Galerie Melissa Paul Center Tables

Lunarys Center Table is an outstanding modern design piece. A key coffee table for a contemporary living room project seems to come directly from space. Made in travertine stone is p...

Onda table works on the juxtaposition of volumes and finishing. A wavy organic extra-thin top on architectural chunky cylindric legs. Like a paper sheet th...

Incredible dining table or huge gueridon. All solid bronze.

Francesco Fois for Bernini, 'Click' dining table, alder, steel, Italy, 1986 The table model Click, conceived by Francesco Fois for Bernini in the year 1986, stands as a testament t...

Poul Cadovius Beautiful Rosewood Coffee Table Designed For France & Son Circular Top Inlaid With Brushed Chrome Floral Decoration Made In Denmark 1960's Poul Cadovius (1911 - 2011) was one of the most colourful and successful persons in the history of Danish furniture industry. He was originally educated as an upholsterer but became very interested in design at an early stage, and in 1945 he established his own furniture manufacturing company Royal System. A few years later, in 1948, he designed the iconic shelving system ROYAL...

Minimalist dining table by Leon Rosen Pace. The triangular glass and polished chrome pedestal base supports a 1/2" thick 42" diameter glass top, which creates a simple and elegant l...

An exceptional coffee table in gilt wrought iron with distressed mirror plate top by the renowned designer Rene Drouet 1899 -1993. The heavy wrought iron base with ring details and visible bole beneath the gilt on the legs and edges, still coupled with its original mirror plate, this sought after coffee table is absolutely stunning to look at, and of super proportions. Rene Drouet Starting his design life as a student at l’Ecole Boulle in Paris, Drouet then took up an apprenticeship with master designer Maurice Dufrene at Galeries Lafayette, followed by a period of time at Decoration Interieure Mobilier and then on to the studio that was run by Jean Domin. Taking the skills and experience gained during these years as an apprentice, Drouet went on to design and create furniture and install complete interiors, including the apartment of Charles Boyer...

Glorious 1950’s Italian coffee or centre table, profuse with gilt leaves and branches, the original metal tag of Italian authenticity is still present. One small leaf has been lost, ...

Austria Center Table is a stylish assembly of different types of wood. With a sincere texture, the marquetry coffee table is the pièce de résistance of a nature-inspired interior. S...

Our low sitting Tricolumn Coffee Table looks great in a contemporary interior. The tables whitewashed wood finish allows you to see the polished...

Our Tri-Column Coffee Table is made from solid beech in our Vancouver based furniture studio. Inspired by columns left behind by ancient Greek and Roman architecture. Consisting of ...

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...