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GALLERIA MARLETTA Nude Paintings

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Fregio monocromo neoclassico toscano a tema mitologico
Located in Florence, IT
This interesting grisaille […] of a high standard of quality and in an excellent state of conservation, represents an interesting derivation with slight variations from an engraving,...
Category

Late 18th Century Other Art Style Figurative Paintings

Materials

Canvas, Oil

Dipinto figurativo italiano ritratto di nudo maschile del XIX secolo
By Michele Cammarano
Located in Florence, IT
Sebbene atteggiato in una delle pose convenzionali adottate in Accademia per l’esercitazione della copia dal nudo, il modello anziano qui ritratto è indagato con tale sensibilità ana...
Category

1860s Realist Nude Paintings

Materials

Canvas, Oil

Dipinto mitologico nudo simbolista francese del XIX secolo con cornice
By Emile Meyer
Located in Florence, IT
il dipinto senza la cornice in legno finemente decorata a ornato vegetale in pastiglia e dorata misura 35 x 27 cm senza cornice, è firmato e datato: E. Meyer 1892. La scena si svolg...
Category

1890s Other Art Style Nude Paintings

Materials

Canvas, Oil

Figurative mythological Tuscan female nude painting from the 20th century.
Located in Florence, IT
Oil painting on panel with painted wooden frame, measurements without frame are 41.5 x 22.5 cm. The scene depicted harks back to mythological memories, with a nude figure in the fore...
Category

20th Century Other Art Style Nude Paintings

Materials

Oil, Board

21st century Tuscan figurative painting of mythological theme oil on canvas
Located in Florence, IT
The painting is entitled Arion of Metimna, a poet and cantor of 6th-century B.C. Greece. C., a figure straddling the historical and the mythical. In particular, depicted here is the ...
Category

2010s Symbolist Nude Paintings

Materials

Canvas, Oil

Dipinto accademico italiano figurativo ritratto maschile fine del XIX secolo
By Antonio Ciseri
Located in Florence, IT
In uno sfondo naturale, con una grotta, il tronco di un'albero e un ruscello, risalta la figura di un giovane, in posizione centrale, coperto solo da un bianco perizoma cinto da un l...
Category

Late 19th Century Academic Nude Paintings

Materials

Canvas, Oil

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Large 1930's German Oil Male Nude Standing before Sunrise in Landscape
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Category

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Study for Marjanah
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Les Baigneuses - Neo-Impressionist Nudes in Landscape Oil by Georges Lemmen
By Georges Lemmen
Located in Marlow, Buckinghamshire
Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...
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