Galerie Sommerlath Serveware, Ceramics, Silver and Glass

The Vendôme Bar Cart is perfect to style any room. That's why it remains one of our bestselling pieces. It is made by our craftsmen in brass, with age mirror and leather making it ...

The (wh)ORE HAüS STUDIOS small goods collection was made for those that wanted to experience the (wh)ORE HAüS brand without committing to our larger pieces. Our leather and brass placemat set...

Extraordinary and unique blue glass object by famous designer and Memphis Group founding member Matteo Thun (1952 – Italy). Very, very rare. Rinascim...

Mid-Century Modern bar stools by Daystrom. Newly powder-coated in pink and simi-orange vintage MCM chrome bar stool in original black vinyl fabric, Marked DAYSTROM on the back.    

Pair of Steelcase co. adjustable operator bar counter stools. Upholstered in Alexander Girard attributed brown and gold striped textile. Excellent condition through out chrome and upholstery. Stools are multi adjustable. Seat height is listed at 35...

One of a kind midcentury lucite and chrome handle with stainless steel top bar tools set. This is a perfect statement piece to enhance your bar décor. It...

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

A nice post-modern stainless steel bar tool set by Michael Graves, circa the 1980s. The set is in good vintage condition and measures 6.5"W x 8.25"D x 1"H. The set includes cocktail ...

Rare, large Mid-Century Modern vibrant jellybean blue colored / coloured satin Murano glass pencil neck vases by Carlo Moretti (1934-2008), circa 1970. An absolutely bold yet elegant design with the use of bright, vivid blue combined with the bulbous shape and thin pencil neck finished in a satin matt frosted glass for which Carlo Moretti was famous for. Marked with the original Carlo Moretti sticker on the base. Extremely rare to find in this 1.5 foot height - the second image shows this vase with the more common size of vase. Measurements: 46 cm tall. 9.2 cm wide. The green vase...

A vintage sculptural art glass vase probably made by Barovier & Toso of the "Aborigeni" series, made in the 1960s. The vase's sculptural form and vibrant colors would make it an i...

Wonderfully colourful / colorful tall bright yellow vase by Cenedese Vetri of Murano, Italy. Particularly striking is the form - with it's flat base...

Crafted from a deep and vibrant red glass, this luminescent Favrile vase was made by the legendary Tiffany Studios. Of all the Favrile glass hues, red is ...