Galeria Tambien Tables

Pierre Chapo original 60's French oak coffee table T02 L 114 cm diameter. Created in 1963, the T02 table is distinguished by its rounded shapes. Part of the first generation of Chap...

Pierre Chapo original 60's French oak coffee table T02. Created in 1963, the T02 table is distinguished by its rounded shapes. Part of the first generation of Chapo furniture from ...

These low table is a very special Matthias Biberon work, in Japanese Cedar and Oak. All joints are visible is the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

Typical Matthias Biberon work, well seasoned woods, a wood that has been dried for over 40 years, giving it a special patina. All joints are visible, the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

These Dinning Table is a typical Matthias Biberon work, old oak wood, well seasoned, a wood that has been dried for over 40 years, giving it a special patina. All joints are visible, the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

Nice small drop-leaf table model 3601 designed by Arne Jacobsen for Fritz Hansen, Denmark, 1952. This table has a teak wooden foldable top and chrome-plated tubular metal legs. This ...

Extremely rare Doron-type table by Charlotte Perriand for the Résidence Les Allues in Méribel, 1971 Made by local cabinetmaker René Martin for the Les Al...

Iconic coffee table by Georges Candilis and Anja Blomstedt. Furnishings for the vacation village Les Carrats in Port-Leucate. Designed and manufactured in 1969, then produced by Se...

Rectangular assembled schist table with rounded corners and brass inlay, very rare octagonal legs, signed on the top H: 47 cm Top: 80 x 120 cm. Paul KINGMA (1931 - 2013) Dutch s...

Rare red enameled lava tile low table by Robert and Jean Cloutier dating from the 1950s. This mid-century Lava Tile Coffee Table by the Cloutier Brothers...

Isamu Kenmochi (1912-1971) was a Japanese modernist designer significant in the development of Japanese design after WW2. Rare coffee table Chromed metal...

Isamu Kenmochi (1912-1971) was a Japanese modernist designer significant in the development of Japanese design after WW2. Rare coffee table Chromed metal...

Rare wall panel of the Cloutier Brothers, made of 5 lava plates enamelled with Cloutier red and black, this abstract representation which can make yo...

Rare red enameled lava tile low table by Robert and Jean Cloutier dating from the 1950s. This mid-century Lava Tile Coffee Table by the Cloutier Brothers...

Beautiful pair of white flying tables designed by Pierre Guariche for Steiner, 1955 Pierre Guariche (1925-1995) is a legendary French designer from the 2...

Charlotte Perriand ’s Bench with thirteen solid ash slats, resting on a structure in black lacquered metal. Foam trim covered with a linen sheet in Mokka t...

Sculptural Brutalist coffee table and chairs set has been handmade from solid pine slabs by Mobichalet in Belgium in the 1950s, Made from soldi...

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.

Pure and simple lines for this 1950s coffee table by ISA Bergamo in Italy in rosewood and black steel.