Gilden's Art Gallery Abstract Paintings
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Untitled SF75-040 [Mandala] - American Abstract Art 1975 Mandala
By Sam Francis
Located in London, GB
This is an acrylic painting on wove paper by Sam Francis.
It was painted in 1975.
It is stamp signed with the two ink stamps of the Sam Francis Estate, verso.
This work is identifi...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Paper, Acrylic
Untitled SF79-011 (Acrylic Collage) - American Abstract Art 1986
By Sam Francis
Located in London, GB
This is an acrylic painting with collage on wove paper by Sam Francis. It is hand signed in pencil "Sam Francis" and dated "1979! beneath the signature verso.
It was painted in 1979...
Category
1970s Abstract Abstract Paintings
Materials
Paper, Acrylic
Untitled, SF78-255 - Acrylic Painting with Watercolour American Abstract Art
By Sam Francis
Located in London, GB
SAM FRANCIS 1923-1994
San Mateo, California 1923 – 1994 Santa Monica (American)
Title: Untitled SF78-255 (Acrylic), 1978
Technique: Signed and Dated Acrylic on BFK Rives Paper
Pap...
Category
1970s Abstract Abstract Paintings
Materials
Acrylic
Untitled SF80-1191
By Sam Francis
Located in London, GB
SAM FRANCIS 1923-1994
San Mateo, California 1923 – 1994 Santa Monica (American)
Title: Untitled SF80-1191, 1980
Technique: Stamp Signed Acrylic on tissue thin Japan paper
Paper si...
Category
1980s Abstract Abstract Paintings
Materials
Acrylic
Untitled SF78-94, 1978 (red acrylic)
By Sam Francis
Located in London, GB
SAM FRANCIS 1923-1994
San Mateo, California 1923 – 1994 Santa Monica (American)
Title: Untitled SF78-94, 1978 (red acrylic)
Technique: Stamp Signed Acryl...
Category
1970s Abstract Abstract Paintings
Materials
Acrylic
Abstract Composition - Yugoslavian French Abstract
Located in London, GB
ZORA STAACK 1910-2001
(Yugoslavian/Active in France)
Title: Abstract Composition, 1958
Technique: Original Signed and Dated Oil Painting on Canvas
size:...
Category
1950s Abstract Paintings
Materials
Oil
Composition - Japanese Abstract French
By Jun Dobashi
Located in London, GB
JUN DOBASHI 1910-1975
1910 - Tokyo-1975 (Japanese)
Title: Composition, 1962
Technique: Original Signed and Dated Oil Painting on Canvas
size: 93 x 75 cm / 36.6 x 29.5 in
Additio...
Category
1960s Abstract Abstract Paintings
Materials
Oil
Abstract Composition - Signed Painting Hungarian Cubism
By Alfred Reth
Located in London, GB
ALFRED RETH 1884-1966
Budapest 1884-1966 Paris (Hungarian/French)
Title: Abstract Composition, 1939
Technique: Original Signed and Dated Oil and Mixed Technique painting on Board
...
Category
1930s Cubist Abstract Paintings
Materials
Oil
Figures / Alakok
By Antal Biro
Located in London, GB
ANTAL BIRO 1907-1990
Pozsony 1907-1990 Székesfehérvár (Hungarian)
Title: Figures / Alakok, 1950-1952
Technique: Original Signed and Oil Painting on Board
size: 21 x 31 cm / 8.3 x...
Category
1950s Abstract Abstract Paintings
Materials
Oil
Brown Abstraction - The Walls
By Lili Orszag
Located in London, GB
LILI ORSZAG 1926 - 1978
(Hungarian)
Title: Brown Abstraction - The Walls
Technique: Original Oil on paper
Size: 28 x 16 cm. / 11 x 6.2 in.
Additional Information: This original...
Category
1950s Abstract Abstract Paintings
Materials
Oil
Composition with Triangle and Circle
By Antal Biro
Located in London, GB
ANTAL BIRO 1907-1990
Pozsony 1907-1990 Székesfehérvár (Hungarian)
Title: Composition with Triangle and Circle, 1950
Technique: Original Signed and Dated Double Sided Oil Painting on Canvas...
Category
1950s Abstract Abstract Paintings
Materials
Oil
Composition on Violet Background
By Etienne Beothy
Located in London, GB
ETIENNE BEOTHY 1897-1961
Heves, Hungary 1897 - 1961 Paris (Hungarian/French)
Title: Composition on Violet Background, 1927
Technique: Original Hand Signed and Dated Gouache Paintin...
Category
1920s Abstract Abstract Paintings
Materials
Gouache
Untitled
By Jacob El Hanani
Located in London, GB
JACOB EL HANANI b. 1947
1947 Casablanca (Israeli)
Title: Untitled, 1968
Technique: Signed and Dated Acrylic on Canvas
Size: 73 x 93 cm. / 28.7 x 36.6 in.
Additional Information...
Category
1960s Abstract Abstract Paintings
Materials
Acrylic
Surrealist Landscape
By Jacob El Hanani
Located in London, GB
JACOB EL HANANI b. 1947
1947 Casablanca (Israeli)
Title: Surrealist Landscape
Technique: Signed Pen and Ink on Canvas
Size: 80 x 59 cm. / 31.5 x 23.2 in.
Additional Information...
Category
1950s Abstract Abstract Paintings
Materials
Ink
Composition with Yellow Circle
By Edik Edward Arcadievich Steinberg
Located in London, GB
EDIK EDWARD ARCADIEVICH STEINBERG b. 1937
born in Moscow 1937 (Russian)
Title: Composition with Yellow Circle, 1989
Technique: Original Hand Signed and Dated Gouache Painting on cardboard
size: 54 x 60 cm cm / 21.3 x 23.6 in
Additional information: This original painting is hand signed and dated by the artist.
It was painted in 1989.
Provenance: Acquired directly from the artist by the previous owner.
Exhibited: Paris & Tel Aviv, Galerie Le Minotaure...
Category
1980s Contemporary Abstract Paintings
Materials
Gouache
Composition - American painting, Post War Art
By Mark Tobey
Located in London, GB
MARK TOBEY 1890-1976
Centerville 1890 - 1976 Basel (American)
Title: Composition, 1968
Technique: Original Tempera Painting on Paper
Paper size: 15.5 x 11.5 cm. / 6.1 x 4.5 in.
...
Category
1960s Abstract Paintings
Materials
Tempera
Forms Sound Forme rumore, Futurism, Abstract Art
By Giacomo Balla
Located in London, GB
GIACOMO BALLA 1871-1958
Torino 1871 - 1958 Rome (Italian)
Title: Forms Sound Forme rumore, 1925/30
Technique: Signed Tempera on Card
Size: 19 x 22.7 cm. / 7.5 x 8.9 in.
Addition...
Category
1920s Abstract Paintings
Materials
Tempera
Je ne sais ou il va?
By Junko Frank
Located in London, GB
JUNKO FRANK (Junko Tsuchihachi) b. 1930
Wakayama, Japan 1930 (Japanese)
Title: Je ne sais ou il va?, 1969
Technique: Original Signed and Dated Oil Painting on Canvas
size: ...
Category
1960s Abstract Abstract Paintings
Materials
Oil
Yellow Square, Red Square and Blue Triangle
By Marcel Janco
Located in London, GB
MARCEL JANCO 1895-1984
Bucarest 1895-1984 Ein Hod (Rumanian/Israeli)
Title: Yellow Square, Red Square and Blue Triangle
Technique: Original signed Oil ...
Category
20th Century Abstract Abstract Paintings
Materials
Canvas, Oil
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Kevin Larmon, (American, b. 1955),
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This is one of a pair we are offering for sale
Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University.
Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight.
Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions.
As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner.
Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal.
From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado.
Exhibitions curated by Tricia Collins and Richard Milazzo
Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons.
Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack.
Still Life With Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces took place at Galerie Jurka in Amsterdam during November 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Peter McCaffrey, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Laurie Simmons, Tyler Turkle, Meyer Vaisman, and Oliver Wasow.
Final Love took place at the C.A.S.H./Newhouse Gallery in New York from March 15 – April 14, 1985. Larmon was accompanied by artists Ross Bleckner, Peter Halley, Jonathan Lasker, Allan McCollum, Olivier Mosset, Peter Nadin, Bonnie Nielson, Meyer Vaisman, Wallace & Donohue, James Welling, and Stephen Westfall.
Cult and Decorum took place at Tibor De Nagy Gallery in New York from December 7, 1985 – January 4, 1986. Larmon was accompanied by artists Ross Bleckner, Sarah Charlesworth, David Diao, Peter Halley, Jeff Koons, Jonathan Lasker, Peter Nadin, Joel Otterson, Ricardo Regazzoni, Robin Rose, Laurie Simmons, Haim Steinbach, Gary Stephan, Philip Taaffe, and Meyer Vaisman.
Modern Sleep took place at American Fine Arts Co. in New York from October 17 – November 16, 1986. Larmon was accompanied by artists Saint Clair Cemin, John Dogg, Tishan Hsu, Jonathan Lasker, Annette Lemieux, Olivier Mosset, Joel Otterson, and Jeffrey Plate.
Art at the End of the Social took place at The Rooseum in Malmö, Sweden from July – October, 1988. Larmon was accompanied by artists Donald Baechler, Ford Beckman, Gretchen Bender, Ross Bleckner, David Carrino, Lawrence Carroll, Saint Clair Cemin, Sarah Charlesworth, Charles Clough, David Diao, John Dogg, Suzan Etkin, Peter Fend, Robert Gober, Peter Halley, Claudia Hart, Tishan Hsu, Jon Kessler, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Joel Otterson, Richard Prince, Holt Quentel, Sal Scarpitta, Nancy Shaver, Haim Steinbach, Gary Stephan, Philip Taaffe, Tyler Turkle, Meg Webster, and James Welling.
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Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Larmon was accompanied by artists Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos, Nancy Shaver, Jim Shaw, Cindy Sherman, Elaine Sturtevant, Tony Tasset, James Welling, Kevin Wolff, and B. Wurtz.
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