HAMPTON BAY AUCTIONEERS Animal Prints

David Shrigley Untitled (Hiss), 2023 Off-set lithography Printed on 200g Munken Lynx 27 3/5 × 19 7/10 in 70 × 50 cm Edition of 350 Not signed nor numbered Published by Shrig Shop, C...

Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

This stunning Artist's Proof is an one-off, oil hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the natu...

The Party Animal II (Giraffe) is a lithograph on paper, initialed lower right 'BD', 9.5 x 7.25" image size. From the edition of 395, numbered LXVII/C (there were also 275 Arabic and ...

Mid-Century coloured woodblock print of 'ploughing the fields' by 20th century Japanese artist Ini Kumo. The print is hand-signed in pencil, dated 1966 and numbered 130/700 to the bottom right and presented under glass in a black wooden frame. A beautiful woodblock printed image of a Japanese farmer in traditional attire ploughing the land with his ox. It is early evening and as the sun goes down it casts long shadows in front of the two figures. Perhaps the farmer is on his way back to the houses grouped in the distance already in shadow. The artist has carefully picked out areas of vibrant green and blue to give energy and colour to the image which contrast against the black of the ox. A thoroughly enchanting image. Ini Kumo is a recognised Sõsaku-hanga artist. His work is included in the Metropolitan Museum of Art in New York. Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizuri). As opposed to the parallel shin-hanga ("new prints") movement that maintained the traditional ukiyo-e collaborative system where the artist, carver, printer, and publisher engaged in division of labor. The birth of the sōsaku-hanga movement was signaled by Kanae Yamamoto...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

Francisco Toledo El Pez, 1976 Etching in colors, on Rives BFK paper Unframed dimensions: 14.87 x 11.12 inches Framed dimensions: 31 x 24 inches Edition 14/30

Bull by the Horns (I've Got the) is a lithograph on paper, initialed lower right 'BD', 7.75 x 9" image size. From the edition of 395, numbered XCVI/C (there were also 275 Arabic and ...

Harry Bunce June The Happy Year Limited Edition Print Edition of 365 (one for each day of the year) Image Size: H 31.5cm x W 28cm Signed Sold Unframed...

Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...

Not signed. Includes passepartout (49 x 34 cm).

Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression. [Delteil 61.1] ______ At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school.  He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life.  In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault.  His first exhibited work was Dante and Virgil...