Galerie Fledermaus Still-life Paintings
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Portrait with Wreath Arrangement
By Zane York
Located in Chicago, IL
Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Copper
Arrangement XVIII
By Zane York
Located in Chicago, IL
Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Copper
Arrangement XIX
By Zane York
Located in Chicago, IL
Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Copper
Arrangement XVII, Realist Oil Painting
By Zane York
Located in Chicago, IL
Zane York deftly walks the line between playfulness and profundity. Drawing inspiration from the inherent strangeness of the natural world, York imbues quotidian scenes with subtle e...
Category
21st Century and Contemporary Realist Still-life Paintings
Materials
Canvas, Oil
"Eupholus Bennetti (Blue Beetle)" Realism Painting/Drawing
By Zane York
Located in Chicago, IL
Zane York deftly walks the line between playfulness and profundity. Drawing inspiration from the inherent strangeness of the natural world, York imbues quotidian scenes with subtle e...
Category
21st Century and Contemporary Contemporary Still-life Paintings
Materials
Ink, Oil, Color Pencil
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"DUCK HUNT" MERGANSERS, DUCK CALL, SHOTGUN DATED 1889 FRAME 43 X 35 NEWCOMB
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Located in San Antonio, TX
Edward Chalmers Leavitt
(1842 - 1904)
Rhode Island Artist
Image Size: 36 x 28
Frame Size: 42.5 x 34.5 Newcomb Macklin Frame.
Medium: Oil
Dated 1889
"Duck Hunt" Mergansers
Edward Chalmers Leavitt (1842 - 1904)
Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower.
Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil
War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life.
He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace.
Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan.
Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896.
Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town.
Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces.
He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts.
Sources:
Michael David Zellman, 300 Years of American Art
Peter Hastings Falk, Editor, Who Was Who in American Art
Biography from Roger King Fine Art
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