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Rare Frits Schlegel Wall Uplight, Opal Glass and Brass, Scandinavian Modern
By Lyfa
Located in Copenhagen, DK
FRITS SCHLEGEL & LYFA
SCANDINAVIAN MODERN DESIGN
A rare Frits Schlegel wall uplight. The light was designed in the 1950s for the iconic Overformynderiet building in Copenhagen whic...
Category
Mid-20th Century Danish Mid-Century Modern Wall Lights and Sconces
Materials
Brass
Large Mid-Century Modern Wall Lamps Brass and Opaline Glass, Halldor Gunnløgsson
By Louis Poulsen, Halldor Gunnløgsson
Located in Copenhagen, DK
HALLDOR GUNNLØGSSON & LOUIS POULSEN
SCANDINAVIAN MODERN
A large and exquisite pair of mid-century modern design wall lamps by iconic Danish Mo...
Category
Mid-20th Century Danish Scandinavian Modern Wall Lights and Sconces
Materials
Brass
Pair of Unika Wall Lamps by Tyge Hvass
Located in Copenhagen, DK
TYGE HVASS - SCANDINAVIAN MODERN DESIGN
A beautiful sculptural pair of unika wall-mounted lamps designed by Tyge Hvass circa 1950 for a private home, Denma...
Category
Mid-20th Century Danish Mid-Century Modern Wall Lights and Sconces
Materials
Brass
$5,030 / set
Early Poul Henningsen Table Lamp in Brass with Copper Shades, 1927-1928
By Louis Poulsen, Poul Henningsen
Located in Copenhagen, DK
Poul Henningsen & Louis Poulsen, Mid-century Modern design
The iconic Poul Henningsen (PH 3/2) table lamp with copper shades.
Stand, switch and socket house of browned brass.
Top...
Category
Mid-20th Century Danish Mid-Century Modern Table Lamps
Materials
Brass, Copper
Early Poul Henningsen 3/2 Table Lamp Shades in Copper, 1930s
By Louis Poulsen, Poul Henningsen
Located in Copenhagen, DK
Poul Henningsen & Louis Poulsen, Scandinavian Modern
The iconic Poul Henningsen (PH 3/2) table lamp with shades in copper.
Stand and socket house of browned brass. Bakelite swi...
Category
Mid-20th Century Danish Mid-Century Modern Table Lamps
Materials
Copper
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Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed by PH in cooperation with Louis Poulsen for an exhibition in Paris. PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source. PH 3/2 Table is a member of the three-shade family. Thus PH did not just design a light, but an entire system – around a thousand different models have been produced over the years. PH was the first person to pursue a scientific approach to light and use the logarithmic spiral as a basis. By using a design based on the logarithmic spiral he achieved even distribution of light over the entire curve of the shade. This even light distribution, together with the diffuse reflection through the glass, made it possible to control glare and shadow. Each shade reduces the amount of light equally, due to their distance from the light source. The PH light model numbers refer to the shade size. Each top shade had a corresponding set of middle and lower shades. In the ‘pure’ models, such as the 2/2, the top shade has a size of about 20 cm, with corresponding lower shades. PH 3/2 Table consists of an app. 30 cm top shade, but uses lower shades from the 2/2 model. These ‘hybrid’ models were introduced due to the desire to hang the pendants at lower heights. The system was also used for wall, table and floor lamps. This specific example has a "3,5" top shade (33,7 cm.) and a "2" middle and lower shade making it a "3,5/2 PH lamp".
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Additional Information:
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