IMMORTALIS Art & Antiques Torchères

Spanish Baroque style wrought iron torchère floor lamp with black patina. Beautifully hand wrought and turned shaft supported by a tripod base. This date from the early 20th century, a time when Italian and Spanish Baroque furniture...

Italian Florentine hand carved wood torchère as floor lamp, a tall solid cembran pinewood pricket carved on three sides, with a deep acanthus leaf and flowers carving, resting on tri...

Fine pair of 19th century French empire gilt bronze candle sticks. You're exploring a truly regal category—French Empire gilt bronze candlesticks are the epitome of early 19th-centur...

Pair of large and impressive bronze, marble and composition Louis XVI style six light painted and gilt torchères. Electrified. Bronze and composition mounted on Sienna marble bases.  

A pair of fine French Empire style brown patinated bronze candlesticks from the Napoleon III period. A fluted column beautifully decorated with ivy, rises on a tripod with claw-shape...

A pair of hand-forged, Renaissance Revival iron pricket sticks with removable bobeches. 22" height is to height of top of pricket stick. To top of bobeches is 19.25"H.

19th century a French patinated bronze sculpture candelabra candleholder with a traditional French style sculpture, gilt at the bottom. ...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

Outstanding 18th century, Italian carved and giltwood altar sticks with circular tops, carved applied putti decoration and scrolled feet. Some paint losses, repairs and varying degre...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A good 19th century Italian 'Florentine' or 'Lucerne' 4 burner brass oil lamp, in the Renaissance Revival manner, circa 1860. Designed to burn whale oil which is placed into a reserv...

A fine pair of champlevé enamel candlesticks in a chinoiserie style by Ferdinand Barbedienne (1810 - 1892), made in Paris ca.1880. Signed "F. Barbedienne" They are an example of the ...