Grand Central Inc. Ceramics
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Bitossi Vase: Metallic Silver Chrome
By Bitossi
Located in Montreal, QC
This vase is cylindrical .with an inverted base and with a candle socket shaped mouth. it is finished with a chromed/silver glaze which has the effect of making it looks like metal. ...
Category
Mid-20th Century Italian Mid-Century Modern Ceramics
Materials
Ceramic
Pair of 18th Century Savona Platters
Located in Montreal, QC
Pair of Savona platters, the serpentine floral borders around the classical scenes. Tower mark on reverse; two hanging holes.
Category
Antique 18th Century Italian Platters and Serveware
Materials
Earthenware
$3,900 / set
Pair of Antique Sevres Cabinet Plates Mounted as Wall Sconces
Located in Montreal, QC
A pair of antique two-light gilt bronze wall sconces each mounting a Sevres cabinet plate, one painted with Louis XVI , the other with Marie Anto...
Category
Antique Mid-19th Century French Louis XVI Ceramics
Materials
Bronze
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This piece is perfect as a gift idea and it could placed alone or with other 'Rimini Blu'Bitossi pieces creating a set. Display it in a cabinet or on a console table, with flowers or just as a cool decorative vase.
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About Bitossi (Manufacturer)
Like a Fellini movie, the ceramics of this famed Italian company embody a creative spectrum that ranges from the playful and earthy to the high-minded and provocative. Based in Florence, Bitossi Ceramiche draws on craft traditions that date back to the 1500s. These find expression in the artisanal vases and animal figures by the firm’s longtime art director Aldo Londi, as well as the colorful, totemic vessels designed by the high priest of postmodernism, Ettore Sottsass.
The company was incorporated by Guido Bitossi in 1921, though the family began making art pottery in the mid-19th century. In the 1930s, Londi came aboard, bringing with him a mindset that respected time-honored craft, yet looked also to the future. On the one hand, Londi’s perspective fostered the making of Bitossi’s popular whimsical animal figures, hand-shaped and -carved and finished in a rich azure glaze known as “Rimini Blue.”
But with his other hand, Londi reached out to thoughtful, experimental designers such as Sottsass. Starting in the 1950s, some 20 years before he founded the Memphis Postmodern design...
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