Greenwich Oriental Antiques Paintings

Joan Miró, Ceramiques, is an original Lithograph made in 1974. It has a printed signature in the lower right of the image. Published and Printed by Maeght, Paris. M.928. Joan Miró w...

Japan, a fine set of two shoji "Birds and Dragonfly" bamboo doors or screens recently acquired from a Japanese private collector. The hand carved boards are artistically cut and ins...

This painting is a contemporary figurative work featuring a seated male nude rendered in an expressive, gestural style. The man is seated on a simple wooden chair, wearing only a wh...

Obata Tosho (1812-1886) Mice & Millet Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and flower paintin...

Obata Tosho (1812-1886) Snail, Wasp & Hollyhock Late Edo period, mid 19th Century Framed Japanese Painting. Ink and color on paper. Individually framed 19th century bird and flow...

Nakamura Daizaburo Turtledoves in a Peach Tree Taisho period, circa 1920 Framed painting. Mineral pigments, ink and gofun on silk Signed: Daizaburo Dimensions (framed)...

Mid-20th Century Japanese silk embroidered framed painting A silk embroidered painting and is framed behind glass with a scene of women in ...

From an important thirty year old New England collection of American Folk Art Pyrography Arthur Grinnell Fire Screen (1854-1924) This original circa 1910 fire screen- framed pyrogr...

Stunning little american folkhart water color of a young gentleman. Sitting with his arm over the back of what appears to be a tiger maple chair of the period. In the lower right corner we can see what is a tiger maple table...

Anonymous Summer willow and sparrows Taisho period, circa 1920 Framed painting. Mineral pigments, mica, gold, ink and gofun on silk Dimensions (framed): H. 98 cm x W. 135 cm x D...

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

Material: frame/Acrylic and cloth , ink on paper There is very little information available about this artist. He is from Oita, so it is likely that he is a member of the Nagasak...