Galerie Laurent Dubois Jars

vintage stamped stoneware (not confirmed material) jar with lid. Vintage condition as pictured. Listing is for described item only.. Dimensions: 4"W 5"H

Large abstract sculpture, hand carved out of elm in the style of Alexander Noll.

O-Jar is a sculptural hand made porcelain vessel. A soft pink colored matte porcelain body is complemented with an oversized ball cap. The inside of the...

This 19th-century Japanese Imari jardiniere showcases the vibrant artistry characteristic of Imari ware. Crafted from porcelain, it features a harmonious blend of rich cobalt blue an...

A very high quality late 19th century Japanese Imari planter with beautiful gold accents.. Has a hole in the center for draining. Circa 1890s.

Ledax crystal cut jar with channeled panels the lid, in sterling has small beaded edge . Marked sterling. Chip on 1 of the panels at the bottom.

This sculpture is in wood, in brown color. The shape in at the same time, abstract, in the style of Alexandre Noll It has been made in France, circa 1960. Ref :Old patina, soli...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

These Japanese Kutani Vases are refined decorative objects realized by a Japanese artist in the 19th century. This beautiful set includes two ...

The jar maintains its original painted label in a beautiful orange and gold patina. While the jar is now empty the label translates from the French word Chiendent to Quackgrass in En...

A beautiful wood box with a small compartment inside and a shell lid in the manner of Alexandre Noll.

A 19th century Japanese, Meiji period, bronze planter. Beautiful decorated with dragon handles.