Galerie Sommerlath Abstract Paintings

It is clear that Lee Applegate had an eye for the visually striking. This gouache painting features a heavily textured surface, abstract geometric shapes, and angles that dance along...

This geometric abstract painting features bold intersecting forms in primary colors, evoking a dynamic sense of movement and balance. Dominated by arcs and angular shapes in red, yel...

Set against a dark, textured black background, this artwork explores the interplay between order and disruption through geometric abstraction. Five white circles, thick and dimension...

Against a black background, textured like slate, white and gray shapes rise, layered atop one another. In the upper section, a white rectangle casts a shadow that intersects a first ...

This acrylic painting by Mort Lampert, dated 2002, is structured around a confrontation between rigid geometric forms and fluid textures. The composition is centered on a slightly ir...

In a poetic gesture and controlled chaos, this artwork by American painter Wesley Johnson navigates between dissolution and recomposition, offering an immersive, rhythmic exploration...

Gerald Campbell’s abstract composition, signed on the reverse and dated 1989 and 1992, is a refined exploration of form, texture, and color. The work is divided into angular, geometr...

This vast abstract canvas stages a confrontation between shapes and colors, evoking the hues of autumn leaves. It is crossed by a dark, horizontal band, like a slash cleaving the spa...

This artwork by the interdisciplinary artist Chris Di Vincente presents an exploration of space and texture, floating between abstraction and the unknown. The choice of colors—primar...

Purple Spirals is an abstract geometric gouache artwork by Californian artist Wesley Johnson, tuned into the profound layers of its vibrations. At first glance, the composition reso...

Ron Childers’ works represent a series of artistic experiments, with each piece highlighting a distinct approach and technique in painting. This piece's central grid of interlocking ...

Vahan P. Amadouni is an artist whose work has found critical acceptance both in Europe, the United States and the Mideast. Born in ancient Armenia in June 1933, he took his early sc...

An abstract landscape painting on board, signed and dated '91 in the lower right, presented in a black metal frame. The black in this painting, far from being a void or absence, re...

This is a remarkable 3D geometric piece by Christopher Mark Brennan. This oil artwork features tubular and semi-circle shapes on a black space...

This blue monochrome painting by contemporary artist Mitchel Wright transports us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes the recognizable to create something unfamiliar. Wright crosses shades of blue and grey lines, reconstructing a sense of regularity obtained by the arrangement of different triangles sizes. The triangular forms used for the painting contrast with the perfect square shape of the artwork. It sits in a grey metal frame. Mitchell Wright...

This square-framed abstract artwork, textured with blue-grey and purple hues, features an illegible signature and is dated 1985 in the right co...

Against a backdrop of deep, brilliant yellow gold, two distinct zones emerge: the outlines of a shadow formed by a pair of human silhouettes, probably a couple, appear. The golden ba...

Abstraction offers a unique opportunity to delve into the space between the visible and the invisible. Acting as a conduit connecting the tangible and the intangible, it encourages us to explore various interpretations in a dreamlike state. In this abstract oil painting by California resident artist Erik Fiazi, the canvas is full of dynamic, nervous brush gestures, evoking images that might recall a continent or torn fabric. Whether it is the phalanges of a fist ready to burst and rip the canvas or a nation symbolized by colors that could be similar to those of a flag. There are so many possible interpretations. In any case, the work releases a raw and unbridled energy, Charged with a force worthy of a revolution like a raised fist, with its red which invades our entire field of vision, a rebellion underlined by the nervousness of the gestures of application of colors next to each other and also on top of each other, probably applied both with a knife and with a large brush. There is thickness and a lot of density. Abstraction is a challenging genre because, beyond the technique, the magic lies in the ability to penetrate the viewer's heart. By contemplating this work through the prism of allegorical reading, we can discern the echoes of a nation in turmoil: a landscape emptied of its green splendor; in fact, green appears in the minority, invaded by the burning red of destruction and flames. The central block resembles an island adrift in a navy blue sea, evoking isolation and vulnerability after a tumultuous storm. The foam of the waves reminds us of the instability inherent in life. Yet within this chaos lies a profound lesson: while the surface may churn under the unleashing of the elements, the bottom of the ocean remains still, offering a symbolic parallel to the importance of maintaining solid foundations amidst the turbulence of life. Eric Fiazi...

This gouache reveals a butterfly tree with wings covered in multiple eyes towards the observer. In this primitive kaleidoscope playing with perspectives, the artist Rupert Picott leads us into a dance of forms, half-animal, half-vegetal. Here, we can breathe a nature distanced from civilization, a shattered, psychedelic dimension that opens the doors of a hallucinated perception. This gouache transcends its physical form. Like a dream woven into reality, it beckons viewers to question the boundaries of their consciousness. Each brushstroke becomes a portal to a realm where the mundane and the mystical intertwine, blurring the lines between what is seen and felt. In this dialogue between forms and colors, Rupert Picott offers us not just a painting but a glimpse into the infinite expanse of the human experience, echoing William Blake’s timeless wisdom: ‘If the doors of perception...

In this abstract expressionist painting by Shant, the tension between black and white creates an immediate, palpable sense of unease, which could recall the chaos and turmoil often associated with Lebanon's complex history. Indeed, Shank was born in Lebanon in Beirut in '71. From 1975 to 1992, Lebanon was the scene of a multifaceted war. Very deadly for the civilian population, it involved various protagonists, and a civil war broke out in 1975-1976, then again in 1983-1985. Whether consciously or unconsciously distancing from these events, having been exposed to them directly or through the tragic experiences of families who remained in the country, the bold brushstrokes and swirling circular shapes evoke a sense of urgency, reflecting the inner turmoil and external conflicts that may have shaped the artist's experience. Abstract expressionism is a free universe where everyone can interpret a painting according to its history, its current events, whatever the resonance may be between the personal history of the spectator and that of the artist. The chaotic composition of this piece invites us to explore our inner worlds as we navigate through the painting's complex layers of meaning. Shant fills space with dynamic energy, creating an organization of forms, a dialogue that challenges traditional notions of order and structure. It is impossible to separate Shant's artistic expression from the socio-political context of Lebanon. The artist's education undoubtedly influences his point of view, infusing the work with a questioning that resonates on a profoundly universal level. Ultimately, Shant's abstract expressionism in this painting transcends mere representation, inviting viewers to confront the complexities of the human condition and the lasting impact of conflict on the individual and collective psyche. He was born in 1971 in Beirut, Lebanon, where Shant Beudjekian’s art practice was discovered at 14, after gaining recognition from the Swiss national youth soccer team and winning many trophies and medals then. In 1995, after moving to California, San Diego, he completed a 4 year Bachelor's degree in Fine Arts with a minor in Ceramics at Otis College of Art and Design in Los Angeles. He also attended a one-year internship in landscape architecture at the Rhode Island School of Design. He returned to Southern California in 2004, where he practiced as a full-time Artist in the Local Art Communities of Southern California. He has been painting for 25 years while receiving appreciative acceptances from curators and Gallery Directors from the East Coast. He exhibited in several cities on the East Coast of the United States, along with exhibitions in the Chelsea District of Manhattan, New York. Now living on the West Coast, Beudjekian has been notable for exhibiting Art and selling on numerous occasions at the San Diego Art Institute of the Living Artists, Del Mar Art Center, San Diego Hospice and Palliative Care, and Forest and Ocean Gallery...

White, brown, red, and orange lines shape an abstract maze in this signed painting by Paul Showalter. October 10, 1940 - May 24, 2019 Artist, Designer, Painter, Poet, Sculptor Paul Showalter was born in Pasadena, California in 1940. Paul studied art and design at Pasadena City College, and later received a full scholarship to study at the renowned Chouinard Art Institute (now CalArts) and Otis Art Institute (now Otis-Parson) in Los Angeles, majoring in Advertising Design and Illustration. In 1966, Paul Showalter founded the Graphics and Communication Department at the new Los Angeles County Museum of Art, the first major art museum in Los Angeles, setting high standards of museum graphics throughout Southern California. At the 1970 World's Fair in Osaka, Japan, Paul was nominated for Best Animated Short Film for his film titled "The Moon Step." In 1974, Paul founded his own commercial graphic design firm, which specialized in the design of corporate identity programs, exhibition graphics, illustration, and print communications. He also designed floats for the Pasadena Tournament of Roses parade...

In this composition, Californian artist Wesley Johnson invites us to contemplative stillness. The abstract essence of this work flourishes into a living entity, enriched by a blend o...

These geometric forms in space bring you to another dimension. Enhanced by the resin process, this acrylic painting opens a shiny window into ...

In this oil painting on thick paper, the Armenian artist Vahan Yervandyan presents an abstract composition that ignites a dialogue between two opposite worlds. The interplay of form ...

At the core of this colorful gouache on burlap appears a simple composition with large areas of colors responding to the use of darker hues to establish the backdrop. These hues act ...

Artists have used their creative expression to cope with the collective trauma of the Iraq War, often in ways that are deeply personal and meaningful. They have created works that evoke feelings of anger, sorrow, hope, and dread which are difficult to express through words alone. Their works raise questions about the existential struggle faced when attempting to make sense of tragedy on a global scale. Since the 1970s, Doug Edge...

Shapes and colors are the focus of this whimsical artwork painted on canvas by Steve McElroy. Signed and dated by the artist. Artist Steve McElroy’s work is owned by the singer Madonna, Alice Walton...

This monochromatic, black-and-white abstract painting plays a constant game between forms and shadows. For the painter, his artworks are a pure contrast between the visible and the invisible. Dark gestural lines decorate the background and contrast against a disappearing white background with subtle details of grey. Organic patterns appear in the black line work, creating an ethereal use of depth and space. The foreground contains multiple uncanny shapes feeding an overall fantasy yet gloomy atmosphere. The title of the artwork is "Phase 2...

This piece is one of his rare painting which does not features women. Neil Nagy was born in 1941 in the East Los Angeles Latino community of El Sereno. He is a figurative expressionist painter who draws upon the single, powerful human form as a way to explore the humanistic, personal, and spiritual paths. Nagy's inspirations have continually evolved. He came to appreciate the culture and art of Mexico as he traveled extensively to embrace the colorful life of the people and the country and to study ancient Mayan civilizations. He is also influenced by the work of Rembrandt. Constable and Turner. Nagy received his education at San Jose State College for Industrial Design and Art and later at the Instituto Allende in San :Miguel Allende...

Non-objective abstract oil on canvas from the estate of Bert Miripolsky. American artist Miripolsky studied painting at Chicago Art Institute in the early 1940s and has exhibited th...