Helicline Fine Art Abstract Drawings and Watercolors
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"Lascaux" Mid-20th Century American Abstract 1960s Color Field Modernist
Located in New York, NY
"Abstraction" Mid-20th Century American Abstract 1960s Color Field Modernist
James Daugherty (1887-1974)
"Lascaux"
5 ¼ x 8 ¼ inches
Pastel on paper
Initialed lower left, titled lo...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
"Sculpture Model" Abstract American Drawing Modernism Mid 20th Century Cubism
Located in New York, NY
"Sculpture Model" Abstract American Drawing Modernism Mid 20th Century Cubism
Charles Biederman (American, 1906-2004)
Sculpture Model
Ink and gouache on Arches paper
Sight: 18 x 1...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Paper, Gouache
Surreal Abstract Mid 20th Century American Modern Woman Artist Work on Paper
Located in New York, NY
Surreal Abstract Mid 20th Century American Modern Woman Artist Work on Paper
Juanita Guccione (1904 - 1999)
Surreal Abstract
18 x 11 3/4 inches
Watercolor and mixed media on paper
Signed lower left
Framed: 23 x 17 inches
Note. We are currently have listed a 1935 oil by Guccione, and in addition to this abstract drawing, we have several other works on paper, along with a major surrealist oil, none of which are currently listed. Inquiries are invited.
BIO
The following is from Djelloul (Del) Marbrook, son of the artist. Of signatures on paintings by his mother, Juanita first signed as Anita Rice, then as Juanita Rice, Juanita Rice Marbrook, Juanita Marbrook, and finally Juanita Guccione after marrying in the 1940s.
Juanita Guccione's life (June 20, 1904-December 18, 1999) spanned all but four years of the 20th Century. Cubist*, realist, surrealist*, automatist* and abstract strains are all to be found in her work, but by 1970 she was painting works in watercolor and acrylic that no longer included the human figure or the observed world. She was the younger sister of the abstract geometric* artist Irene Rice Pereira. The sisters were born in Chelsea, MA, but spent most of their working lives in Manhattan.
In the early 1930s, Guccione, then painting as Nita Rice, lived for four years among the Ouled Nail...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Gouache, Rag Paper
"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan
By Abraham Walkowitz
Located in New York, NY
"Abstract Cityscape" NYC Early 20th Century American Scene Social Realism Ashcan
Abraham Walkowitz (American, 1878-1965)
Abstract Cityscape
Sight: 6 1/4' x 8 1/2 inches
Mixed media...
Category
1910s Abstract Landscape Drawings and Watercolors
Materials
Paper, Mixed Media
Bridge Contemporary African American Urban Landscape 20th Century Alvin Ailey NY
By Romare Bearden
Located in New York, NY
"Bridge" Contemporary African American Urban Landscape 20th Century Alvin Ailey NYC
ROMARE BEARDEN (American, 1914-1988)
The Bridge, 1982
signed 'Romare Bearden' (upper left); with...
Category
1980s Contemporary Landscape Drawings and Watercolors
Materials
Watercolor, Paper
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
By Arthur Dove
Located in New York, NY
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
Arthur Dove (1880-1946)
"Barns"
5 x 7 inches
Watercolor on paper, 19...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
By Arthur Dove
Located in New York, NY
"Through the Trees" Watercolor Mid-20th Century Modern Excellent Provenance
Arthur Dove (1880-1946)
"Through the Trees"
5 x 7
Watercolor on paper, 1938
Singed lower center
Framed: 1...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction
Located in New York, NY
"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction
James Daugherty (1887 – 1974)
Untitled
9 x 16 inches
Initialed lower right
Dated November 1, 1966 lower ...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction
Located in New York, NY
"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction
James Daugherty (1887 – 1974)
Untitled
12 ¼ x 15 ¼ inches
Initialed and dated February 21, 1966 lower ri...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
"Harlequin’s Birthday" Mid 20th Century American Abstract 1960s Color Field
Located in New York, NY
"Harlequin’s Birthday" Mid 20th Century American Abstract 1960s Color Field
James Daugherty (1887 – 1974)
Harlequin’s Birthday
17 1/4 x 11 inches
Pastel on paper, c. 1965
Titled lo...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction
Located in New York, NY
"Untitled" Mid 20th Century American Abstract 1960s Color Field Abstraction
James Daugherty (1887 – 1974)
Untitled
15 x 21 ½ inches
May 15, 1967
Pastel on paper
Signed lower left
...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
By Stuart Davis
Located in New York, NY
"NY Street Signs" Mid-20th Century WPA 1938 Modernist Abstract Realism Pop Art
Stuart Davis (American, 1892-1964) "Street Signs" Modernist gouache and traces of pencil on paper in the proto-pop art style Davis is celebrated for, 1938, signed to lower right, framed. Image: 11 1/4 x 15 1/4 inches. Frame by Bark: 18 1/2 x 22 inches.
LITERATURE: A, Boyajian, M. Rutkowski, Stuart Davis, A Catalogue Raisonne, Vol. 2, New Haven, Connecticut, 2007, vol. II, p. 632, no. 1232, illustrated.
EXHIBITIONS: ACA Galleries, New York American Artists' Congress: Group Exhibition of Paintings and Sculpture, Dec. 3-16, 1939 (SDAB I, 12/3/39, p. 129). Outlines Gallery, Pittsburgh, Stuart Davis, Mar. 3-16, 1946. Coleman Art Gallery, Philadelphia, 5 Prodigal Sons: Former Philadelphia Artists: Ralston Crawford, Stuart Davis, Charles Demuth, Julian Levi, Charles Sheeler, Oct 4 - 30, 1947 (pamphlet), no. 12.
PROVENANCE: The artist; Mr. and Mrs. Frank Bowles, New York, Apr. 3, 1956; thence by descent, Private Collection, New York.
NOTES: According to the Catalogue Raissonne, "the title 'Street Signs' is recorded in the artist's account books...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache, Pencil
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
By Irene Rice Pereira
Located in New York, NY
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
Irene Rice Pereira (1902-1971)
Abstract
8 1/2 x 5 1/2 inches
Watercolor, gouache, and ink on black paper
Signed lower right
Framed by Bark
BIO
rene Pereira was born in 1902 in Chelsea, Massachusetts and grew up in Great Barrington. She was strongly influenced by her mother who was an amateur artist. Irene began art lessons at the age of fifteen; she took a secretarial job because her father had died. She took art classes at the Art Students League in New York City. At the age of twenty-one she married the first of three husbands, Humberto Pereira, whose name she kept.
She traveled extensively in Europe and North Africa and was much inspired by the expansive vistas of the Sahara Desert. Returning to New York, she began incorporating these visions into her work, increasingly experimental in her styles and methods. At first she painted on canvas, then she devised a means of actually incorporating light into her works by painting on layers of glass and mounting the layers together.
In 1942 she married George Brown, an engineer, who helped her experiment with a variety of materials. By the 1950s she became more interested in writing poetry and, divorced from Brown in 1952, she married George Reavey, an Irish Poet...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel
By Clarence Holbrook Carter
Located in New York, NY
Abstract Cityscape Mid 20th Century Modern Cubist Work on Paper Drawing Ariel
11 x 4 1/2 inches. Framed by Heydenryk.
Provenance: Gary Snyder Fine Art
B...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Paper, Gouache
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing
By Jean Xceron
Located in New York, NY
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing.
A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism.
Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...
Category
1940s American Modern Abstract Drawings and Watercolors
Materials
Paper, Gouache
Abstract Landscape Mid 20th Century Work on Paper Hamptons, NY Drawing Pastel
By Robert Dash
Located in New York, NY
Abstract Landscape Mid 20th Century Work on Paper Hamptons, NY Drawing Pastel. Signed and dated '62 lower right. 9 x 12 inches (sight) and 15. 1/2 x 18 1/2 inches framed.
BIO
Robert Dash is known for his Hamptons paintings...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern
By Louis Stone
Located in New York, NY
Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame.
Louis King Stone ...
Category
1940s American Modern Mixed Media
Materials
Gouache, Board
Italian Abstract Work on Paper Color Field Non-Objective European Mid-Century
By Piero Dorazio
Located in New York, NY
Italian Modern Abstract Work on Paper Color Field Non-Objective European Mid-Century - "Gonage"
Dorazio completed "Gonage" in 1949 when just after the artist had been awarded a stipend by the French government and admission to the Academy Beaux Arts. There he met George Braque who became great friends but also an influence on Dorazio, of which "Gonage" is a living testament.
"Gonage" actual size of the drawing measures 12 x 9 1/2 inches. It is signed on the lower right. The work is affixed to a 19 x 15 inch board which includes the artist's signature and date. There is a torn table on the lower left entitling the piece "Gonage".
Provenance follows this piece as a gift in 1950 to the artist-colleague Luigi Lucioni, who then gifted it in 1955 to his friend, the uncle of the current owner who has owned the work since 1988.
Bio
Born in Italy, Piero Dorazio studied architecture in Rome. At the same time his first abstract works were executed. In 1947 he received a scholarship from the Ecole Nationale Supérieure des Beaux Arts in Paris, where he contacted Modern artists, who lived in Paris. He founded the galleries "Age d'Or" in Florence and Rome to represent avant-garde arts in Italy.
During a one year stay in the USA he got acquainted with leading artists of Abstract Expressionism such as Marc Rothko...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Gouache, Board
"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge
By Burgoyne Diller
Located in New York, NY
"Second Theme" 1949 Abstract Mid 20th Century Geometric Non-Objective Hard Edge
Burgoyne A. Diller (American, 1906-1965) "Second Theme" 1949. Pencil and crayon on paper. Signed and dated 'D. 49' (lower right). Image: 9 1/2 x 5 1/2 in. Andre Emmerich Gallery, New York. Martha Jackson Gallery, New York. Anderson Gallery, Buffalo, New York. David K. Anderson Grandchildren's Trust.
BURGOYNE DILLER (1906-1965) Recognized as the first American painter to embrace the tenets of Neo-Plasticism, Burgoyne Diller made an important contribution to the development of non-objective art in the United States. Working in a hard-edged geometric style, he produced paintings, drawings, and collages that paved the way for the development of American Minimalism during the 1960s and 70s.
Born in New York City in 1906, Diller began painting and drawing as a teenager growing up in Battle Creek, Michigan. Later, while attending Michigan State University in East Lansing on an athletic scholarship, he made weekend visits to the Art Institute of Chicago, where he familiarized himself with Impressionist and Post-Impressionist painting. He was especially drawn to the landscapes and still lives of Paul Cézanne, who modeled color to create structure and volume.
In 1929, Diller moved to Manhattan and enrolled at the Art Students League, where his teachers included such progressive-minded painters as Jan Matulka, Hans Hofmann, and George Grosz. Hofmann's concept of the "push-pull" effect of form and color exerted a strong influence on his early work, as did his growing familiarity with Analytical and Synthetic Cubism, German Expressionism, and other vanguard European styles. Diller had the opportunity to see some of this work firsthand, but he also kept abreast of developments abroad by reading journals such as Cahiers d'Art.
Diller completed his studies at the League in 1933, the year he had his first solo exhibition at the Contemporary Arts Gallery in New York. It was around this time that his paintings began to show the influence of the reductive, pared-down geometric compositions of the Dutch Constructivist Piet Mondrian and the equally restrained compositions of Kasimir Malevich and El Lissitsky...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Paper, Crayon, Pencil
Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century
By Konrad Cramer
Located in New York, NY
Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap.
A...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Paper, Ink, Watercolor
MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern
By Ramstonev (Ramsey/Stone/Evans co-operative)
Located in New York, NY
MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right.
RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records.
The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement.
These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work.
In the scope of importance among the New Hope Modernist...
Category
1930s American Modern Abstract Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
MAGIC CASEMENT, Abstract Non-Objective Mid-Century Pastel Color Field Drawing
Located in New York, NY
MAGIC CASEMENT, Abstract Non-Objective Mid-Century Pastel Color Field Drawing
"Magic Casement"
16 x 20 ¾ inches
Pastel on paper
Initialed JD and dated February 22, 1967 lower left,
Titled lower right
The framed work measure 18 x 23 inches.
Provenance: James Daugherty...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Paper, Pastel
Abstract Non-Objective Mid 20th Century Color Field Painting James Daugherty
Located in New York, NY
Abstract Non-Objective Mid 20th Century Color Field Painting James Daugherty
James Daugherty (1887 – 1974) "Unidentified Flying Object," 12 x 16 inche...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Oil, Board
1, 000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair
By Ilya Bolotowsky
Located in New York, NY
1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair.
Ilya Bolotowsky (1907-1981) "1939 World’s Fair Mural Study for the Hall of Medical Sciences...
Category
1930s Abstract Geometric Abstract Drawings and Watercolors
Materials
Paper, Gouache, Canvas, Plaster, Oil
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Mural Sculpture, Lobby, Louisville Radio Station WAVE
Fountain, commissioned by Architectural Interiors, New York City
Model, designed and executed for Festival of Two Worlds, Spoleto, Italy
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Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire
Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980
Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont
Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey
Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City
Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts
Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey
Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York
Sculpture for Vice President's office, Atlantic Richfield Company, New York City
Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect
Poster, Stratton Arts Festival, Stratton, Vermont
Medallion, commissioned by Brandeis University National Women's Committee, New York City
Model for Fountain for the Plaza at Windsor, Vermont
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1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award
1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry
1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City
1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont
1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences
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1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia
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Composition with Circles II
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Intersecting Magic Square
By Charmion von Wiegand
Located in New York, NY
Charmion von Wiegand
Intersecting Magic Square, ca. 1963
Gouache on paperboard
Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself.
Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass
This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame
Measurements:
Frame:
21 x 17 x 1.5 inches
Artwork:
18 x 14.25 inches
The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...
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1960s Abstract Geometric Abstract Paintings
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Gouache, Handmade Paper, Mixed Media, Pencil
