Hollis Pasadena Paintings and Screens

Pair of large Chinese Chinoiserie panels. Classic delicate style with bamboo, flowers, birds, and figures. Rich colors of blue, red, green on a cream...

The Mughal miniature painting, meticulously crafted with a single-hair brush on fine rice paper, captures a serene and elegant scene of Emperor Shah Jahan taking a leisurely stroll o...

Pair of 1960s painted panels depicting trees and birds. Measurements: Height: 44" Width: 26.25".

This 19th-century Indian miniature painting is composed in the Mughal style and depicts a meeting of the Hindu god Krishna and his shakti Radha, also known as the Supreme Goddess. To...

Joan Miró, Ceramiques, is an original Lithograph made in 1974. It has a printed signature in the lower right of the image. Published and Printed by Maeght, Paris. M.928. Joan Miró w...

Japanese Buddhist teaching painting, set of four paintings with 24 Buddhist stories with Japanese written characters in each story on one screen. Provenance: Purchased from Christie's South Kensington...

Captivating Japanese Showa period two-panel folding byobu screen featuring a pair of hawks or birds or prey tethered to a wooden perch. The painting has ink and natural colored pigme...

Pair of Qing dynasty architecture carving panels, detail carvings with warriors riding horses.

A stunning antique Tibetan Thangka with an embroidered border, circa mid to late 19th Century. It depicts Yamantaka or Vajrabhairava, a wrathful manifestation of Manjusri, the bodhisattva of wisdom, and in other contexts functions as a dharmapala, or 'Dharma-protector'. The buffalo head deity Vajrabhairava is one of the three principal meditation deities of the Gelug School. He is shown with nine faces in the Yab Yum...

Tanaka Tessen (b.1890) Dahlias and Roosters Taisho period, circa 1920 Framed painting. Mineral pigments and ink on silk. Dimensions (framed): H. 159 cm x W. 97 cm x D. 2.5 cm (62.5” x 38” x 1”) An ornate and complex composition in which the artist explores almost the entire painting surface. The coloration is bold and evocative and the tinted silk ground recreates the warm golden glow of sunset. Soft, luminous brushwork details the black feathers of the roosters, which seem to cloud and blur in counterpoint to the sharper points of the eyes and beaks. Their brilliant red combs balance the composition, echoing the rich burgundy hues of the dahlias; the flowers exquisite and lifelike. Dahlias were an exotic subject favored by painters of the Taisho era. The painting belongs to the school of Kyoto Nihonga, exemplifying the principles of decorative elegance and consumate brush technique with which it was intimately associated. Painters of the time relied on the Shijo school method, basing the forms of the composition from life sketches. Sometimes they were then integrated with elements derived from Chinese bird and flower...

Nice and unusual Indian Mughal style large decorative box, filigree and carved horn. Anglo-Indian footed domed box with exceptional engraved details throughout with filigree and carved veneered bone plaques with arabesque carving. Vizagapatam, late 19th century. History of the Anglo-Indian Boxes Beginning in the early part of the 18th century, Indian artisans made what came to be known as Anglo-Indian boxes for the English residents living in India, who eventually brought or sent them back to England. At the beginning of the 19th century, India began exporting these boxes commercially, although not in any significant numbers until the 1850s. People valued them so highly that manufacturers of tins copied the designs on them in the late 19th and early 20th century. Anglo-Indian boxes fall into four groups: Rosewood or ebony boxes inlaid; sandalwood boxes veneered; sandalwood boxes covered with Sadeli mosaic; and carved boxes often combined with Sadeli mosaic/ The first two categories came from Vizagapatam in East India while the last two came from Bombay in West India. English traders discovered the rich woods and intricate workmanship of Indian artisans, so colonial government officials began to recognize the work of the Indian artists and craftsmen as a source for satisfying the need for furniture and boxes, which would both serve to enhance English households in India. This gave rise to the cabinetmaking workshops in Vizagapatam between Calcutta and Madras. Craftsmen made the first boxes to be decorated with Sadeli mosaic of rosewood or ebony, incised to give further definition to the decoration, directly inlaid into the wood. The shape of the early boxes was either sloping at the front with a flatter section at the back, reminiscent of English writing slopes, or rectangular. Artisans inlaid the borders with stylized floral scrolls and the centers with a single floral motif following a circular or oval symmetrical or asymmetrical pattern. The edging was ornamental and protective, both helped protect the end grain against the weather. Made in Vizagapatam, situated on the south east coast of India, near Madras These exotic boxes...

A large Pichhavai painting of Krishna with female Gopis dancing Krishna playing flute on a bed of lotus, the composition is enclosed in a lush gree...