Galerie Laurent Dubois Jars

vintage stamped stoneware (not confirmed material) jar with lid. Vintage condition as pictured. Listing is for described item only.. Dimensions: 4"W 5"H

O-Jar is a sculptural hand made porcelain vessel. A soft pink colored matte porcelain body is complemented with an oversized ball cap. The inside of the...

Set of two small wooden herbalist-apothecary jars (Natriam, Arnica), in the purest neoclassical style. The surface is finished with black and gold colored pads a cream background in...

A beautiful wood box with a small compartment inside and a shell lid in the manner of Alexandre Noll.

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts & Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

Rare and decorative French mid century wooden pitcher by unknown designer in the style of Alexandre Noll. Carved out of elm wood and in good original condition. Dimensions: H: 15 cm...

Wooden pharmaceutical apothecary jar, marked "CARB LIGN PR".

A Classic example of Art Deco earthenware, this lidded bowl (bonbonniere / tobacco pot / sugar bowl, etc.) has three rectangular feet supporting a globe-shaped pot and matching lid. ...

Ledax crystal cut jar with channeled panels the lid, in sterling has small beaded edge . Marked sterling. Chip on 1 of the panels at the bottom.

Hand-carved wooden box, attributed to Alexandre Noll, France, 1950s. Made from high-quality dark wood, it features sleek, organic lines. Its unique lid is a genuine polished shell, r...

Handmade French vintage lidded stoneware jar, circa 1950s. Round body with shiny brown glaze, hand-carved line decor, and flat lid with unglazed top. Two handles with lined decor. St...

Artist/Designer; Manufacturer: Alexandre Noll (French, 1890-1970) Marking(s); notes: signed Materials: carved and bleached mahogany Dimensions (H, W, D): 10"h, 10.5"w, 6.5"d Addition...