Realised circa 1960 by Robert Four Studio Original perfect condition Original perfect colors...

Manufacture Robert Four. "Baillée of the roses" silkscreen printed tapestry on woven wool after a 16th century tapestry.