Il Segno Del Tempo Srl Paintings

Venetian school of the second half of the 18th century. Oil painting on canvas depicting an Arcadian landscape of pastoral genre. This type of pictorial representation established it...

Grey Horse in Stable - Oil on Canvas circa 1850, canvas 41 x 32 cm. Framed in a contemporary gilt frame. This attractive piece has been relined and restored and has emerged as an a...

Italian orientalist oil on canvas painting. 20th century. The fine oil painting depicting an orientalist woman dressed in traditional garments w...

American oil on canvas landscape with a flowing stream, trees and mountains, watering cows in the foreground, sun in the background, encompassed on the origi...

Pair of Mid 19th century Italian Neapolitan views, gouache on paper.

This painting is an oil on canvas. It represents small boats near a nice bridge on a river in a French town. This painting is signed. This is a work, circa 1960.

English oil on canvas painting of horse in stable with the gilt & burl frame. Signed & Dated "J. Brown Coventry 1866"

The Vajolet Towers - Italy Artist: A. Thöny Period: Early 1900s Origin: Italy Technique and support: Oil on canvas mounted on cardboard Dimensions: Height – 33 cm Width – 27 cm Description: The artwork depicts a landscape view of the Vajolet Towers, a prominent rock formation in the Catinaccio Dolomite massif. The artist employs a vertical composition, ideal for emphasizing the upward thrust of the towers, which rise monumentally against the sky. Thöny’s pictorial language is marked by a dense and vigorous brushstroke, particularly evident in the rocky details, where the use of oil paint enhances the typical limestone hues of the Dolomite rock. Dominant tones include ochre, warm greys, and earthy greens, with accents of white and light blue suggesting reflected light or lingering snow. The atmosphere is conveyed through a balanced interplay of solid and airy elements: the towers emerge from low-lying clouds, creating a contrast between the mountain’s solidity and the sky’s dynamic quality. The latter is rendered in cool tones—shades of blue and light grey—achieved through light glazing, contrasting with the more textured and impasto treatment of the rock. The vantage point is elevated yet slightly off-center, offering a framing that enhances the landscape’s perspective and depth, with hints of blurred mountain ridges on the horizon, painted in cobalt blue and greys to evoke a sense of atmospheric distance. Signed lower right, “A. Thöny”. A. Thöny was active in Merano, in the alpine region of South Tyrol, and belonged to the romantic-naturalist school of the late 19th century, connected to the Central European tradition of alpine landscape painting...

1990s Italian Venetian framed oil on canvas painting with craquelure.

A beautiful large scale Italian 18th century oil on canvas painting in a giltwood frame. The painting depicts the lovely Italian countryside with charming personages dressed in class...

A Rare four-fold screen The panels by Maud Earl The screen of rounded rectilinear form and constructed from mahogany, with two pierced broken swan-neck pedi...

Late 19th Century French Victorian oval miniature watercolor on vellum portrait of a woman with a light blue dress in an ebonized frame.