Gilden's Art Gallery Landscape Photography
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Wrapped Coast: Little Bay, Australia - Australia Little Bay
By Christo
Located in London, GB
This work by Christo is hand signed in blue felt-tip pen at the lower right corner.
It is also hand numbered from the edition of 100, at the lower left corner.
The work was printed...
Category
1960s Landscape Photography
Materials
Paper, Photographic Paper
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Morning light illuminates the layered landscape of Yosemite National Park, Half Dome gently awakens. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the ephemeral nature of all things.
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Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality archival art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone.
Each print comes with a Certificate of Authenticity featuring a signature and edition number.
Each printing is bespoke to order and can be printed on a single paper 15 x 30 inches. Please contact me for further information, or send a message with your order.
Other sizes available
* Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact.
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About The Artist
Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present.
'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’
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