Galerie Martynoff Paris Folk Art

Tim Vranken is a Belgian furniture designer who focuses on solid, handmade furniture. Throughout his designs the use of pure materials and honest natural processes are paramount. The...

Mid-20th Century Globular Vessel, Mangbetu People, D. R. Congo An unusually large and striking non-figurative vessel from the Mangbetu people, comprised of six lobes joined to a c...

The Link Candle Holder is a modular system that can be expanded to any size, available in cast brass. Sold as a set of five. (not available in cast ...

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

The Borana Oromo people of southern Ethiopia and northern Kenya are historically a cattle-keeping culture, and each household keeps a number of traditional vessels for storing and ch...

Primitive hand-carved Folk Art bull made of wood. Great hand work and scale. One Horn has a chip. Great sculptural piece.

Candle Holder Crocodile with metal structure in brass vintage finish, for 1 candle, candle not included.

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...

Classic and well-modelled sculpture of a dancing faun.

Time honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

We are delighted to offer for sale this stunning original Victorian Antique Jaques of London faux leather folding book chessboard with the original Staunton Chess set dating to circa 1880, a travel chess set in the form of checkers pieces and lastly a Jacques of London Rosewood Chess clock...

A pair of Art Nouveau or Secessionist WMF 'Britannia metal' (pewter) and silver plate candle holders. Both marked to the interior of the base 'WMFB' and 'OX'. This finish was used be...