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Alba Gem II, Minimalist Linocut in Blue and Green Earth Tones
By Ann Aspinwall
Located in New York, NY
"Alba Gem II" is a striking abstract linocut by Ann Aspinwall, known for her meditative, minimalist approach to printmaking. This work explores the quiet power of repetition, color, ...
Category
2010s Abstract Abstract Prints
Materials
Archival Paper, Linocut
Alba Gem I, Minimalist Linocut in Blue and Earth Tones
By Ann Aspinwall
Located in New York, NY
Ann Aspinwall, Alba Gem I, Linocut
This hand-pulled linocut by Ann Aspinwall features subtle, rhythmic linework that evokes the meeting of earth and sky. In Alba Gem I, horizontal ba...
Category
2010s Abstract Abstract Prints
Materials
Linocut
Helios
By Ann Aspinwall
Located in New York, NY
Ann Aspinwall’s Helios is a striking large-scale work that exemplifies her mastery of minimal color and intricate mark-making. Known for her precise printmaking and deep understandin...
Category
2010s Abstract Abstract Prints
Materials
Archival Paper, Screen
Ray I-III Triptych, abstract minimalist linocut
By Ann Aspinwall
Located in New York, NY
Aspinwall adhered to a certain principle. She drew one freehand line as straight as possible. Under that line she drew another, following as closely as she could the one above it. Ea...
Category
2010s Abstract Abstract Prints
Materials
Linocut
Eklat IV, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat III, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat II, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Eklat I, limited edition abstract screenprint
By Ann Aspinwall
Located in New York, NY
Each made with only two colors, the prints are masterful marriages of vibrant autumn leaves and crystalline sky. Titled Eklat (German for éclat) these works are a stunning display of...
Category
2010s Abstract Abstract Prints
Materials
Screen
Crepe de Chine III, contemporary green linear patterned abstract screenprint
By Ann Aspinwall
Located in New York, NY
Crepe de Chine III is a jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a m...
Category
2010s Abstract Abstract Prints
Materials
Screen
Crepe de Chine IV, contemporary abstract red, linear patterned screenprint, 2020
By Ann Aspinwall
Located in New York, NY
Crepe de Chine IV is a jewel-toned screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a me...
Category
2010s Abstract Abstract Prints
Materials
Screen
Joel Shapiro, Untitled, abstract geometric limited edition etching, 1992
By Joel Shapiro
Located in New York, NY
Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a blue square is seated firmly atop a black rectangle, which has landed in a seeming haphazard manner within the view frame. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. In the upper right, a series of these sketchy markings seem situated somewhere between motion and form. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was produced by Pace Prints...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
Spirit of Place III I, red contemporary abstract screen print with hand coloring
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall draws a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line foll...
Category
2010s Contemporary Abstract Prints
Materials
Screen
Tessuto Veneziano (c-5/10) contemporary bstract etching and chine colle print
By Ann Aspinwall
Located in New York, NY
Printmaker Ann Aspinwall made this etching in 1999, while living in Venice. During those years she did several etchings that adhered to a certain principle. She drew a freehand line, as straight as possible; and beneath that line drew another, following as closely as possible the one above. Each successive line followed the line directly above, imitating all the curves and shakes. These imperfections, or deviations from the original line, became more and more prominent, each line being an interpretation of what came before it.
Around that time, Aspinwall discovered the writing of John Dewey on the subject of rhythm in his Art as Experience (1934):
Rhythm, writes Dewey, is an “ordered variation of changes.” There is no rhythm “when there is a uniformly even flow, with no variations of intensity or speed,” when “variations of pulse and rest do not occur.” “Variations of intensity are relative to the subject matter directly experienced. Each beat, in differentiating a part within the whole, adds to the force of what went before while creating a suspense that is a demand for something to come. It is not a variation in a single feature but a modulation of the entire pervasive and unifying qualitative substratum.”
Ten years later Aspinwall returned to this plate. Looking at it again after a long time she perceived the strong influence of Venice; the texture calls to mind water and fabric. The artist was unable to decide on one color for an edition, so after printing many color proofs, she chose ten combinations of colored lines on colored Japanese papers. The prints evoke the light and surfaces of Venice. The title of the series, Tessuto Veneziano, means Venetian textile...
Category
2010s Contemporary Abstract Prints
Materials
Archival Paper, ABS, Etching
Crepe de Chine I, contemporary abstract screenprint, 2020
By Ann Aspinwall
Located in New York, NY
Crepe de Chine I is a pastel-colored screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a ...
Category
2010s Abstract Abstract Prints
Materials
Screen
Crepe de Chine II, contemporary blue abstract screenprint
By Ann Aspinwall
Located in New York, NY
Crepe de Chine II is a pastel-colored screen sprint featuring a serene, undulating terrain of free-flowing lines. Aspinwall works primarily in print mediums because they afford her a...
Category
2010s Abstract Abstract Prints
Materials
Screen
Blue, Ukiyo-e landscape woodcut print, 2014
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
2010s Contemporary Landscape Prints
Materials
Woodcut
$1,400 Sale Price
22% Off
Keiji Shinohara, Accelerondo, Ukiyo-e woodcut print landscape, 2005
By Keiji Shinohara
Located in New York, NY
Keiji Shinohara was born and raised in Osaka, Japan. After 10 years as an apprentice to the renowned Keiichiro Uesugi in Kyoto, he became a Master Printmaker and moved to the United ...
Category
21st Century and Contemporary Abstract Abstract Prints
Materials
Paper, Woodcut
$2,000 Sale Price
20% Off
Joel Shapiro, Untitled, abstract geometric limited edition etching, 1992
By Joel Shapiro
Located in New York, NY
Joel Shapiro's post-minimalist work often references the human body, in a variety of poses, represented by geometric forms. In Untitled, 1992, a rust-red rectangle supports three black rectangles piled at varying angles. The forms have light, sketchy lines around them, reminiscent of Futurist dynamism markings or perhaps a draftsman's study of dimensions. A gelatinous blue form intersects the balanced rectangles, while further blue forms tumble out of a fanned series of black triangles. Shapiro has assembled mechanism, geometry, balance, fluid, solid and motion into this dynamic etching, which was published by Pace Prints...
Category
1990s Abstract Abstract Prints
Materials
Etching, Aquatint
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Edition: 3 of 5, 2005
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