HOLM Vintage Chandeliers and Pendants

Very nice Danish pendant lamp from the 1960s. The design and the appearance of the lamp is particularly beautiful. The shape creates a wonderful light. High-quality workmanship an...

Danish modern, cylinder pendant light by Simon Henningsen plays with color and shadow to create a minimal, modernist feel. The light features suspended Lucite bands at top and bottom...

Poul Henningsen for Louis Poulsen pendant lamp, designed for the Langelinie Pavillion in Copenhagen. This item was once of the approximately...

Hanging lamp by Simon Henningsen for Lyfa, Denmark. This lamp was designed for the restaurant Divan in the amusement park Tivoli in Copenhagen. Made of different lacquered and chrome...

Gothic almost looking like it belong in a Batman Movie this sculptural Pendant light by Simon P. Henningsen was made by Lyfa and was originally designed i...

The fixture is 100% glare-free, with a design based on the principle of a reflective three-shade system, which directs most of the light downwards. The shades are made of deep drawn aluminum with white inner surface that ensures gentle, downward light distribution. The downward light is both soft and pleasant. To mark Poul Henningsen’s 120th birthday on 9 September, Louis Poulsen is launching the new PH 3...

Poul Henningsen PH 5-4½ Pendant Lamp for Louis Poulsen. This architecturally versatile four-shade system was originally designed by Poul Henningsen in 1931, then redesigned in 1979 ...

Table lamp Kassablanka 142 signed by Simon P Henningson for Lyfa Natural anodized aluminum D.142mm H.153mm 2m white plastic with switch Socket: G9 Max 28W KASSABLANKA, a masterpiec...

The fixture design is based on the principle of a reflective three-shade system, which directs the majority of the light downwards. The shades are made of hand-blown, opal, three-layer glass, which is glossy on top and sandblasted matte on the underside, giving a soft and uniform light distribution. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The PH 2...

The trumpet-shaped top shade provides illumination of the area above the three lower shades, which primarily direct the light downwards. A base reflector and a blue glare ring protect against glare from all angles. The strongest light is directly under the fixture. The shades have a matte white painted finish to ensure very comfortable lighting. Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture that could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade fixture was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 1940s, but was redesigned in 1979 by Danish architects, Sophus Frandsen and Ebbe Christensen, for the Charlottenborg exhibition building in Copenhagen (although in a larger size: PH 6...

Poul Henningsen developed the PH 5 in 1958 as a follow-up to his celebrated three-shade system. The fixture emits both downward and lateral light, thus illuminati...

The trumpet-shaped top shade provides illumination of the area above the three lower shades, which primarily direct the light downwards. A base reflector and a blue glare ring protec...