Galerie Clement Cividino Ent Wall-mounted Sculptures

Made circa 1930, molded in relief with a Bacchanalian scene in an oak frame. Measures: 53 cm x 81 cm. Chip to lower right of frame with smaller chips and losses to edges.

A large vintage rectangular wall relief in French Plaster, from the Parthenon to Neoclassical style, in good condition. Hand crafted bas-relief of the Parthenon temple, on the Athen...

A late period - Ptolemaic period plaster relief depicting a Goddess or Queen from the Metropolitan Museum of Art after the original. 4 ½ inches wide by 7 ¼ inches tall by 1 inch ...

A vintage French wall relief in plaster depicting the Greek God Dionysus and the Greek princess Ariadne riding in a chariot pulled by two lions, in...

An early 19th Century, antique French wall or bas relief of the Roman God Neptune made of hand crafted Plaster, in good condition. The detailed Parisian wall panel is depicting on th...

Striking large plaster 3-D wall sculpture of a neoclassical style head, perhaps of Apollo or other God with handsome chiseled physiognamy.  

Contemporary French plaster wall sculpture. Plaster applied to tissue forming abstract design. Newly framed in a natural wood frame.

This monumental wood sculpture by Leroy Setziol (1915–2005) is a rare and significant early commission, created in 1963 for the National Bank of Portland, Oregon. Measuring an impressive 191" x 31" x 7", the piece marks a pivotal moment in Setziol’s career as he transitioned into large-scale architectural work—integrating fine art with the built environment in a way that would define his legacy. Carved in his signature style of deeply incised geometric forms and rhythmic abstraction, the panel reflects Setziol’s exploration of nature, spirituality, and cultural symbolism. Commissioned during a period of progressive architectural development in the Pacific Northwest, the work exemplifies the region’s modernist ethos—where art and architecture were conceived in harmony. Setziol would go on to complete numerous public commissions, collaborating with leading architects such as Pietro Belluschi and becoming one of the most influential wood sculptors of the 20th century. Early, large-scale works like this are exceptionally rare on the market and offer a unique opportunity to own a foundational piece of Pacific Northwest modernism. This sculpture is not only a stunning example of Setziol’s craft—it is a historical artifact from a turning point in American architectural and design history. The following is taken from the Portland Art Museum's profile of Leroy Setziol for their exhibit in 2015-16 celebrating the 100th year anniversary of his birth "Leroy Setziol" Sept 5, 2015 – Oct 30, 2016 "A composer in wood, Leroy Setziol created lyrical sculpture that honors the beauty of a material strongly identified with the Northwest. The black walnut, teak, fir, and other woods he employed enhanced his complex gridded compositions, bringing them to life. A self-taught, intuitive worker, Setziol visualized his complex carvings using the grid as an armature to frame imaginative shapes. Throughout his career, his sculpture ranged from intimate works to large-scale public commissions. The largest work on display is an elegant, teak, two-panel wall relief from 1991. Twenty-three works are on view, including free-standing sculpture, totems, and a variety of wall reliefs. Setziol’s sculpture gained greater recognition with Portland’s architectural community in 1964 when he was invited by Northwest Regionalist architect John Storrs to carve a series of large-scale relief panels for Salishan Lodge in Gleneden Beach...

1859 Antique French Plaster wall relief depicting slaying of the lion

A vintage wall fragment of the Areopagus, which in pre-classical times dates back to a selective council of elders for the city of Athens. The membership was favored to those who had...

Relief medallion in plaster by Antonio Canova (1757-1822). The depiction of this relief is 'living from the land'. (It can be hang up)

19th c., Americana, a large scale gilt and forest green painted cast plaster eagle, depicted spread-wing, with crisply detailed overlapping feathers. With mounting bracket on reverse. This is a very handsome example of an iconic form. The combination of the gilt and forest green paint is striking. Depictions of eagles can be seen across American art. The national bird of the United States, the eagle has been used as a symbol of American freedom for centuries. This is a fine example in the style of John Haley Bellamy...