Gallery of the Masters Portrait Prints
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Rembrandt (Field 68-4K; Michler & Löpsinger 292)
By Salvador Dalí
Located in Missouri, MO
Rembrandt (Field 68-4K; Michler & Löpsinger 292)
Salvador Dali (Spanish, 1904-1989)
Signed Lower Right
"E.A." (Artist Edition) Lower Left
12 x 10 inches
23.25 x 19.25 inches with fra...
Category
20th Century Modern Portrait Prints
Materials
Etching
"Mlle Landsberg" (grade planche, pl. 16)
By Henri Matisse
Located in Missouri, MO
"Mlle Landsberg" (grade planche, pl. 16), 1914
Henri Matisse (French, 1869-1954)
Signed and Numbered Lower Right
Edition 12/15
Image size: 7 7/8 x 4 5/16 inches
Sheet size: 17 11/16 x 12 1/2 inches
With frame: 19 1/2 x 14 1/2 inches
Henri Matisse came from a family who were of Flemish origin and lived near the Belgian border. At eight o'clock on the evening of December 31, 1869, he was born in his grandparents' home in the town of Le Cateau in the cheerless far north of France. His father was a self-made seed merchant who was a mixture of determination and tightly coiled tension.
Henri had no clear idea of what he wanted to do with his life. He was a twenty-year-old law clerk convalescing from appendicitis when he first began to paint, using a box of colors given to him by his mother. Little more than a year later, in 1890, he had abandoned law and was studying art in Paris. The classes consisted of drawing from plaster casts and nude models and of copying paintings in the Louvre. He soon rebelled against the school's conservative atmosphere; he replaced the dark tones of his earliest works with brighter colors that reflected his awareness of Impressionism. Matisse was also a violinist; he took an odd pride in the notion that if his painting eye failed, he could support his family by fiddling on the streets of Paris.
Henri found a girlfriend while studying art, and he fathered a daughter, Marguerite, by her in 1894. In 1898 he married another woman, Amelie Parayre. She adopted the beloved Marguerite; they eventually had two sons, Jean, a sculptor and Pierre who became an eminent art dealer. Relations between Matisse and his wife were often strained. He often dallied with other women, and they finally separated in 1939 over a model who had been hired as a companion for Mme. Matisse. She was Madame Lydia, and after Mme. Matisse left, she remained with Matisse until he died.
Matisse spent the summer of 1905 working with Andre Derain in the small Mediterranean seaport of Collioure. They began using bright and dissonant colors. When they and their colleagues exhibited together, they caused a sensation. The critics and the public considered their paintings to be so crude and so roughly crafted that the group became known as Les Fauves (the wild beasts).
By 1907, Matisse moved on from the concerns of Fauvism and turned his attention to studies of the human figure. He had begun to sculpt a few years earlier. In 1910, when he saw an exhibition of Islamic art, he was fascinated with the multiple patterned areas and adapted the decorative universe of the miniatures to his interiors. As a continuation of his interest in the "exotic", Matisse made extended trips to Morocco in 1912 and 1913.
At the end of 1917, Matisse moved to Nice; he would spend part of each year there for the remainder of his life. A meticulous dandy, he wore a light tweed jacket amd a tie when he painted. He never used a palette, but instead squeezed his colors on to plain white kitchen dishes...
Category
1910s Fauvist Figurative Prints
Materials
Drypoint, Etching
Tshusick, An Ojibway Woman
By McKenney & Hall
Located in Missouri, MO
Lithograph with original hand color.
Sheet size: 18.5 x 13.25 inches.
Framed Size: 24 x 20 3/8 inches
Date : c. 1836-44
Mckenney and Hall's hand colored lithographs remain some of...
Category
1830s American Realist Portrait Prints
Materials
Lithograph
Qua-Ta-Wa-Pea or Col. Lewis. A Shawnee Chief.
By McKenney & Hall
Located in Missouri, MO
MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868)
Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief.
Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8
A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...
Category
1830s Portrait Prints
Materials
Lithograph
Moa-Na-Hon-Ga, Great Walker, An Ioway Chief
By McKenney & Hall
Located in Missouri, MO
MOA-NA-HON-GA. GREAT WALKER. AN IOWAY CHIEF., from History of the Indian Tribes of North America
Artist:Charles Bird King
Publisher:McKenney and Hall
hand-colored engraving on paper
...
Category
1830s American Realist Portrait Prints
Materials
Engraving
The Hymn Singer
By Thomas Hart Benton
Located in Missouri, MO
Signed in Pencil Lower Right
Ed. 500
Circulated by Twayne Publishers, New York City
Image Size: 16 x 12 3/8
Framed Size: 24 1/4 x 20 1/2 inches
The legendary actor actor and musici...
Category
1950s American Realist Portrait Prints
Materials
Lithograph
Related Items
Tête, Verve: Revue Artistique et Littéraire
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category
1930s Fauvist Figurative Prints
Materials
Lithograph
Dans les Cendres (In the embers)
By Albert Besnard
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing.
Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work.
In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category
Late 19th Century Impressionist Figurative Prints
Materials
Drypoint, Etching
Freedom From Fear original 1943 Four Freedoms vintage poster
By Norman Rockwell
Located in Spokane, WA
Original World War II "Freedom from Fear" Ours ... To fight for by Rockwell. One of the 4 freedom posters created in 1943 by Norman Rockwell.
Fre...
Category
1940s American Realist Portrait Prints
Materials
Offset
H 28 in W 20 in D 0.1 in
You buy a Liberty Bond Lest I Perish original World War 1 vintage poser
Located in Spokane, WA
Original vintage poster: YOU Buy a Liberty Bond. Linen Backed World War 1 bonds poster. Archival linen backed in good condition; ready to frame. Artist: C . R. Macauley created...
Category
1910s American Realist Portrait Prints
Materials
Lithograph
H 30 in W 20 in D 0.1 in
Henri Matisse Teeny
By Henri Matisse
Located in Washington, DC
Artist: Henri Matisse
Title: Teeny
Portfolio: Other Portfolios
Medium: Linocut
Date: 1938
Edition: Unnumbered
Frame Size: 19" x 16 1/4"
Sheet Size: 12 1/4” x 9 1/2”
Image Size: 11 7/...
Category
1930s Fauvist Portrait Prints
Materials
Linocut
SELF-PORTRAIT
By Cecil Crosley Bell
Located in Portland, ME
Bell, Cecil C. SELF PORTRAIT. Drypoint with pencil highlights, 1931. 16 X 12 inches. Titled and signed in pencil, and with Bell's drystamp in the margin, lower left. In excellent con...
Category
20th Century American Realist Portrait Prints
Materials
Drypoint
Original 'The U. S. Marines Want You' vintage military recruiting poster
Located in Spokane, WA
Original vintage poster: The U.S. Marines Want You. This military vintage poster is archival linen-backed and in fine condition, ready to frame. There is no date, artist, or printer'...
Category
1910s American Realist Portrait Prints
Materials
Lithograph
H 28 in W 21.75 in D 0.05 in
Pierre-Auguste Renoir - Le Chapeau Épinglé (2e planche).
By Pierre Auguste Renoir
Located in Los Angeles, CA
PIERRE-AUGUSTE RENOIR
Le Chapeau Épinglé (2e planche).
Color lithograph, 1898. 600x488 mm; 23 5/8x19 1/4 inches, full margins. Edition of 200. With the second printed signature in the stone, lower left. Printed by Auguste Clot, Paris. Published by Vollard, Paris. A very good impression of this important lithograph with strong colors.
Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard.
Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography.
Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir...
Category
18th Century Impressionist Portrait Prints
Materials
Lithograph
H 47 in W 41 in D 4.25 in
Bibi Valentin
By James Abbott McNeill Whistler
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat
A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category
19th Century American Modern Portrait Prints
Materials
Drypoint, Etching
Eric Fischl Hand Signed Lithograph Figures on the Beach Pictures Generation Art
By Eric Fischl
Located in Surfside, FL
Eric Fischl (AMERICAN, Born 1948)
Lithograph depicting figures on a beach., 1991
Hand signed in pencil to lower left and edition numbered 41/125.
Mounted in a black painted wooden frame behind glass screen.
Dimensions: Frame: 18.75 X 22.75, Image: 16 X 20
From Art Pro-Choice II, 1991
Relief pressure print from stratified collage on wove Okawara paper
Printed by Spring Street Workshop,New York and published by Pace Editions,Inc., New York. This was a portfolio of 8 works by artists
Jennifer Bartlett, Ross Bleckner, Francesco Clemente, Eric Fischl, April Gornik, Claes Oldenburg, Cindy Sherman and Pat Steir.
Eric Fischl (born March 9, 1948) is an American painter, sculptor, printmaker, draughtsman and educator. He is known for his paintings depicting American suburbia from the 1970s and 1980s.
Fischl was born in New York City and grew up on suburban Long Island; his family moved to Phoenix, Arizona, in 1967. His art education began at Phoenix College for two years, followed with studying at Arizona State University. Followed by studying at the California Institute of the Arts in Valencia, California, where he received a B.F.A. in 1972. He then moved to Chicago, taking a job as a guard at the Museum of Contemporary Art.
Between 1974 and 1978 he taught at the Nova Scotia College of Art and Design in Halifax, Nova Scotia. It was at this school where he met his future wife, painter April Gornik. In 1978, he moved back to New York City.
Fischl is a trustee and senior critic at the New York Academy of Art and President of the Academy of the Arts at Guild Hall of East Hampton. In addition to receiving Guild Hall's Academy of the Art's Lifetime Achievement Award in 1994, Fischl was extended the honor of membership to the American Academy of Arts and Letters in 2006.
Fischl has embraced the description of himself as a painter of the suburbs, not generally considered appropriate subject matter prior to his generation. In 2002, Fischl collaborated with the Museum Haus Esters in Krefeld, Germany. Haus Esters is a 1928 home, designed by Mies van der Rohe in 1928 to be a private home. It now houses changing exhibitions. Fischl refurbished it as a home (though not particularly in Bauhaus style) and hired models who, for several days, pretended to be a couple who lived there. He took 2,000 photographs, which he reworked digitally and used as the basis for a series of paintings, one of which, the monumental Krefeld Redux, Bedroom #6 (Surviving the Fall Meant Using You for Handholds) (2004) was purchased by Paul Allen featured in the 2006 Double Take Exhibit at Experience Music Project, where it was juxtaposed with a much smaller Degas pastel. This is by no means the first time Fischl has been compared to Degas.
Twenty years earlier, reviewing a show of 28 Fischl paintings at New York's Whitney Museum, art critic John Russell wrote in The New York Times, "[Degas] sets up a charged situation with his incomparable subtlety of insight and characterization, and then he goes away and leaves us to figure it out as best we can. That is the tactic of Fischl, too, though the society with which he deals has an unstructured brutality and a violence never far from release that are very different from the nicely calibrated cruelties that Degas recorded."
Fischl also collaborated with Jamaica Kincaid, E. L. Doctorow and Frederic Tuten combining paintings and sketches with literary works.Composer Bruce Wolosoff was inspired by Fischl's watercolors to compose "The Loom" for the classical ensemble Eroica Trio.
Fischl's work can be found in the permanent collections of museums such as the Art Gallery of New South Wales, Sydney; Art Institute of Chicago; Broad Museum, Los Angeles; Dallas Museum of Art; Solomon R. Guggenheim Museum, New York; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Louisiana Museum of Modern Art, Humlebaek; Musée National d'Art Moderne, Centre Georges Pompidou, Paris; Museum of Modern Art, New York; and the Philadelphia Museum of Modern Art, among many others.
In May 2022, a new auction record was set for Eric Fischl when his 1982 painting The...
Category
1990s American Realist Portrait Prints
Materials
Lithograph
The Jewish Welfare Board original 1918 vintage World War 1 antique poster
By Sidney Riesenberg
Located in Spokane, WA
The Jewish Welfare Board. Original World 1 vintage poster, excellent condition; archival linen backed and ready to frame. Printer: Alco-Gravure, Inc., N. Y.
Civilians: When we...
Category
1940s American Realist Portrait Prints
Materials
Lithograph
H 32.75 in W 19.75 in D 0.01 in
Save Freedom of Worship original 1943 Four Freedoms vintage poster
By Norman Rockwell
Located in Spokane, WA
Original poster: Save Freedom of Worship (S) Artist: Normal Rockwell. Archival linen backed. Original fold marks touched up at the time of b...
Category
1940s American Realist Portrait Prints
Materials
Offset
H 28 in W 20 in D 0.1 in