Galerie Omagh Sculptures

"Compression de canettes", is an iconic piece by César Baldaccini (1921–1998), a leading figure of the Nouveau Réalisme movement. Known simply as César, he revolutionized sculpture b...

In 1987, Arman began his Transculptures series, created by combining sections of several objects on top of each other. This magnificent example from 1988 bears witness to Arman's uni...

Yves Klein, Small IKB Venus Brooch Bronze multiple, painted with International Klein Blue (IKB). From a model created in 1956. Edition of 500 copies + 100...

Concieved in 1957, this edition started to be executed in 1988 IKB pigment and synthetic resin on plaster cast, in plexiglas, signed Rotraut Klein Moquay and numbered HC XXX/L on the base on a label affixed under the base. 300 editions numbered from “1/300” to “300/300″ 50 editions numbered from”HCI/L” à “HC L/L” H. 36 cm With the Plexiglas box: 41.5 x 29.5 x 29.5 cm Yves Klein is an influential French conceptual artist who works in a wide variety of fields. Arguably best known for his use of a very vibrant shade of blue, he began to create his monochrome series in the 1950s by developing and patenting his own signature shade known as IKB or International Klein Blue. Born April 28, 1928 in Nice, the artist founded the New Realism movement with the art critic Pierre Restany...

Yves Klein, Dying Slave after Michelangelo IKB blue resin in plexiglas, signed Rotraut Klein Moquay and numbered 224/300 on the base on a label. 300 editions numbered from “1/300” to...

1970 Compression of different metals, fixed on panel Signed, dated and situated in black felt marker at the bottom left side “César 1970 Nice” Referenced in the Durand-Ruel Archives under No. 985 Unique artwork accompanied by the certificate from the Durand-Ruel Archives H. 36 cm W. 20,5 cm D. 9 cm Dimensions with panel: H. 60 cm W. 45,2 cm D. 4,8 cm His parents, Omer and Leila Baldaccini, Italian of Tuscan origin, had a bar in Marseilles, where César was born in 1921 in the popular district of la Belle-de-Mai, at No. 71 rue Loubon, in the center. “I am basically an absolute autodidact,” he says. He first worked at his father’s, before attending in 1935 the courses of the School of Fine Arts in his hometown with his classmate Raymond Normand and, in 1943, the National School of Fine Arts in Paris with Michel Guino, Albert Féraud, Daniel David and Philippe Hiquily, like him in the studio of Marcel Gimond...

2003 Edition of 99 copies + 15 EA +15 HC + 30 copies numebered /XXX. Signed « Arman » and numbered on the gilded bronze. Referenced in Denyse Durand-Ruel Archives under Nr 7698. Referenced at the Arman Studio in New York under NR APA# 7030.03.006. Arman is a Franco-American artist best known for his unique style of found object sculpture known as accumulations. Inspired by the philosophy and aesthetics of Dadaism, he brings together forks, instruments and teapots in display cases. A member of Nouveau Réalisme alongside Yves Klein and Jean Tinguely, among others, he responds to the emergence of Pop art through his own critique of consumption, waste and mass production, particularly in his series "Poubelles" in the early 1960s. For his famous and monumental sculpture "Long-Term Parking" (1982), the artist piles up 60 cars...